|
Michael Althen
FAZ |
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Cristina Nord
|
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
Toni Erdmann
(Maren Ade, 2016)
|
|
|
|
91
|
99
|
87
|
|
|
92
|
90
|
91,8
|
Vortex
(Gaspar Noë, 2021)
|
|
88
|
92
|
|
90
|
|
|
90
|
90
|
|
90
|
Home Sweet Home – Wo das Böse wohnt
(Thomas Sieben, 2023)
|
|
|
|
|
|
|
|
|
89
|
|
89
|
Stop Making Sense
(Jonathan Demme, 1984)
|
|
87
|
|
|
84
|
|
|
93
|
89
|
|
88,3
|
Queer Exile Berlin
(Jochen Hick, 2024)
|
|
|
|
|
|
|
|
|
88
|
|
88
|
Pacifiction
(Albert Serra, 2022)
|
|
89
|
86
|
|
85
|
|
|
90
|
84
|
90
|
87,3
|
Was sehen wir, wenn wir zum Himmel schauen?
(Alexandre Koberidze, 2021)
|
|
87
|
90
|
|
90
|
90
|
|
90
|
92
|
72
|
87,3
|
Bildbuch (Le livre d’image)
(Jean-Luc Godard, 2018)
|
|
|
|
|
95
|
85
|
|
86
|
98
|
72
|
87,2
|
Martin Eden
(Pietro Marcello, 2019)
|
|
93
|
88
|
|
92
|
69
|
|
95
|
90
|
82
|
87
|
Mi país imaginario – Das Land meiner Träume
(Patricio Guzmán, 2022)
|
|
|
|
|
|
|
|
|
87
|
|
87
|
Boyhood
(Richard Linklater, 2014)
|
|
|
|
87
|
93
|
84
|
85
|
|
88
|
82
|
86,5
|
Zama
(Lucrecia Martel, 2017)
|
|
89
|
|
|
80
|
90
|
|
91
|
91
|
78
|
86,5
|
The Potemkinists
(Radu Jude, 2022)*
|
|
|
|
|
|
|
|
|
95
|
78
|
86,5
|
A Most Violent Year
(J. C. Chandor, 2014)
|
|
|
|
84
|
79
|
85
|
|
|
94
|
90
|
86,4
|
The Woman Who Left
(Lav Diaz, 2016)
|
|
86
|
|
|
94
|
|
|
|
85
|
80
|
86,3
|
Unruh (Unrueh)
(Cyril Schäublin, 2022)
|
|
84
|
90
|
90
|
84
|
75
|
|
85
|
97
|
84
|
86,1
|
Norte, the End of History (Norte, hangganan ng kasyaysayan)
(Lav Diaz, 2013)
|
|
|
|
|
82
|
85
|
95
|
|
78
|
90
|
86
|
Schlamassel
(Sylke Enders, 2023)
|
|
|
|
|
|
|
|
|
86
|
|
86
|
Speak No Evil
(Christian Tafdrup, 2022)
|
|
|
|
|
|
|
|
|
86
|
|
86
|
A Night of Knowing Nothing
(Payal Kapadia, 2021)*
|
|
88
|
87
|
|
84
|
|
|
88
|
|
82
|
85,8
|
Small Axe
(Steve McQueen, 2020)*
|
|
92
|
77
|
|
|
|
|
93
|
86
|
80
|
85,6
|
La Flor
(Mariano Llinas, 2018)
|
|
92
|
85
|
|
|
|
|
84
|
88
|
78
|
85,4
|
Heimat ist ein Raum aus Zeit
(Thomas Heise, 2019)
|
|
82
|
92
|
90
|
85
|
67
|
|
90
|
93
|
84
|
85,4
|
Balikbayan #1. Memories of Overdevelopment. Redux III
(Kidlat Tahimik, 2015)
|
|
|
|
|
|
80
|
|
|
96
|
80
|
85,3
|
Bella e perduta
(Pietro Marcello, 2015)
|
|
|
|
|
89
|
|
|
|
92
|
75
|
85,3
|
Cemetery of Splendour
(Apichatpong Weerasethakul, 2015)
|
|
|
|
75
|
85
|
93
|
|
|
93
|
80
|
85,2
|
Uncle Boonmee erinnert sich an seine früheren Leben
(Apichatpong Weerasethakul, 2010)
|
82
|
|
|
74
|
88
|
92
|
100
|
|
90
|
70
|
85,1
|
Moonrise Kingdom
(Wes Anderson, 2012)
|
|
|
|
85
|
84
|
78
|
80
|
|
93
|
90
|
85
|
Stop-Zemlia
(Kateryna Gornostai, 2021)
|
|
|
|
|
|
|
|
|
85
|
|
85
|
Mavka – Hüterin des Waldes
(Oleh Malamuzh, Oleksandra Ruban, 2023)
|
|
|
|
|
|
|
|
|
85
|
|
85
|
Geister – Exodus
(Lars von Trier, 2023)
|
|
|
|
|
|
|
|
85
|
|
|
85
|
The Queen Mary
(Gary Shore, 2023)
|
|
|
|
|
|
|
|
|
85
|
|
85
|
Landshaft
(Daniel Kötter, 2023)
|
|
|
82
|
|
|
|
|
|
88
|
|
85
|
Dunkirk
(Christopher Nolan, 2017)
|
|
|
|
84
|
82
|
83
|
|
82
|
87
|
90
|
84,7
|
Der Letzte der Ungerechten (Le dernier des injustes)
(Claude Lanzmann, 2013)
|
|
|
|
|
80
|
90
|
79
|
|
|
89
|
84,5
|
Holy Motors
(Leos Carax, 2012)
|
|
|
|
|
84
|
72
|
90
|
|
96
|
80
|
84,4
|
Maidan
(Sergej Loznitsa, 2014)
|
|
|
|
85
|
78
|
|
83
|
|
86
|
90
|
84,4
|
Saint Omer
(Alice Diop, 2022)
|
|
88
|
91
|
87
|
78
|
75
|
|
82
|
90
|
84
|
84,4
|
The Zone of Interest
(Jonathan Glazer, 2023)
|
|
89
|
50
|
92
|
90
|
74
|
|
94
|
96
|
90
|
84,4
|
Sieniawka
(Marcin Malaszczak, 2013)
|
|
|
|
81
|
|
|
90
|
|
86
|
80
|
84,3
|
Once Upon a Time in Anatolya
(Nuri Bilge Ceylan, 2011)
|
|
|
|
|
|
|
78
|
|
91
|
83
|
84
|
The Assassin
(Hou Hsiao-Hsien, 2015)
|
|
|
|
85
|
90
|
65
|
|
|
90
|
90
|
84
|
Scarred Hearts (Inimi cicatrizate)
(Radu Jude, 2016)
|
|
|
|
|
|
|
|
90
|
78
|
|
84
|
Neruda
(Pablo Larraín, 2016)
|
|
73
|
|
|
89
|
|
|
90
|
|
|
84
|
Call Me By Your Name
(Luca Guadagnino, 2017)
|
|
88
|
|
85
|
80
|
|
|
95
|
|
72
|
84
|
Suspiria
(Luca Guadagnino, 2018)
|
|
80
|
|
|
84
|
|
|
85
|
86
|
85
|
84
|
Apollo 10 1/2
(Richard Linklater, 2022)*
|
|
|
|
|
84
|
|
|
|
|
|
84
|
Elaha
(Milena Aboyan, 2023)
|
|
|
|
|
|
|
|
|
84
|
|
84
|
Alles Fifty Fifty
(Alireza Golafshan, 2024)
|
|
|
|
|
|
|
|
|
84
|
|
84
|
Liebe, D-Mark und Tod
(Cem Kaya, 2022)
|
|
84
|
79
|
90
|
78
|
|
|
86
|
|
85
|
83,7
|
Western
(Valeska Grisebach, 2017)
|
|
|
|
64
|
90
|
87
|
|
89
|
92
|
79
|
83,5
|
Ray & Liz
(Richard Billingham, 2018)
|
|
|
|
|
84
|
77
|
|
87
|
86
|
|
83,5
|
Drei Gesichter
(Jafar Panahi, 2018)
|
|
86
|
|
|
80
|
|
|
83
|
90
|
78
|
83,4
|
The Innocents
(Eskil Vogt, 2021)
|
|
80
|
|
|
|
|
|
84
|
86
|
|
83,3
|
Fallende Blätter (Kuolleet Lehdet)
(Aki Kaurismäki, 2023)
|
|
82
|
84
|
|
92
|
75
|
|
83
|
84
|
|
83,3
|
Anatomie eines Falls (Anatomie d’une chute)
(Justine Triet, 2023)
|
|
88
|
80
|
87
|
83
|
78
|
|
89
|
77
|
84
|
83,3
|
Vitalina Varela
(Pedro Costa, 2019)
|
|
|
84
|
|
92
|
|
|
81
|
85
|
74
|
83,2
|
Ema
(Pablo Larraín, 2019)
|
|
86
|
78
|
|
80
|
|
|
87
|
85
|
|
83,2
|
Tabu
(Miguel Gomes, 2012)
|
|
|
|
68
|
90
|
|
95
|
|
80
|
82
|
83
|
Jackie
(Pablo Larraín, 2016)
|
|
83
|
|
|
79
|
|
|
94
|
81
|
78
|
83
|
Phantom Thread (Der seidene Faden)
(Paul Thomas Anderson, 2017)
|
|
72
|
|
|
94
|
65
|
|
89
|
88
|
90
|
83
|
Ex Libris
(Frederick Wiseman, 2017)
|
|
93
|
|
|
74
|
|
|
|
|
82
|
83
|
Inside
(Vasilis Katsoupis, 2023)
|
|
|
|
|
|
|
|
|
83
|
|
83
|
Olaf Jagger
(Heike Fink, 2023)
|
|
|
|
|
|
|
|
|
83
|
|
83
|
Get Out
(Jordan Peele, 2017)
|
|
84
|
|
89
|
78
|
70
|
|
84
|
90
|
85
|
82,9
|
The Master
(Paul Thomas Anderson, 2012)
|
|
|
|
86
|
90
|
75
|
76
|
|
84
|
86
|
82,8
|
La chimera
(Alice Rohrwacher, 2023)
|
|
83
|
80
|
|
86
|
|
|
81
|
89
|
78
|
82,8
|
Police, adjective
(Corneliu Porumboiu, 2009)
|
|
|
|
85
|
70
|
|
|
|
93
|
83
|
82,8
|
Zum Tod meiner Mutter
(Jessica Krummacher, 2022)
|
|
82
|
85
|
|
|
|
|
|
81
|
|
82,7
|
Vorsicht Sehnsucht (Les herbes folles)
(Alain Resnais, 2009)
|
77
|
|
|
81
|
91
|
91
|
76
|
|
82
|
80
|
82,6
|
The Belladonna of Sadness
(Eiichi Yamamoto, 1973)
|
|
|
|
|
|
77
|
|
|
88
|
|
82,5
|
Glücklich wie Lazzaro (Lazzaro Felice)
(Alice Rohrwacher, 2018)
|
|
87
|
|
|
95
|
59
|
|
90
|
86
|
78
|
82,5
|
Bones and All
(Luca Guadagnino, 2022)
|
|
84
|
|
|
82
|
|
|
84
|
80
|
|
82,5
|
Parasite
(Bong Joon-Ho, 2019)
|
|
72
|
84
|
|
82
|
80
|
|
89
|
92
|
76
|
82,1
|
Revision
(Philip Scheffner, 2012)
|
|
|
|
87
|
80
|
78
|
90
|
|
82
|
75
|
82
|
Marketa Lazarová
(Frantisek Vlacil, 1967)
|
|
|
|
|
|
81
|
|
|
83
|
|
82
|
I am Not Your Negro
(Raoul Peck, 2016)
|
|
88
|
|
85
|
72
|
|
|
85
|
82
|
80
|
82
|
Victoria (2021)
(Sofie Benoot, Liesbeth de Ceulaer, Isabelle Tollenaere, 2020)
|
|
|
78
|
|
|
|
|
|
86
|
|
82
|
The Case You
(Alison Kuhn, 2022)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
The Story of Looking
(Mark Cousins, 2021)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
Return to Dust
(Li Ruijun, 2022)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
Monster im Kopf
(Christina Ebelt, 2023)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
Godzilla Minus One
(Takashi Yamazaki, 2023)
|
|
|
82
|
|
|
|
|
|
|
|
82
|
Die Missetäter (Los delincuentos)
(Rodrigo Moreno, 2023)
|
|
|
79
|
|
83
|
|
|
|
86
|
80
|
82
|
Challengers
(Luca Guadagnino, 2024)
|
|
88
|
|
68
|
76
|
75
|
|
87
|
90
|
90
|
82
|
Ein Höhlengleichnis (Il buco)
(Michelangelo Frammartino, 2021)
|
|
85
|
82
|
|
77
|
82
|
|
84
|
85
|
78
|
81,9
|
Félicité
(Alain Gomis, 2017)
|
|
78
|
|
86
|
79
|
|
|
|
84
|
|
81,8
|
Bohnenstange
(Kantemir Balagov, 2019)
|
|
82
|
85
|
|
92
|
75
|
|
83
|
93
|
62
|
81,7
|
Wettbewerb: Bad Luck Banging or Loony Porn
(Radu Jude, 2021)**
|
|
84
|
77
|
|
79
|
86
|
|
83
|
83
|
80
|
81,7
|
Memoria
(Apichatpong Weerasethakul, 2021)
|
|
85
|
83
|
|
94
|
74
|
|
84
|
83
|
69
|
81,7
|
Trenque Lauquen
(Laura Citarella, 2022)
|
|
80
|
80
|
|
84
|
81
|
|
|
83
|
82
|
81,7
|
Die geliebten Schwestern
(Dominik Graf, 2013)
|
|
|
|
82
|
79
|
82
|
74
|
|
92
|
80
|
81,5
|
Waldheims Walzer
(Ruth Beckermann, 2018)
|
|
72
|
|
89
|
82
|
|
|
76
|
88
|
82
|
81,5
|
Burning Days
(Emin Alper, 2022)
|
|
82
|
77
|
|
|
|
|
84
|
83
|
|
81,5
|
No Other Land
(Basel Adra, Yuval Abraham u.a., 2024)
|
|
83
|
|
|
|
|
|
80
|
88
|
75
|
81,5
|
Green Border
(Agnieszka Holland, 2023)
|
|
75
|
74
|
|
84
|
|
|
84
|
90
|
|
81,4
|
Verbrannte Erde
(Thomas Arslan, 2024)
|
|
83
|
89
|
75
|
78
|
82
|
|
78
|
87
|
79
|
81,4
|
Jaurès
(Vincent Dieutre, 2012)
|
|
|
|
|
|
80
|
80
|
|
84
|
|
81,3
|
Der Gymnasiast (Le lycéen)
(Christophe Honoré, 2022)
|
|
82
|
80
|
|
|
|
|
82
|
|
|
81,3
|
Die Purpursegel (L’envol)
(Pietro Marcello, 2022)
|
|
80
|
83
|
|
84
|
73
|
|
81
|
88
|
80
|
81,3
|
Die Lebenden reparieren
(Katell Quillévéré, 2016)
|
|
|
|
|
79
|
85
|
|
|
80
|
81
|
81,3
|
Moonlight
(Barry Jenkins, 2016)
|
|
92
|
|
78
|
76
|
|
|
84
|
88
|
69
|
81,2
|
Mit siebzehn (Quand on a 17 ans)
(André Techiné, 2016)
|
|
84
|
|
86
|
82
|
83
|
|
86
|
72
|
75
|
81,1
|
Wettbewerb: Herr Bachmann und seine Klasse
(Maria Speth, 2021)**
|
|
85
|
76
|
77
|
88
|
78
|
|
83
|
84
|
78
|
81,1
|
Le Havre
(Aki Kaurismäki, 2011)
|
|
|
|
83
|
90
|
71
|
78
|
|
94
|
70
|
81
|
Im Nebel
(Sergej Loznitsa, 2012)
|
|
|
|
83
|
79
|
|
|
|
|
|
81
|
Unsere kleine Schwester (Umimachi Diary)
(Hirokazu Koreeda, 2015)
|
|
|
|
|
70
|
|
|
|
92
|
|
81
|
The Event (Sobytie)
(Sergej Loznitsa, 2015)
|
|
|
|
85
|
72
|
73
|
|
|
90
|
85
|
81
|
Salt and Fire
(Werner Herzog, 2916)
|
|
|
|
90
|
|
83
|
|
68
|
83
|
|
81
|
Cold War – Der Breitengrad der Liebe
(Pawel Pawlikowski, 2018)
|
|
82
|
|
70
|
88
|
|
|
89
|
76
|
|
81
|
Asche ist reines Weiß
(Jia Zhang-Ke, 2018)
|
|
83
|
|
|
85
|
76
|
|
83
|
82
|
77
|
81
|
Passion Simple
(Danielle Arbid, 2020)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Hive
(Blerta Basholli, 2021)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Infinity Pool
(Brandon Cronenberg, 2023)
|
|
73
|
|
|
|
|
|
80
|
90
|
|
81
|
Chevalier Noir
(Emad Aleebrahim-Dehkordi, 2022)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Thanksgiving
(Eli Roth, 2023)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Animalia (La règne animal)
(Thomas Cailley, 2023)
|
|
83
|
|
|
|
|
|
82
|
84
|
75
|
81
|
Auf trockenen Gräsern
(Nuri Bilge Ceylan, 2023)
|
|
85
|
80
|
|
83
|
|
|
83
|
86
|
69
|
81
|
Watching You – Die Welt von Palantir und Alex Karp
(Klaus Stern, 2024)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Axiom
(Jöns Jönsson, 2022)
|
|
82
|
76
|
|
|
73
|
|
79
|
90
|
85
|
80,8
|
Der Funktionär
(Andreas Goldstein, 2018)
|
|
|
|
84
|
73
|
|
|
85
|
85
|
77
|
80,8
|
Der Fremde am See (L’inconnu du lac)
(Alain Guiraudie, 2013)
|
|
|
|
|
82
|
82
|
85
|
|
74
|
|
80,8
|
The Look of Silence
(Joshua Oppenheimer, 2014)
|
|
|
|
85
|
84
|
|
|
|
84
|
70
|
80,8
|
Vier Leben (Le quattro volte)
(Michelangelo Frammartino, 2010)
|
|
|
|
78
|
78
|
82
|
85
|
|
77
|
84
|
80,7
|
Der Glanz des Tages
(Tizza Covi & Rainer Frimmel, 2012)
|
|
|
|
|
82
|
|
|
|
90
|
70
|
80,7
|
Havarie
(Philip Scheffner, 2016)
|
|
93
|
|
89
|
43
|
|
|
85
|
84
|
90
|
80,7
|
Forum: The Inheritance
(Ephraim Asili, 2021)**
|
|
|
76
|
|
80
|
|
|
|
86
|
|
80,7
|
Orlando, meine politische Biografie (Orlando, ma biographie politique)
(Paul B. Preciado, 2023)
|
|
86
|
76
|
|
|
75
|
|
86
|
83
|
78
|
80,7
|
Drive My Car
(Ryusuke Hamaguchi, 2021)
|
|
75
|
80
|
|
85
|
|
|
78
|
85
|
|
80,6
|
Leave No Trace
(Debra Granik, 2018)
|
|
90
|
|
|
78
|
|
|
86
|
|
68
|
80,5
|
White Angel – Das Ende von Marinka
(Arndt Ginzel, 2023)
|
|
|
|
|
|
|
|
75
|
86
|
|
80,5
|
Tödliches Kommando (The Hurt Locker)
(Kathryn Bigelow, 2008)
|
80
|
|
|
77
|
83
|
82
|
77
|
|
80
|
84
|
80,4
|
Evil Does not Exist
(Ryusuke Hamaguchi, 2023)
|
|
84
|
87
|
|
80
|
70
|
|
77
|
85
|
80
|
80,4
|
The Florida Project
(Sean Baker, 2017)
|
|
92
|
|
|
78
|
|
|
85
|
77
|
70
|
80,4
|
The Card Counter
(Paul Schrader, 2021)
|
|
|
|
|
85
|
|
|
|
95
|
61
|
80,3
|
Nachtkatzen (De noche los gatos son pardos)
(Valentin Merz, 2022)
|
|
|
80
|
|
|
|
|
73
|
88
|
|
80,3
|
Drifter (2023)
(Hannes Hirsch, 2023)
|
|
80
|
78
|
|
|
|
|
|
83
|
|
80,3
|
Isadoras Kinder
(Damien Manivel, 2019)
|
|
|
87
|
|
73
|
|
|
80
|
81
|
|
80,3
|
In der Nacht des 12. (La Nuit du 12)
(Dominik Moll, 2022)
|
|
|
|
82
|
77
|
|
|
|
82
|
80
|
80,3
|
Critical Zone
(Ali Ahmadzadeh, 2023)
|
|
78
|
73
|
|
|
|
|
|
88
|
82
|
80,3
|
Our Beloved Month of August
(Miguel Gomes, 2008)
|
|
|
|
|
82
|
80
|
78
|
|
81
|
80
|
80,2
|
Wettbewerb: Wheel of Fortune and Fantasy
(Ryusuke Hamaguchi, 2021)**
|
|
72
|
84
|
|
84
|
81
|
|
78
|
82
|
|
80,2
|
Elle
(Paul Verhoeven, 2016)
|
|
92
|
|
86
|
85
|
45
|
|
93
|
90
|
70
|
80,1
|
Stille Seelen
(Alexei Fedorchenko, 2010)
|
|
|
|
|
89
|
|
|
|
86
|
65
|
80
|
Taxi Teheran
(Jafar Panahi, 2015)
|
|
|
|
84
|
80
|
82
|
79
|
|
85
|
70
|
80
|
Comoara (Der Schatz)
(Corneliu Porumboiu, 2015)
|
|
|
|
|
68
|
|
|
|
92
|
|
80
|
Untitled
(Michael Glawogger & Monica Willi, 2017)
|
|
|
|
|
80
|
|
|
|
80
|
|
80
|
Boys State
(Amanda McBaine, Jesse Moss, 2020)*
|
|
|
|
|
|
|
|
|
|
80
|
80
|
Zombi Child
(Bertrand Bonello, 2019)
|
|
|
79
|
|
80
|
75
|
|
76
|
93
|
77
|
80
|
Encounters: Azor
(Andreas Fontana, 2021)**
|
|
|
|
|
76
|
|
|
78
|
86
|
|
80
|
Sarah joue un loup-garou
(Katharina Wyss, 2017)*
|
|
|
78
|
|
|
|
|
80
|
82
|
|
80
|
JGA. Jasmin, Gina, Anna
(Alireza Golafshan, 2022)
|
|
|
|
|
|
|
|
|
80
|
|
80
|
A Hero
(Asghar Farhadi, 2021)
|
|
85
|
|
|
73
|
|
|
80
|
82
|
|
80
|
Erhebe dich, du Schöne
(Heidi Specogna, 2021)
|
|
|
|
|
|
|
|
|
80
|
|
80
|
Die Schriftstellerin, ihr Film und ein glücklicher Zufall
(Hong Sangsoo, 2022)
|
|
79
|
80
|
|
83
|
75
|
|
|
83
|
|
80
|
Drei Winter (Drii Winter)
(Michael Koch, 2022)
|
|
82
|
77
|
|
81
|
|
|
83
|
77
|
|
80
|
Fluchtburg
(Bernhard Sallmann, 2023)
|
|
|
|
|
80
|
|
|
|
|
|
80
|
Late Night with the Devil
(Colin Cairnes & Cameron Cairnes, 2023)
|
|
|
|
|
80
|
|
|
|
|
|
80
|
Vaters Garten – Die Liebe meiner Eltern
(Peter Liechti, 2013)
|
|
|
|
83
|
80
|
77
|
79
|
|
82
|
78
|
79,8
|
Favoriten
(Ruth Beckermann, 2024)
|
|
82
|
72
|
80
|
84
|
|
|
|
86
|
75
|
79,8
|
Computer Chess
(Andrew Bujalski, 2012)
|
|
|
|
|
82
|
76
|
79
|
|
82
|
80
|
79,8
|
The Grand Budapest Hotel
(Wes Anderson, 2013)
|
|
|
|
72
|
79
|
78
|
|
|
88
|
82
|
79,8
|
What You Gonna Do When the World’s On Fire?
(Roberto Minervini, 2018)
|
|
84
|
87
|
|
78
|
71
|
|
83
|
85
|
70
|
79,7
|
Von Menschen und Göttern (Des hommes et des dieux)
(Xavier Beauvois, 2010)
|
|
|
|
69
|
84
|
80
|
78
|
|
94
|
73
|
79,7
|
Schlafkrankheit
(Ulrich Köhler, 2011)
|
|
|
|
85
|
79
|
76
|
79
|
|
80
|
79
|
79,7
|
Elfriede Jelinek – Die Sprache von der Leine lassen
(Claudia Müller, 2022)
|
|
|
76
|
|
79
|
|
|
|
84
|
|
79,7
|
Spider-Man: Across the Spider-Verse
(Kemp Powers, Joaquim Dos Santos, Justin K. Thompson, 2023)
|
|
78
|
|
|
79
|
|
|
|
82
|
|
79,7
|
Shoplifters – Familienbande
(Hirokazu Kore-eda, 2018)
|
|
82
|
|
|
84
|
65
|
|
80
|
87
|
|
79,6
|
Der fantastische Mr. Fox
(Wes Anderson, 2009)
|
78
|
|
|
79
|
84
|
77
|
75
|
|
84
|
80
|
79,6
|
Arrival
(Denis Villeneuve, 2016)
|
|
90
|
|
89
|
55
|
76
|
|
77
|
80
|
90
|
79,6
|
La Danse
(Frederick Wiseman, 2009)
|
|
|
|
|
77
|
82
|
75
|
|
84
|
|
79,5
|
The Tribe (Plemya)
(Miroslav Slaboshpitsky, 2014)
|
|
|
|
|
|
75
|
|
|
84
|
|
79,5
|
RRR
(S.S. Rajamouli, 2022)*
|
|
|
|
|
|
78
|
|
|
81
|
|
79,5
|
Nope
(Jordan Peele, 2022)
|
|
82
|
78
|
68
|
79
|
78
|
|
86
|
94
|
71
|
79,5
|
Ein Leben (Une vie)
(Stéphane Brizé, 2016)
|
|
84
|
|
|
84
|
75
|
|
77
|
77
|
|
79,4
|
The Sisters Brothers
(Jacques Audiard, 2018)
|
|
80
|
|
|
83
|
|
|
87
|
77
|
70
|
79,4
|
The Trouble with Being Born
(Sandra Wollner, 2020)
|
|
85
|
82
|
|
64
|
|
|
82
|
84
|
|
79,4
|
Ivo
(Eva Trobisch, 2024)
|
|
83
|
80
|
|
74
|
|
|
76
|
84
|
|
79,4
|
First Cow
(Kelly Reichardt, 2019)
|
|
75
|
81
|
|
84
|
|
|
77
|
87
|
72
|
79,3
|
Die Bologna-Entführung (Rapito)
(Marco Bellocchio, 2023)
|
|
78
|
80
|
|
|
|
|
80
|
|
|
79,3
|
Aurora
(Cristi Puiu, 2010)
|
|
|
|
|
78
|
|
70
|
|
89
|
80
|
79,3
|
Rachel
(Simone Bitton, 2009)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
To Die Like a Man
(Joao Pedro Rodrigues, 2009)
|
|
|
|
|
81
|
85
|
80
|
|
|
70
|
79
|
Die Jungs vom Bahnhof Zoo
(Rosa von Praunheim, 2011)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Barbara
(Christian Petzold, 2012)
|
|
|
|
74
|
80
|
81
|
86
|
|
83
|
70
|
79
|
Das merkwürdige Kätzchen
(Ramon Zürcher, 2012)
|
|
|
|
86
|
72
|
78
|
82
|
|
85
|
71
|
79
|
Wo ist Rocky II?
(Pierre Bismuth, 2016)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Proxima
(Alice Winocur, 2019)
|
|
82
|
|
|
72
|
78
|
|
83
|
|
80
|
79
|
Lamb
(Valdimar Johannson, 2021)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Lars Eidinger – Sein oder Nicht Sein
(Reiner Holzemer, 2022)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Die drei Musketiere: D'Artagnan
(Martin Bourboulon, 2023)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Deep Sea
(Tian Xiaopeng, 2023)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Joy Ride – The Trip
(Adele Lim, 2023)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Wie wilde Tiere (As bestas)
(Rodrigo Sorogoyen, 2022)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Union – Die besten aller Tage
(Annekatrin Hendel, 2024)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Teaches of Peaches
(Judy Landkammer & Philipp Fussenegger, 2024)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
They See You
(Ishana Shyamalan, 2024)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Casting
(Nicolas Wackerbarth, 2017)
|
|
82
|
|
74
|
90
|
66
|
|
82
|
86
|
72
|
78,9
|
Das Turiner Pferd
(Béla Tarr, 2011)
|
|
|
|
72
|
|
80
|
80
|
|
83
|
|
78,8
|
Das Hamlet Syndrom
(Elwira Niewra, Piotr Rosolowski, 2022)
|
|
79
|
76
|
|
|
|
|
80
|
80
|
|
78,8
|
Die Unschuld
(Hirokazu Koreeda, 2023)
|
|
82
|
|
|
74
|
|
|
73
|
86
|
|
78,8
|
SPK Komplex
(Gerd Kroske, 2018)
|
|
67
|
|
85
|
78
|
75
|
|
78
|
84
|
84
|
78,7
|
Portrait de la jeune fille en feu
(Céline Sciamma, 2019)
|
|
92
|
71
|
|
48
|
84
|
|
91
|
83
|
82
|
78,7
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
|
75
|
|
82
|
73
|
|
|
83
|
80
|
|
78,6
|
Aftersun
(Charlotte Wells, 2022)
|
|
79
|
74
|
|
82
|
80
|
|
78
|
|
|
78,6
|
Motherland
(Alexander Mihalkovich & Hanna Badziaka, 2023)
|
|
|
72
|
|
|
|
|
|
85
|
|
78,5
|
Bottoms
(Emma Seligman, 2023)*
|
|
77
|
|
80
|
|
|
|
|
|
|
78,5
|
Right Now, Wrong Then
(Hong Sang-soo, 2015)
|
|
|
|
|
82
|
79
|
|
77
|
79
|
75
|
78,4
|
The Wild Pear Tree
(Nuri Bilge Ceylan, 2018)
|
|
|
78
|
|
79
|
79
|
|
80
|
86
|
68
|
78,3
|
Colectiv
(Alexander Nanau, 2019)*
|
|
82
|
78
|
77
|
75
|
|
|
80
|
|
78
|
78,3
|
Wild
(Nicolette Krebitz, 2016)
|
|
|
|
78
|
|
76
|
|
|
84
|
75
|
78,3
|
All of Us Strangers
(Andrew Haigh, 2023)
|
|
82
|
|
|
59
|
|
|
82
|
90
|
|
78,3
|
One Way Boogie Woogie / 27 Years Later
(James Benning, 2005)
|
|
|
|
|
78
|
78
|
80
|
|
80
|
75
|
78,2
|
Alles was kommt (L’avenir)
(Mia Hansen-Löve, 2016)
|
|
|
|
72
|
89
|
80
|
|
|
83
|
67
|
78,2
|
Wir (Us)
(Jordan Peele, 2019)
|
|
|
|
|
80
|
|
|
75
|
83
|
74
|
78
|
The Drop – Bargeld
(Michael R. Roskam, 2014)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
National Gallery
(Frederick Wiseman, 2014)
|
|
|
|
75
|
73
|
81
|
79
|
|
82
|
|
78
|
Alles steht Kopf (Inside Out)
(Pete Doctor, 2015)
|
|
|
|
80
|
80
|
74
|
|
|
|
78
|
78
|
Auf einmal
(Asli Özge, 2016)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Leto
(Kiril Serebrennikov, 2018)
|
|
78
|
|
|
73
|
|
|
82
|
82
|
75
|
78
|
Jeanne d’Arc
(Bruno Dumont, 2019)
|
|
72
|
87
|
|
|
|
|
69
|
84
|
|
78
|
Forum: The First 54 Years – An Abbreviated Manual for Military Occupation
(Avi Mograbi, 2021)**
|
|
|
|
|
81
|
75
|
|
|
|
|
78
|
Die letzte Stadt
(Heinz Emigholz, 2020)
|
|
74
|
|
|
|
|
|
82
|
|
|
78
|
Nico
(Eline Gehring, 2021)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Mit zwanzig wirst du sterben
(Amjad Abu Alala, 2019)
|
|
|
74
|
|
|
|
|
|
82
|
|
78
|
Menschliche Dinge
(Yavn Attal, 2021)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Berlin JWD
(Bernhard Sallmann, 2022)
|
|
|
|
74
|
79
|
|
|
|
81
|
78
|
78
|
Sonne und Beton
(David Wnendt, 2023)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Mediterranean Fever
(Maha Haj, 2022)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
There Is a Stone (Ishi ga aru)
(Tasunari Ota, 2022)
|
|
74
|
82
|
|
|
|
|
|
|
|
78
|
Rickerl – Musik ist höchstens a Hobby
(Adrian Goiginger, 2023)
|
|
|
|
|
65
|
|
|
|
91
|
|
78
|
Goodbye Julia
(Mohamed Kordofani, 2023)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Zero Dark Thirty
(Kathryn Bigelow, 2012)
|
|
|
|
75
|
82
|
78
|
67
|
|
85
|
80
|
77,8
|
Aggregat
(Marie Wilke, 2018)
|
|
82
|
|
75
|
80
|
|
|
|
82
|
70
|
77,8
|
Der Junge und der Reiher
(Hayao Miyazaki, 2023)
|
|
|
74
|
|
71
|
80
|
|
78
|
86
|
|
77,8
|
Hail, Caesar!
(Joel Coen, 2016)
|
|
|
|
70
|
80
|
|
|
|
91
|
70
|
77,8
|
Love & Friendship
(Whit Stillman, 2016)
|
|
85
|
|
|
74
|
|
|
72
|
|
80
|
77,8
|
Forum: Juste un mouvement
(Vincent Meessen, 2021)**
|
|
|
77
|
|
71
|
78
|
|
|
85
|
|
77,8
|
Jahrhundertfrauen (20th Century Women)
(Mike Mills, 2016)
|
|
|
|
|
89
|
|
|
72
|
|
72
|
77,7
|
Freiheit
(Jan Speckenbach, 2017)
|
|
73
|
|
78
|
|
|
|
|
82
|
|
77,7
|
Große Freiheit
(Sebastian Meise, 2021)
|
|
80
|
76
|
62
|
79
|
|
|
85
|
84
|
|
77,7
|
Spencer
(Pablo Larrain, 2021)
|
|
86
|
77
|
|
80
|
|
|
85
|
80
|
58
|
77,7
|
De Humani Corporis Fabrica
(Verena Paravel, Lucien Castaing-Taylor, 2022)*
|
|
77
|
77
|
|
79
|
|
|
|
|
|
77,7
|
Meine schöne innere Sonne (Un beau soleil intérieur)
(Claire Denis, 2017)
|
|
78
|
|
|
83
|
64
|
|
80
|
83
|
|
77,6
|
The Favourite
(Yorgos Lanthimos, 2018)
|
|
83
|
|
72
|
85
|
|
|
70
|
|
78
|
77,6
|
Reality
(Tina Sattler, 2023)
|
|
84
|
78
|
|
78
|
|
|
78
|
|
70
|
77,6
|
May December
(Todd Haynes, 2023)
|
|
70
|
78
|
|
89
|
|
|
77
|
|
74
|
77,6
|
Carlos – Der Schakal
(Olivier Assayas, 2010)
|
84
|
|
|
65
|
80
|
70
|
84
|
|
|
82
|
77,5
|
Der Junge mit dem Fahrrad
(Jean-Pierre und Luc Dardenne, 2011)
|
|
|
|
75
|
80
|
83
|
80
|
|
80
|
67
|
77,5
|
Fast verheiratet (The Five-Year Engagement)
(Nicholas Stoller, 2012)
|
|
|
|
74
|
|
79
|
|
|
85
|
72
|
77,5
|
Mein liebster Stoff (Mon tissu préferé)
(Gaya Jiji, 2018)
|
|
78
|
|
|
|
|
|
|
77
|
|
77,5
|
Burning
(Lee Chang-dong, 2018)
|
|
|
|
|
75
|
73
|
|
82
|
80
|
|
77,5
|
Oray
(Mehmet Akif Büyükatalay, 2019)
|
|
|
|
|
|
|
|
73
|
82
|
|
77,5
|
Wettbewerb: Petite Maman
(Céline Sciamma, 2020)**
|
|
82
|
71
|
|
78
|
70
|
|
85
|
|
79
|
77,5
|
Forum Expanded: Zahlvaterschaft
(Moritz Siebert, 2021)**
|
|
|
77
|
|
|
|
|
|
|
78
|
77,5
|
Human Flowers of Flesh
(Helena Wittmann, 2022)
|
|
72
|
86
|
|
|
|
|
68
|
84
|
|
77,5
|
Tagebuch einer Pariser Affäre (Chronique d’une liaison passagère)
(Emmanuel Mouret, 2022)
|
|
|
|
|
78
|
|
|
|
77
|
|
77,5
|
Vergiss Meyn Nicht
(Fabiana Fragale, Kilian Kuhlendahl, Jens Mühlhoff, 2023)
|
|
|
|
80
|
|
|
|
|
|
75
|
77,5
|
The Holdovers
(Alexander Payne, 2023)
|
|
77
|
|
|
65
|
|
|
|
89
|
79
|
77,5
|
Music
(Angela Schanelec, 2023)
|
|
84
|
90
|
|
52
|
90
|
|
84
|
62
|
80
|
77,4
|
Heino Jaeger – look before you kuck
(Gerd Kroske, 2012)
|
|
|
|
79
|
|
70
|
83
|
|
80
|
75
|
77,4
|
Silver Linings Playbook
(David O. Russell, 2012)
|
|
|
|
83
|
65
|
71
|
|
|
88
|
80
|
77,4
|
Olfas Töchter
(Kaouther Ben Hania, 2023)
|
|
76
|
75
|
|
69
|
|
|
77
|
90
|
|
77,4
|
Candyman
(Nia DaCosta, 2021)
|
|
70
|
|
|
74
|
|
|
|
88
|
|
77,3
|
Mit Liebe und Entschlossenheit (Avec amour et acharnement)
(Claire Denis, 2022)
|
|
72
|
78
|
|
84
|
76
|
|
79
|
75
|
|
77,3
|
The Interview
(Seth Rogen, Evan Goldberg, 2014)
|
|
|
|
81
|
72
|
|
|
|
84
|
72
|
77,3
|
Border (Gräns)
(Ali Abbasi, 2018)
|
|
|
|
|
80
|
63
|
|
85
|
81
|
|
77,3
|
Omen
(Baloji, 2023)
|
|
84
|
79
|
|
61
|
|
|
|
85
|
|
77,3
|
Eureka
(Lisandro Alonso, 2023)
|
|
76
|
85
|
|
80
|
|
|
68
|
|
|
77,3
|
Mission: Impossible 6 – Fallout
(Christopher McQuarrie, 2018)
|
|
72
|
|
|
78
|
|
|
80
|
76
|
80
|
77,2
|
Abteil Nr. 6
(Juho Kuosmanen, 2021)
|
|
70
|
77
|
|
83
|
|
|
78
|
78
|
|
77,2
|
Amsterdam
(David O. Russell, 2022)
|
|
82
|
|
|
|
78
|
|
74
|
83
|
69
|
77,2
|
Meek’s Cutoff
(Kelly Reichardt, 2010)
|
|
|
|
84
|
80
|
64
|
75
|
|
86
|
74
|
77,2
|
Work Hard Play Hard
(Carmen Losmann, 2011)
|
|
|
|
85
|
78
|
72
|
74
|
|
76
|
78
|
77,2
|
Sonne
(Kurdwin Ayub, 2022)
|
|
78
|
78
|
|
74
|
67
|
|
79
|
87
|
|
77,2
|
Material
(Thomas Heise, 2009)
|
49
|
|
|
87
|
83
|
73
|
80
|
|
80
|
87
|
77
|
Sweetgrass
(Lucien Castaing-Taylor, Ilisa Barbash, 2009)
|
|
|
|
|
74
|
|
80
|
|
|
|
77
|
Atlas
(David Nawrath, 2018)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
The Whispering Star (Hiso hiso boshi)
(Sion Sono, 2015)
|
|
|
|
|
|
64
|
|
|
90
|
|
77
|
Die Geträumten
(Ruth Beckermann, 2016)
|
|
|
|
70
|
86
|
65
|
|
85
|
84
|
72
|
77
|
Augenblicke: Gesichter einer Reise (Visages, villages)
(Agnès Varda & JR, 2017)
|
|
92
|
|
|
78
|
|
|
|
|
61
|
77
|
Guardians of the Earth
(Filip Antoni Malinowski, 2017)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Beale Street (If Beale Street Could Talk)
(Barry Jenkins, 2018)
|
|
84
|
|
60
|
64
|
|
|
86
|
91
|
|
77
|
Forum: A River Runs, Turns, Erases, Replaces
(Shengze Zhu, 2021)**
|
|
|
78
|
|
68
|
78
|
|
|
84
|
|
77
|
Mittagsstunde
(Lars Jessen, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Halloween Ends
(David Gordon Green, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
M3GAN
(Gerard Johnstone, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Talk to Me
(Danny & Michael Philippou, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Joyland
(Saim Sadiqu, 2022)
|
|
|
|
|
|
|
|
77
|
|
|
77
|
Sieger sein
(Soleen Yusef, 2024)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Niemals allein, immer zusammen
(Joana Georgi, 2024)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Touch
(Baltasar Kormakur, 2024)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
I Used to Be Darker
(Matt Porterfield, 2012)
|
|
|
|
72
|
78
|
75
|
78
|
|
78
|
80
|
76,8
|
Selbstkritik eines bürgerlichen Hundes
(Julian Radlmaier, 2016)
|
|
78
|
|
76
|
76
|
|
|
83
|
78
|
70
|
76,8
|
Kunst kommt aus dem Schnabel wie er gewachsen ist
(Sabine Herpich, 2020)
|
|
72
|
80
|
82
|
|
75
|
|
|
|
75
|
76,8
|
Horse Money (Cavalo Dinheiro)
(Pedro Costa, 2014)
|
|
|
|
72
|
|
75
|
|
|
90
|
70
|
76,8
|
Denk ich an Deutschland in der Nacht
(Romuald Karmakar, 2017)
|
|
|
|
77
|
|
|
|
70
|
82
|
78
|
76,8
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
|
67
|
76
|
|
83
|
|
|
81
|
|
|
76,8
|
Dumm und dümmehr (Dumb and dumber to)
(Peter and Bobby Farrelly, 2014)
|
|
|
|
|
90
|
55
|
|
|
|
85
|
76,7
|
Inherent Vice
(Paul Thomas Anderson, 2014)
|
|
|
|
67
|
87
|
79
|
80
|
|
77
|
70
|
76,7
|
Der Wald ist wie die Berge (Padurea e ca muntele, vezi?)
(Christiane Schmidt & Didier Guillain, 2014)
|
|
|
|
|
|
63
|
|
|
92
|
75
|
76,7
|
No Sudden Move
(Steven Soderbergh, 2021)
|
|
68
|
|
|
|
|
|
|
85
|
77
|
76,7
|
Forever Young (Les amandiers)
(Valeria Bruni-Tedeschi, 2022)
|
|
|
75
|
|
84
|
|
|
71
|
|
|
76,7
|
Irdische Verse
(Alireza Khatami & Ali Asgari, 2023)
|
|
79
|
|
|
65
|
|
|
|
86
|
|
76,7
|
Parallele Mütter
(Pedro Almodovar, 2021)
|
|
82
|
|
|
78
|
59
|
|
79
|
85
|
|
76,6
|
Life
(Daniel Espinosa, 2017)
|
|
|
|
|
|
|
|
|
78
|
75
|
76,5
|
Can You Ever Forgive Me?
(Marielle Heller, 2018)
|
|
|
|
|
78
|
|
|
75
|
|
|
76,5
|
Walchensee forever
(Janna Ji Wonders, 2020)
|
|
|
|
83
|
|
|
|
78
|
75
|
70
|
76,5
|
Licorice Pizza
(Paul Thomas Anderson, 2021)
|
|
72
|
78
|
|
83
|
|
|
68
|
79
|
79
|
76,5
|
To the Ends of the Earth
(Kiyoshi Kurosawa, 2019)
|
|
72
|
|
|
|
|
|
|
81
|
|
76,5
|
Feminism WTF
(Katharina Mückstein, 2023)
|
|
|
69
|
|
|
|
|
|
84
|
|
76,5
|
Shambhala
(Min Badhur Bham, 2024)
|
|
|
|
|
|
|
|
75
|
78
|
|
76,5
|
Lola
(Brillante Mendoza, 2009)
|
74
|
|
|
85
|
66
|
75
|
76
|
|
87
|
72
|
76,4
|
Al doilea joc – The Second Game
(Corneliu Porumboiu, 2014)
|
|
|
|
|
71
|
60
|
79
|
|
90
|
82
|
76,4
|
Der Ornithologe
(Joao Pedro Rodrigues, 2016)
|
|
|
|
|
74
|
85
|
|
74
|
77
|
72
|
76,4
|
Villa Amalia
(Benoit Jacquot, 2009)
|
|
|
|
|
|
86
|
77
|
|
|
66
|
76,3
|
Nightmare Alley
(Guillermo del Toro, 2021)
|
|
67
|
|
|
80
|
|
|
|
82
|
|
76,3
|
Massive Talent
(Tom Gormican, 2022)
|
|
69
|
|
|
72
|
|
|
|
88
|
|
76,3
|
Verlorene Illusionen (Illusions perdues)
(Xavier Giannoli, 2021)
|
|
82
|
|
|
90
|
64
|
|
82
|
70
|
70
|
76,3
|
Piaffe
(Ann Oren, 2022)
|
|
|
74
|
|
|
|
|
73
|
82
|
|
76,3
|
Ruhr
(James Benning, 2009)
|
|
|
|
|
80
|
66
|
79
|
|
80
|
|
76,3
|
Still Walking (Aruitemo aruitemo)
(Hirokazu Kore-eda, 2008)
|
|
|
|
68
|
87
|
62
|
|
|
88
|
|
76,3
|
Quo Vadis, Aida?
(Jasmila Zbanic, 2020)
|
|
65
|
|
|
79
|
|
|
80
|
81
|
|
76,3
|
How to Have Sex
(Molly Manning Walker, 2023)
|
|
76
|
|
|
|
|
|
85
|
82
|
62
|
76,3
|
Anhell69
(Theo Montoya, 2022)
|
|
82
|
73
|
72
|
74
|
|
|
80
|
|
|
76,2
|
The Fabelmans
(Steven Spielberg, 2022)
|
|
68
|
|
|
78
|
87
|
|
80
|
86
|
58
|
76,2
|
Korankinder
(Shaheen Dill-Riaz, 2008)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Im Bazar der Geschlechter
(Sudabeh Mortezai, 2009)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Stories We Tell
(Sarah Polley, 2012)
|
|
|
|
|
77
|
|
|
|
75
|
|
76
|
Sausage Party
(Conrad Vernon & Greg Tiernan, 2016)
|
|
|
|
|
77
|
|
|
70
|
|
81
|
76
|
Certain Women
(Kelly Reichardt, 2016)
|
|
74
|
|
78
|
80
|
68
|
|
87
|
75
|
70
|
76
|
Dil Leyla
(Asli Özarslan, 2017)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Die Welt sehen (Voir du pays)
(Delphine & Muriel Coulin, 2016)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
120BPM
(Robin Campillo, 2017)
|
|
|
|
|
70
|
|
|
78
|
80
|
|
76
|
Licht
(Barbara Albert, 2017)
|
|
|
|
|
80
|
|
|
|
72
|
|
76
|
Directions (Posoki)
(Stephan Komandarev, 2017)
|
|
|
|
|
|
|
|
75
|
77
|
|
76
|
Mandy
(Panos Cosmatos, 2018)
|
|
65
|
|
|
80
|
|
|
|
83
|
|
76
|
The Farewell
(Lulu Wang, 2019)
|
|
|
|
|
|
|
|
74
|
78
|
|
76
|
Spuren – Die Opfer des NSU
(Aysun Bademsoy, 2019)
|
|
|
|
77
|
|
|
|
|
79
|
72
|
76
|
Disclosure
(Sam Feder, 2020)*
|
|
|
74
|
82
|
|
80
|
|
74
|
|
70
|
76
|
Forum: Garderie nocturne
(Moumouni Sanou, 2021)**
|
|
|
|
|
71
|
80
|
|
|
77
|
|
76
|
Forum: Qué será del verano
(Ignacio Ceroi, 2021)**
|
|
|
|
|
79
|
|
|
73
|
|
|
76
|
The Green Knight
(David Lowery, 2020)
|
|
67
|
|
|
|
|
|
|
85
|
|
76
|
Die Königin des Nordens
(Charlotte Sieling, 2021)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Niemand ist bei den Kälbern
(Sabrina Sarabi, 2021)
|
|
79
|
|
|
|
|
|
73
|
|
|
76
|
Ballade von der weißen Kuh
(Maryam Moghadam & Behtash Saneeha, 2020)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Shazam! Fury of the Gods
(David F. Sandberg, 2023)
|
|
67
|
|
|
|
|
|
|
85
|
|
76
|
Suzume
(Makoto Shinkai, 2022)
|
|
76
|
79
|
|
|
73
|
|
76
|
|
|
76
|
Elemental
(Peter Sohn, 2023)
|
|
76
|
|
|
|
|
|
|
|
|
76
|
Tótem
(Lila Avilés, 2023)
|
|
69
|
70
|
|
82
|
|
|
69
|
90
|
|
76
|
The Quiet Girl
(Colm Bairéad, 2022)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Colonos
(Felipe Gálvez, 2023)
|
|
73
|
75
|
|
68
|
|
|
|
88
|
|
76
|
Vom Ende eines Zeitalters
(Christoph Hübner & Gabriele Voss, 2023)
|
|
|
|
70
|
|
|
|
|
88
|
70
|
76
|
Sleep With Your Eyes Open
(Nele Wohlatz, 2024)
|
|
79
|
78
|
|
|
|
|
71
|
|
|
76
|
Alles steht Kopf 2 (Inside Out 2)
(Kelsey Mann, 2024)
|
|
83
|
|
80
|
72
|
|
|
|
|
69
|
76
|
Was will der Lama mit dem Gewehr?
(Pawo Chyoning Dorji, 2023)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Krieg oder Frieden
(Elfi Mikesch, 2023)
|
|
|
69
|
|
|
|
|
|
83
|
|
76
|
The Room Next Door
(Pedro Almodóvar, 2024)
|
|
69
|
|
|
79
|
|
|
73
|
83
|
|
76
|
Jerichow
(Christian Petzold, 2009)
|
66
|
|
|
76
|
77
|
80
|
79
|
|
|
77
|
75,8
|
Brautalarm (Bridesmaids)
(Paul Feig, 2011)
|
|
|
|
70
|
70
|
71
|
69
|
|
88
|
87
|
75,8
|
Der Aufsteiger (L’exercice de l’état)
(Pierre Schoeller, 2011)
|
|
|
|
74
|
79
|
70
|
70
|
|
83
|
79
|
75,8
|
Putty Hill
(Matthew Porterfield, 2010)
|
|
|
|
60
|
84
|
|
76
|
|
83
|
76
|
75,8
|
Inside Llewyn Davis
(Ethan & Joel Coen, 2013)
|
|
|
|
82
|
78
|
|
80
|
|
77
|
62
|
75,8
|
Wie der Vater, so der Sohn (Soshite chichi ni naru)
(Hirokazu Koreeda, 2013)
|
|
|
|
|
80
|
72
|
73
|
|
78
|
|
75,8
|
Asteroid City
(Wes Anderson, 2023)
|
|
|
|
|
69
|
|
|
78
|
88
|
68
|
75,8
|
Policeman (Ha-shoter)
(Nadav Lapid, 2011)
|
|
|
|
|
80
|
78
|
|
|
|
69
|
75,7
|
Leviathan
(Andrey Zvyagintsev, 2014)
|
|
|
|
|
84
|
|
68
|
|
75
|
|
75,7
|
Morgen ist auch noch ein Tag (C’e ancora domani)
(Paola Cortellesi, 2023)
|
|
|
|
|
73
|
|
|
72
|
82
|
|
75,7
|
Do Not Expect Too Much from the End of the World
(Radu Jude, 2023)*
|
|
79
|
70
|
80
|
90
|
|
|
43
|
92
|
|
75,7
|
Futur drei
(Faraz Shariat, 2020)
|
|
82
|
70
|
80
|
|
70
|
|
76
|
|
|
75,6
|
Spring Breakers
(Harmony Korine, 2012)
|
|
|
|
83
|
33
|
84
|
75
|
|
92
|
86
|
75,5
|
It Follows
(David Robert Mitchell, 2014)
|
|
|
|
|
|
|
|
|
81
|
70
|
75,5
|
Manuscripts Don’t Burn
(Mohammad Rasoulof, 2013)
|
|
|
|
|
|
|
74
|
|
77
|
|
75,5
|
Promising Young Woman
(Emerald Fennell, 2020)
|
|
81
|
|
|
64
|
|
|
82
|
|
75
|
75,5
|
This Rain Will Never Stop
(Alina Gorlova, 2020)
|
|
74
|
|
|
|
|
|
|
77
|
|
75,5
|
Guardians of the Galaxy Vol. 3
(James Gunn, 2023)
|
|
|
|
|
79
|
|
|
|
72
|
|
75,5
|
Der Exorzist: Bekenntnis
(David Gordon Green, 2023)
|
|
72
|
|
|
|
|
|
|
79
|
|
75,5
|
In mir tanze ich – Das Klezmer-Projekt
(Leandro Koch & Paloma Schlachmann, 2023)
|
|
|
|
|
60
|
|
|
|
91
|
|
75,5
|
The Social Network
(David Fincher, 2010)
|
86
|
|
|
59
|
79
|
70
|
|
|
88
|
70
|
75,3
|
Grenzland
(Andreas Voigt, 2020)
|
|
|
|
72
|
|
|
|
|
79
|
75
|
75,3
|
Zwischen uns der Fluss
(Michael Klier, 2023)
|
|
71
|
73
|
|
|
|
|
|
82
|
|
75,3
|
Sad Jokes
(Fabian Stumm, 2024)
|
|
|
69
|
|
|
|
|
72
|
85
|
|
75,3
|
Unter Kontrolle
(Volker Sattel, 2011)
|
|
|
|
82
|
|
|
77
|
|
72
|
70
|
75,3
|
Yuki & Nina
(Nobuhiro Suwa Hippolyte Girardot, 2009)
|
|
|
|
|
70
|
80
|
72
|
|
|
79
|
75,3
|
Gute Manieren (As boas maneiras)
(Marco Dutra & Juliana Rojas, 2017)
|
|
79
|
|
|
65
|
|
|
82
|
75
|
|
75,3
|
All the Beauty and the Bloodshed
(Nan Goldin, 2022)
|
|
84
|
72
|
65
|
78
|
|
|
77
|
|
|
75,2
|
Köy
(Serpil Turhan, 2021)
|
|
79
|
71
|
70
|
|
|
|
70
|
86
|
75
|
75,2
|
Atmen
(Karl Markovics, 2011)
|
|
|
|
|
78
|
|
66
|
|
81
|
|
75
|
The Act of Killing
(Joshua Oppenheimer & Christine Cynn e.a., 2012)
|
|
|
|
85
|
79
|
80
|
72
|
|
84
|
50
|
75
|
Shirley
(Gustav Deutsch, 2013)
|
|
|
|
|
62
|
|
|
|
88
|
|
75
|
Anomalisa
(Duke Johnson & Charlie Kaufman, 2015)
|
|
|
|
|
85
|
|
|
|
89
|
51
|
75
|
Chevalier
(Athina Rachel Tsangaris, 2015)
|
|
|
|
|
70
|
|
|
|
80
|
|
75
|
Tschick
(Fatih Akin, 2016)
|
|
|
|
|
75
|
|
|
|
80
|
70
|
75
|
Deportation Class
(Carsten Rau & Hauke Wendler, 2016)
|
|
|
|
|
|
|
|
|
82
|
68
|
75
|
The Square
(Ruben Östlund, 2017)
|
|
76
|
|
62
|
52
|
78
|
|
84
|
88
|
85
|
75
|
Battle of the Sexes
(Jonathan Dayton & Valerie Faris, 2017)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Transit
(Christian Petzold, 2018)
|
|
83
|
|
68
|
84
|
59
|
|
80
|
86
|
65
|
75
|
Wildes Herz
(Charly Hübner, 2017)
|
|
|
|
75
|
|
|
|
75
|
|
|
75
|
Hans Blumenberg – Der unsichtbare Philosoph
(Christoph Rüters, 2018)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Il Traditore
(Marco Bellocchio, 2019)
|
|
76
|
73
|
|
82
|
72
|
|
68
|
76
|
78
|
75
|
Dark Waters
(Todd Haynes, 2019)
|
|
|
|
|
80
|
|
|
75
|
|
70
|
75
|
Wanda, mein Wunder
(Bettina Oberli, 2020)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Master
(Mariama Diallo, 2022)*
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Die Odyssee
(Florence Miailhe, 2021)
|
|
78
|
72
|
|
|
|
|
|
|
|
75
|
Into the Ice
(Lars Henrik Ostenfeld, 2022)
|
|
|
|
|
|
|
|
|
|
75
|
75
|
Echo
(Mareike Wegener, 2022)
|
|
|
69
|
|
|
|
|
|
81
|
|
75
|
Empire of Light
(Sam Mendes, 2022)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Living
(Oliver Hermanus, 2022)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Dream Scenario
(Kristoffer Borgli, 2023)
|
|
75
|
|
64
|
80
|
|
|
|
89
|
67
|
75
|
The Bikeriders
(Jeff Nichols, 2023)
|
|
70
|
|
|
70
|
|
|
|
85
|
|
75
|
Für die Vielen – Die Arbeiterkammer Wien
(Constantin Wulff, 2022)
|
|
78
|
76
|
72
|
78
|
73
|
|
74
|
79
|
69
|
74,9
|
A Killer Romance (Hit Man)
(Richard Linklater, 2023)
|
|
74
|
|
61
|
84
|
74
|
|
75
|
82
|
74
|
74,9
|
Liebe (Amour)
(Michael Haneke, 2012)
|
|
|
|
65
|
93
|
70
|
88
|
|
75
|
58
|
74,8
|
Never Rarely Sometimes Always
(Eliza Hittman, 2020)
|
|
82
|
68
|
|
74
|
|
|
81
|
84
|
60
|
74,8
|
Dinner für Spinner (Dinner for Schmucks)
(Jay Roach, 2010)
|
67
|
|
|
82
|
60
|
|
|
|
87
|
78
|
74,8
|
Manchester by the Sea
(Kenneth Lonergan, 2016)
|
|
66
|
|
|
80
|
|
|
62
|
82
|
84
|
74,8
|
Lady Bird
(Greta Gerwig, 2017)
|
|
85
|
|
|
78
|
61
|
|
80
|
|
70
|
74,8
|
Adam und Evelyn
(Andreas Goldstein, 2018)
|
|
83
|
|
75
|
|
69
|
|
|
87
|
60
|
74,8
|
Regeln am Band, bei hoher Geschwindigkeit
(Yulia Lokshina, 2020)
|
|
76
|
70
|
|
|
|
|
82
|
78
|
68
|
74,8
|
Secret Sunshine – Milyang
(Lee Chang-dong, 2007)
|
72
|
|
|
|
|
78
|
68
|
|
81
|
|
74,8
|
Toy Story 3
(Lee Unkrich, 2010)
|
74
|
|
|
75
|
80
|
|
|
|
|
70
|
74,8
|
Magic Mike
(Steven Soderbergh, 2012)
|
|
|
|
68
|
|
81
|
70
|
|
|
80
|
74,8
|
Foxcatcher
(Bennett Miller, 2014)
|
|
|
|
|
74
|
|
78
|
|
84
|
63
|
74,8
|
Le Prince
(Lisa Bierwirth, 2021)
|
|
72
|
78
|
|
|
|
|
67
|
82
|
|
74,8
|
Rudolf Thome – Überall Blumen
(Serpil Turhan, 2016)
|
|
|
|
70
|
|
75
|
|
|
79
|
|
74,7
|
Little Women
(Greta Gerwig, 2019)
|
|
82
|
64
|
|
80
|
|
|
78
|
79
|
65
|
74,7
|
Bernadette
(Richard Linklater, 2019)
|
|
|
|
|
78
|
72
|
|
|
74
|
|
74,7
|
Die Dohnal
(Sabine Derflinger, 2019)
|
|
|
75
|
|
|
|
|
|
78
|
71
|
74,7
|
Lingui
(Mahamat-Saleh Haroun, 2021)
|
|
71
|
|
|
|
|
|
70
|
83
|
|
74,7
|
Passagiere der Nacht (Les passagers de la nuit)
(Mikhaël Hers, 2022)
|
|
68
|
76
|
75
|
79
|
80
|
|
70
|
|
|
74,7
|
Mein Glück (Schastye moe)
(Sergei Loznitsa, 2010)
|
|
|
|
72
|
78
|
70
|
60
|
|
93
|
|
74,6
|
Der Name der Leute (Le nom des gens)
(Michel Leclerc, 2010)
|
70
|
|
|
85
|
|
78
|
|
|
75
|
65
|
74,6
|
Höhle der vergessenen Träume
(Werner Herzog, 2010)
|
|
|
|
|
38
|
84
|
85
|
|
86
|
80
|
74,6
|
Kid-thing
(David Zellner, 2012)
|
|
|
|
77
|
70
|
|
82
|
|
78
|
66
|
74,6
|
Der Räuber
(Benjamin Heisenberg, 2010)
|
70
|
|
|
78
|
82
|
82
|
63
|
|
80
|
67
|
74,6
|
Revanche
(Götz Spielmann, 2008)
|
79
|
|
|
78
|
|
81
|
69
|
|
78
|
62
|
74,5
|
Roma
(Alfonso Cuarón, 2018)
|
|
80
|
|
|
77
|
69
|
|
73
|
88
|
60
|
74,5
|
Sorry We Missed You
(Ken Loach, 2019)
|
|
|
|
|
72
|
|
|
77
|
|
|
74,5
|
Ein Prophet (Un prophète)
(Jacques Audiard, 2009)
|
88
|
|
|
75
|
88
|
46
|
62
|
|
86
|
76
|
74,4
|
Die Frau im Nebel (Decision to Leave)
(Park Chan-wook, 2022)
|
|
70
|
72
|
|
75
|
|
|
78
|
77
|
|
74,4
|
Shopping-Center King (Observe and Report)
(Jody Hill, 2009)
|
|
|
|
|
|
75
|
|
|
68
|
80
|
74,3
|
Im Schatten
(Thomas Arslan, 2010)
|
|
|
|
71
|
80
|
67
|
74
|
|
74
|
80
|
74,3
|
Die Liebesfälscher (Copie conforme)
(Abbas Kiarostami, 2010)
|
|
|
|
60
|
49
|
91
|
74
|
|
92
|
80
|
74,3
|
Haus der Sünde (L’Apollonide)
(Bertrand Bonello, 2011)
|
|
|
|
59
|
77
|
77
|
86
|
|
77
|
70
|
74,3
|
Nymph()maniac 1
(Lars von Trier, 2013)
|
|
|
|
76
|
54
|
80
|
80
|
|
77
|
79
|
74,3
|
Amour fou
(Jessica Hausner, 2014)
|
|
|
|
|
79
|
69
|
75
|
|
|
|
74,3
|
Ich seh Ich seh
(Severin Fiala & Veronika Franz, 2014)
|
|
|
|
77
|
70
|
63
|
68
|
|
88
|
80
|
74,3
|
Landstück
(Volker Koepp, 2016)
|
|
|
|
81
|
|
|
|
|
82
|
60
|
74,3
|
And-Ek Ghes...
(Philip Scheffner, 2016)
|
|
|
|
70
|
|
|
|
|
83
|
70
|
74,3
|
Diamantino
(Gabriel Abrantes & Daniel Schmidt, 2018)
|
|
|
|
|
72
|
|
|
74
|
77
|
|
74,3
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
|
71
|
|
79
|
|
|
73
|
|
|
74,3
|
Gehen und Bleiben
(Volker Koepp, 2023)
|
|
|
|
70
|
|
|
|
|
84
|
69
|
74,3
|
Land der Wunder (Le meraviglie)
(Alice Rohrwacher, 2014)
|
|
|
|
|
84
|
|
75
|
|
78
|
60
|
74,3
|
Das große Museum
(Johannes Holzhausen, 2014)
|
|
|
|
|
78
|
|
70
|
|
81
|
68
|
74,3
|
Striche ziehen
(Gerd Kroske, 2014)
|
|
|
|
77
|
|
73
|
75
|
|
|
72
|
74,3
|
The Five Devils (Les cinq diables)
(Léa Mysius, 2022)
|
|
78
|
67
|
|
|
|
|
75
|
77
|
|
74,3
|
Sonnensystem
(Thomas Heise, 2011)
|
|
|
|
75
|
80
|
59
|
|
|
84
|
73
|
74,2
|
Passing
(Rebecca Hall, 2021)*
|
|
72
|
71
|
72
|
|
74
|
|
|
82
|
|
74,2
|
Chiara
(Jonas Carpignano, 2021)
|
|
76
|
71
|
|
69
|
|
|
73
|
82
|
|
74,2
|
Der Spatz im Kamin
(Ramon Zürcher, 2024)
|
|
76
|
62
|
|
|
82
|
|
83
|
|
68
|
74,2
|
35 Rum
(Claire Denis, 2008)
|
77
|
|
|
62
|
|
74
|
79
|
|
81
|
72
|
74,2
|
Die andere Seite der Hoffnung
(Aki Kaurismäki, 2017)
|
|
58
|
|
58
|
85
|
82
|
|
78
|
84
|
|
74,2
|
EO
(Jerzy Skolimowski, 2022)
|
|
78
|
70
|
51
|
83
|
|
|
81
|
82
|
|
74,2
|
Tulpan
(Sergei Dvortsevoy, 2009)
|
|
|
|
|
|
74
|
|
|
74
|
|
74
|
Der Schnee am Kilimandscharo
(Robert Guédiguian, 2011)
|
|
|
|
|
79
|
|
69
|
|
|
|
74
|
Os Residentes
(Tiago Mato Machado, 2010)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Mia Madre
(Nanni Moretti, 2015)
|
|
|
|
|
74
|
|
|
|
|
|
74
|
Sully
(Clint Eastwood, 2016)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Vice – Der zweite Mann
(Adam McKay, 2018)
|
|
82
|
|
|
82
|
|
|
72
|
55
|
79
|
74
|
Ein königlicher Tausch (L’échange des princesses)
(Marc Dugain, 2017)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Liebesfilm
(Robert Bohrer & Emma Rosa Simon, 2018)
|
|
|
|
|
|
|
|
74
|
|
|
74
|
La vérité
(Hirokazu Koreeda, 2019)
|
|
69
|
|
|
79
|
|
|
|
74
|
|
74
|
Als wir tanzten
(Levan Akin, 2019)
|
|
|
74
|
|
|
|
|
|
|
|
74
|
The Last Duel
(Ridley Scott, 2021)
|
|
58
|
|
|
|
|
|
|
90
|
|
74
|
Wettermacher
(Stanislaw Mucha, 2022)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Auf der Adamant (Sur l’Adamant)
(Nicolas Philibert, 2023)
|
|
69
|
68
|
|
|
|
|
|
85
|
|
74
|
Die Mittagsfrau
(Barbara Albert, 2023)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Im toten Winkel
(Ayse Polat, 2023)
|
|
72
|
64
|
|
|
|
|
|
86
|
|
74
|
Andrea lässt sich scheiden
(Josef Hader, 2024)
|
|
|
|
|
71
|
|
|
|
77
|
|
74
|
King’s Land
(Nikolaj Arcel, 2023)
|
|
71
|
|
|
|
|
|
72
|
79
|
|
74
|
Der Sohn des Mullahs
(Nahid Persson Sarvestani, 2023)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Ein kleines Stück vom Kuchen
(Maryam Moghaddam & Behtash Sanaeeha, 2024)
|
|
|
|
|
|
|
|
70
|
78
|
|
74
|
Emilia Perez
(Jacques Audiard, 2024)
|
|
81
|
|
70
|
65
|
|
|
82
|
72
|
|
74
|
Vaiana 2
(David G. Derrick Jr., 2024)
|
|
74
|
|
|
|
|
|
|
|
|
74
|
Waltz with Bashir
(Ari Folman, 2008)
|
81
|
|
|
82
|
|
67
|
79
|
|
64
|
70
|
73,8
|
Machete
(Ethan Maniquis Robert Rodriguez, 2010)
|
71
|
|
|
84
|
68
|
|
75
|
|
|
71
|
73,8
|
Mutter und Sohn (Pozitia copilului)
(Calin Peter Netzer, 2013)
|
|
|
|
73
|
79
|
|
69
|
|
78
|
70
|
73,8
|
Uncut Gems
(Benny & Josh Safdie, 2019)*
|
|
84
|
|
|
90
|
38
|
|
|
87
|
70
|
73,8
|
Murer – Anatomie eines Prozesses
(Christian Frosch, 2018)
|
|
|
|
72
|
75
|
|
|
72
|
76
|
|
73,8
|
Eine Sekunde
(Zhang Yimou, 2020)
|
|
79
|
68
|
|
66
|
|
|
|
82
|
|
73,8
|
Martha Marcy May Marlene
(Sean Durkin, 2011)
|
|
|
|
|
79
|
|
|
|
74
|
68
|
73,7
|
Francofonia
(Alexander Sokurow, 2015)
|
|
|
|
|
68
|
68
|
|
|
85
|
|
73,7
|
Ant-Man and the Wasp
(Peyton Reed, 2018)
|
|
73
|
|
|
80
|
|
|
|
68
|
|
73,7
|
Space Dogs
(Elsa Kremser & Levin Peter, 2019)
|
|
|
|
65
|
79
|
|
|
|
77
|
|
73,7
|
Volksvertreter
(Andreas Wilcke, 2021)
|
|
74
|
|
72
|
|
|
|
|
|
75
|
73,7
|
Der Vater meiner Kinder
(Mia Hansen-Löve, 2009)
|
70
|
|
|
|
81
|
71
|
67
|
|
|
79
|
73,6
|
Ihr werdet euch noch wundern (Vous n’avez encore rien vu)
(Alain Resnais, 2012)
|
|
|
|
56
|
76
|
84
|
78
|
|
74
|
|
73,6
|
Eine Perle Ewigkeit (La teta asustada)
(Claudia Llosa, 2009)
|
|
|
|
74
|
|
75
|
71
|
|
74
|
|
73,5
|
Funny People (Wie das Leben so spielt)
(Judd Apatow, 2009)
|
80
|
|
|
|
52
|
78
|
70
|
|
81
|
80
|
73,5
|
Blau ist eine warme Farbe (La vie d’Ádele)
(Abdellatif Kechiche, 2013)
|
|
|
|
81
|
65
|
72
|
73
|
|
80
|
70
|
73,5
|
00 Schneider – Im Wendekreis der Eidechse
(Helge Schneider, 2013)
|
|
|
|
70
|
|
|
|
|
77
|
|
73,5
|
Tao Jie – Ein einfaches Leben
(Ann Hui, 2011)
|
|
|
|
|
65
|
82
|
|
|
|
|
73,5
|
Im Schatten der Frauen (L’ombre des femmes)
(Philippe Garrel, 2015)
|
|
|
|
|
78
|
|
|
|
69
|
|
73,5
|
Fences
(Denzel Washington, 2016)
|
|
87
|
|
|
|
|
|
60
|
|
|
73,5
|
Planet der Affen: Survival
(Matt Reeves, 2017)
|
|
|
|
|
80
|
|
|
|
67
|
|
73,5
|
Logan Lucky
(Steven Soderbergh, 2017)
|
|
|
|
69
|
79
|
|
|
74
|
|
72
|
73,5
|
The Mule
(Clint Eastwood, 2018)
|
|
72
|
|
|
|
|
|
|
75
|
|
73,5
|
Mid90s
(Jonah Hill, 2018)
|
|
72
|
|
77
|
78
|
|
|
67
|
|
|
73,5
|
Corsage
(Marie Kreutzer, 2022)
|
|
80
|
61
|
69
|
72
|
|
|
79
|
80
|
|
73,5
|
Catherine Called Birdy
(Lena Dunham, 2022)*
|
|
74
|
|
|
|
|
|
73
|
|
|
73,5
|
Amsel im Brombeerstrauch
(Elene Naveriani, 2023)
|
|
|
70
|
|
|
|
|
77
|
|
|
73,5
|
Citizenfour
(Laura Poitras, 2014)
|
|
|
|
70
|
|
75
|
65
|
|
86
|
71
|
73,4
|
Weißes Rauschen (White Noise)
(Noah Baumbach, 2022)
|
|
62
|
|
|
83
|
|
|
77
|
77
|
68
|
73,4
|
Mad Max: Fury Road
(George Miller, 2015)
|
|
|
|
72
|
80
|
76
|
68
|
|
83
|
61
|
73,3
|
Zentralflughafen THF
(Karim Ainouz, 2018)
|
|
70
|
|
|
|
|
|
69
|
81
|
|
73,3
|
Girl
(Lukas Dhont, 2018)
|
|
78
|
|
|
66
|
|
|
76
|
|
|
73,3
|
In My Room
(Ulrich Köhler, 2018)
|
|
|
|
73
|
70
|
72
|
|
77
|
78
|
70
|
73,3
|
Jeannette, l’enfance de Jeanne d’Arc
(Bruno Dumont, 2017)
|
|
86
|
86
|
|
42
|
74
|
|
|
82
|
70
|
73,3
|
Exil
(Visar Morina, 2020)
|
|
82
|
67
|
54
|
70
|
|
|
81
|
86
|
|
73,3
|
Zustand und Gelände
(Ute Adamczewski, 2020)
|
|
|
72
|
79
|
65
|
|
|
81
|
81
|
62
|
73,3
|
Broker – Familie gesucht
(Hirokazu Kore-eda, 2022)
|
|
65
|
|
|
85
|
|
|
70
|
|
|
73,3
|
Wendy & Lucy
(Kelly Reichardt, 2008)
|
|
|
|
|
|
75
|
75
|
|
78
|
65
|
73,3
|
Rango
(Gore Verbinski, 2011)
|
|
|
|
69
|
74
|
80
|
|
|
|
70
|
73,3
|
The Place Beyond the Pines
(Derek Cianfrance, 2012)
|
|
|
|
62
|
78
|
|
|
|
82
|
71
|
73,3
|
Oben ist es still
(Nanouk Leopold, 2013)
|
|
|
|
70
|
70
|
76
|
77
|
|
|
|
73,3
|
Carol
(Todd Haynes, 2015)
|
|
|
|
77
|
|
70
|
|
|
77
|
69
|
73,3
|
Special: Per Lucio
(Pietro Marcello, 2021)**
|
|
|
64
|
|
80
|
|
|
74
|
|
75
|
73,3
|
Bergman Island
(Mia Hansen-L⌀ve, 2021)
|
|
71
|
70
|
|
80
|
|
|
72
|
|
|
73,3
|
Un amour de jeunesse
(Mia Hansen-Löve, 2011)
|
|
|
|
74
|
80
|
67
|
67
|
|
78
|
|
73,2
|
Personal Shopper
(Olivier Assayas, 2016)
|
|
78
|
|
|
72
|
68
|
|
73
|
|
75
|
73,2
|
Nader und Simin – Eine Trennung
(Asghar Farhadi, 2011)
|
|
|
|
70
|
80
|
62
|
61
|
|
95
|
71
|
73,2
|
A Touch of Sin (Tian Zhu Ding)
(Jia Zhangke, 2013)
|
|
|
|
76
|
70
|
62
|
83
|
|
79
|
69
|
73,2
|
Garage
(Lenny Abrahamson, 2007)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Ajami
(Scandar Copti, Yaron Shani, 2009)
|
79
|
|
|
|
63
|
|
|
|
77
|
|
73
|
Faster
(George Tillman Jr. , 2010)
|
|
|
|
|
|
73
|
|
|
|
|
73
|
Mondo Lux – Die Bilderwelten des Werner Schroeter
(Elfi Mikesch, 2011)
|
|
|
|
72
|
74
|
|
69
|
|
77
|
|
73
|
Samson & Delilah
(Thornton Warwick, 2009)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Vivan las Antipodas!
(Viktor Kossakovsky, 2011)
|
|
|
|
|
|
|
59
|
|
87
|
|
73
|
Oktober November
(Götz Spielmann, 2013)
|
|
|
|
68
|
70
|
|
|
|
81
|
|
73
|
Verführt und verlassen (Seduced and abandoned)
(James Toback, 2013)
|
|
|
|
|
|
|
|
|
76
|
70
|
73
|
Timbuktu
(Abderrahmane Sissako, 2014)
|
|
|
|
|
78
|
58
|
80
|
|
79
|
70
|
73
|
Birdman oder die unverhoffte Macht der Ahnungslosigkeit
(Alejandro Gonzalez-Inarritu, 2014)
|
|
|
|
71
|
88
|
49
|
|
|
85
|
72
|
73
|
Valley of Love
(Guillaume Nicloux, 2015)
|
|
|
|
65
|
77
|
|
|
|
77
|
|
73
|
Captain Fantastic
(Matt Ross, 2016)
|
|
|
|
|
74
|
|
|
|
72
|
|
73
|
Magical Mystery
(Arne Feldhusen, 2017)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
David Lynch – The Art Life
(Jon Nguyen, 2016)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Clair Obscur
(Yesim Ustaoglu, 2016)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Eldorado
(Markus Imhoof, 2018)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Die Frau, die vorausgeht (Woman Walks Ahead)
(Susanna White, 2017)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Tommaso
(Abel Ferrara, 2019)
|
|
70
|
74
|
|
79
|
|
|
|
69
|
|
73
|
Die Kordillere der Träume
(Patricio Guzmán, 2019)
|
|
75
|
76
|
|
|
60
|
|
|
81
|
73
|
73
|
Forum: Jack’s Ride
(Susana Nobre, 2021)**
|
|
|
77
|
72
|
81
|
|
|
55
|
80
|
|
73
|
Wettbewerb: Fabian
(Dominik Graf, 2021)**
|
|
78
|
77
|
60
|
79
|
|
|
61
|
83
|
73
|
73
|
Bis an die Grenze (Police)
(Anne Fontaine, 2020)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Rhino
(Oleh Senzow, 2021)
|
|
73
|
|
|
|
|
|
|
|
|
73
|
Mami Wata
(C. J. Obasi, 2023)
|
|
71
|
75
|
|
|
|
|
|
|
|
73
|
Gondola
(Veit Helmer, 2024)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Ich Capitano
(Matteo Garrone, 2023)
|
|
72
|
|
|
69
|
|
|
78
|
|
|
73
|
Das leere Grab
(Agnes Lisa Wegner & Cece Mlay, 2024)
|
|
72
|
|
|
|
|
|
|
74
|
|
73
|
Fossil
(Henning Beckhoff, 2023)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Smile 2
(Parker Finn, 2024)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Austerlitz
(Sergej Loznitsa, 2016)
|
|
77
|
|
81
|
38
|
54
|
|
85
|
90
|
85
|
72,9
|
Annette
(Leos Carax, 2021)
|
|
84
|
87
|
40
|
64
|
|
|
81
|
81
|
|
72,8
|
Berlin-Stettin
(Volker Koepp, 2009)
|
|
|
|
81
|
59
|
76
|
|
|
80
|
68
|
72,8
|
Phoenix
(Christian Petzold, 2014)
|
|
|
|
63
|
94
|
58
|
58
|
|
91
|
|
72,8
|
The Shape of Water
(Guillermo del Toro, 2017)
|
|
71
|
|
|
85
|
|
|
57
|
78
|
|
72,8
|
Der schlimmste Mensch der Welt
(Joachim Trier, 2021)
|
|
66
|
|
|
80
|
|
|
65
|
80
|
|
72,8
|
Eine Taube sitzt auf einem Zweig und denkt über das Leben nach
(Roy Andersson, 2014)
|
|
|
|
|
|
73
|
57
|
|
88
|
|
72,7
|
A Quiet Place
(John Krasinski, 2018)
|
|
78
|
|
|
55
|
|
|
|
85
|
|
72,7
|
Wettbewerb: Albatros
(Xavier Beauvois, 2021)**
|
|
|
70
|
|
79
|
69
|
|
|
|
|
72,7
|
Bros
(Nicholas Stoller, 2022)
|
|
76
|
|
|
|
|
|
69
|
73
|
|
72,7
|
Myama, Kyoto Prefecture
(Rainer Komers, 2022)
|
|
|
64
|
68
|
|
|
|
|
86
|
|
72,7
|
Zwischen uns das Leben (Hors-saison)
(Stephane Brizé, 2024)
|
|
83
|
69
|
|
66
|
|
|
|
|
|
72,7
|
Bad Lieutenant – Cop ohne Gewissen
(Werner Herzog, 2009)
|
48
|
|
|
70
|
70
|
84
|
79
|
|
86
|
71
|
72,6
|
Bibliothèque Pascal
(Szabolcs Hajdu, 2010)
|
|
|
|
|
|
|
66
|
|
79
|
|
72,5
|
Snowpiercer
(Bong Joon-ho, 2013)
|
|
|
|
76
|
62
|
74
|
71
|
|
90
|
62
|
72,5
|
Selma
(Ava DuVernay, 2015)
|
|
|
|
82
|
55
|
|
73
|
|
80
|
|
72,5
|
Encounters: The Scary of Sixty-First
(Dasha Nekrasova, 2020)**
|
|
|
|
|
|
|
|
73
|
72
|
|
72,5
|
Nawalny
(Daniel Roher, 2022)
|
|
|
|
|
|
|
|
60
|
85
|
|
72,5
|
Skinamarink
(Kyle Edward Ball, 2022)
|
|
|
|
|
73
|
72
|
|
|
|
|
72,5
|
Mein Falke
(Dominik Graf, 2023)*
|
|
|
|
|
|
75
|
|
|
|
70
|
72,5
|
The Many Saints of Newark
(Alan Taylor, 2021)
|
|
67
|
|
|
|
|
|
|
78
|
72
|
72,3
|
Mehr denn je (Plus que jamais)
(Emily Atef, 2022)
|
|
70
|
|
|
|
|
|
69
|
78
|
|
72,3
|
Das freiwillige Jahr
(Ulrich Köhler und Henner Winckler, 2019)
|
|
70
|
68
|
|
75
|
70
|
|
68
|
85
|
70
|
72,3
|
Robe of Gems
(Natalia López Gallardo, 2022)*
|
|
74
|
63
|
|
|
|
|
66
|
86
|
|
72,3
|
Nymph()maniac 2
(Lars von Trier, 2013)
|
|
|
|
|
57
|
73
|
80
|
|
81
|
70
|
72,2
|
The Big Short
(Adam McKay, 2015)
|
|
|
|
57
|
80
|
67
|
|
|
75
|
82
|
72,2
|
Trauzeuge gesucht! (I Love You, Man)
(John Hamburg, 2009)
|
|
|
|
|
|
|
|
|
|
72
|
72
|
Nostalgia de la Luz
(Patricio Guzmán, 2010)
|
|
|
|
|
65
|
|
75
|
|
76
|
|
72
|
Insidious
(James Wan, 2010)
|
|
|
|
|
|
72
|
|
|
|
|
72
|
Sleep Tight
(Jaume Balagueró, 2011)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Jeff, der noch zu Hause lebt (Jeff, Who Lives at Home
(Jay & Mark Duplass, 2011)
|
|
|
|
|
|
|
|
|
73
|
71
|
72
|
Frances Ha
(Noah Baumbach, 2012)
|
|
|
|
86
|
79
|
47
|
76
|
|
77
|
67
|
72
|
Pfarrer
(Stefan Kolbe & Chris Wright, 2014)
|
|
|
|
73
|
|
|
70
|
|
77
|
68
|
72
|
Night Moves
(Kelly Reichardt, 2013)
|
|
|
|
70
|
82
|
59
|
65
|
|
86
|
70
|
72
|
Interstellar
(Christopher Nolan, 2014)
|
|
|
|
69
|
50
|
89
|
|
|
73
|
79
|
72
|
Iraqi Odyssey
(Samir, 2015)
|
|
|
|
72
|
|
|
|
|
|
|
72
|
Die Taschendiebin (Handmaid)
(Park Chan-wook, 2016)
|
|
72
|
|
|
|
|
|
73
|
71
|
|
72
|
Lommbock
(Christian Zübert, 2017)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Atomic Blonde
(David Leitch, 2017)
|
|
|
|
72
|
|
|
|
|
|
|
72
|
Es
(Andy Muschietti, 2017)
|
|
|
|
|
66
|
|
|
|
|
78
|
72
|
Swimming with Men
(Oliver Parker, 2018)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
The Poetess
(Stefanie Brockhaus & Andreas Wolff, 2017)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Kolyma
(Stanislaw Mucha, 2018)
|
|
|
|
61
|
|
|
|
72
|
83
|
|
72
|
All My Loving
(Edward Berger, 2019)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Kokon
(Leonie Krippendorff, 2019)
|
|
70
|
74
|
|
|
70
|
|
77
|
82
|
59
|
72
|
Die obskuren Geschichten eines Zugreisenden
(Aritz Moreno, 2019)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Adam
(Maryam Touzani, 2019)
|
|
|
63
|
|
|
|
|
|
81
|
|
72
|
The Divide (La fracture)
(Catherine Corsini, 2021)
|
|
|
|
|
|
|
|
72
|
|
|
72
|
Das Ereignis (L’évènement)
(Audrey Diwan, 2021)
|
|
72
|
67
|
74
|
|
|
|
75
|
72
|
|
72
|
Alles ist gutgegangen (Tout s’est bien passé)
(Francois Ozon, 2021)
|
|
70
|
|
|
|
|
|
74
|
|
|
72
|
Bettina
(Lutz Pehnert, 2022)
|
|
|
|
72
|
|
|
|
|
|
|
72
|
Guglhupfgeschwader
(Ed Herzog, 2022)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Alle reden übers Wetter
(Annika Pinske, 2022)
|
|
70
|
73
|
|
72
|
|
|
63
|
82
|
|
72
|
Moonage Daydream
(Brett Morgan, 2022)
|
|
|
|
|
59
|
|
|
74
|
83
|
|
72
|
Der Passfälscher
(Maggie Peren, 2022)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Bodies Bodies Bodies
(Halina Reijn, 2022)
|
|
72
|
|
|
|
|
|
|
|
|
72
|
Plan 75
(Chie Hayakawa, 2022)
|
|
|
72
|
|
|
|
|
|
|
|
72
|
Maestro
(Bradley Cooper, 2023)
|
|
64
|
|
|
80
|
|
|
71
|
73
|
|
72
|
Arthur & Diana
(Sara Summa, 2023)
|
|
|
72
|
|
|
|
|
|
|
|
72
|
Where the Wild Things Are
(Spike Jonze, 2009)
|
|
|
|
72
|
70
|
65
|
73
|
|
80
|
71
|
71,8
|
Film Socialisme
(Jean-Luc Godard, 2010)
|
|
|
|
43
|
79
|
80
|
77
|
|
83
|
69
|
71,8
|
Dahomey
(Mati Diop, 2024)
|
|
81
|
77
|
|
38
|
|
|
82
|
78
|
75
|
71,8
|
Le premier venu
(Jacques Doillon, 2008)
|
|
|
|
57
|
70
|
84
|
78
|
|
|
70
|
71,8
|
Like Someone in Love
(Abbas Kiarostami, 2012)
|
|
|
|
73
|
40
|
82
|
|
|
86
|
78
|
71,8
|
Mission: Impossible – Dead Reckoning Part One
(Christopher McQuarrie, 2023)
|
|
68
|
|
80
|
64
|
|
|
67
|
|
80
|
71,8
|
Rachels Hochzeit (Rachel Getting Married)
(Jonathan Demme, 2008)
|
84
|
|
|
|
|
76
|
55
|
|
|
72
|
71,8
|
Queen of Earth
(Alex Ross Perry, 2015)
|
|
|
|
83
|
|
55
|
|
|
67
|
82
|
71,8
|
Undine
(Christian Petzold, 2020)
|
|
67
|
70
|
75
|
79
|
72
|
|
59
|
|
80
|
71,7
|
Wara no tate – Die Gejagten
(Takashi Miike, 2013)
|
|
|
|
|
75
|
|
65
|
|
75
|
|
71,7
|
Capernaum (Capharnaum)
(Nadine Labaki, 2018)
|
|
68
|
|
|
|
|
|
73
|
74
|
|
71,7
|
Soul
(Pete Docter, 2020)*
|
|
70
|
|
|
75
|
|
|
|
|
70
|
71,7
|
Gunda
(Victor Kossakovsky, 2020)
|
|
75
|
70
|
|
65
|
67
|
|
|
85
|
68
|
71,7
|
Sundown
(Michel Franco, 2021)
|
|
69
|
|
|
65
|
|
|
|
81
|
|
71,7
|
Der beste Film aller Zeiten
(Gaston Duprat, Mariano Cohn, 2021)
|
|
65
|
|
|
74
|
|
|
|
76
|
|
71,7
|
The Creator
(Gareth Edwards, 2023)
|
|
65
|
|
|
71
|
|
|
|
79
|
|
71,7
|
Rückkehr nach Korsika (Le retour)
(Catherine Corsini, 2023)
|
|
72
|
68
|
|
|
|
|
75
|
|
|
71,7
|
The Apprentice
(Ali Abbasi, 2024)
|
|
69
|
|
70
|
77
|
62
|
|
69
|
79
|
75
|
71,6
|
Trash Humpers
(Harmony Korine, 2009)
|
|
|
|
71
|
74
|
74
|
67
|
|
|
|
71,5
|
Habemus Papam
(Nanni Moretti, 2011)
|
|
|
|
67
|
72
|
83
|
68
|
|
82
|
57
|
71,5
|
Workers
(José Luis Valle, 2012)
|
|
|
|
62
|
|
|
|
|
81
|
|
71,5
|
Um jeden Preis (At any Price)
(Ramin Bahrani, 2012)
|
|
|
|
|
55
|
|
|
|
88
|
|
71,5
|
American Ultra
(Nima Nourizadeh, 2015)
|
|
|
|
|
|
|
|
|
80
|
63
|
71,5
|
Wiener-Dog
(Todd Solondz, 2016)
|
|
|
|
60
|
|
|
|
|
83
|
|
71,5
|
Loving
(Jeff Nichols, 2017)
|
|
|
|
68
|
76
|
|
|
70
|
72
|
|
71,5
|
BlackKKlansman
(Spike Lee, 2018)
|
|
68
|
|
69
|
71
|
|
|
66
|
87
|
68
|
71,5
|
The Hate U Give
(George Tillman Jr., 2018)
|
|
76
|
|
|
|
|
|
67
|
|
|
71,5
|
Vamos a la playa
(Bettina Blümner, 2022)
|
|
|
61
|
|
|
|
|
|
82
|
|
71,5
|
Tori & Lokita
(Jean-Luc & Pierre Dardenne, 2022)
|
|
67
|
74
|
|
73
|
|
|
72
|
|
|
71,5
|
Leere Netze
(Behrooz Karamizade, 2023)
|
|
|
61
|
|
|
|
|
|
82
|
|
71,5
|
The Dead Don’t Hurt
(Viggo Mortensen, 2023)
|
|
70
|
|
|
|
|
|
|
73
|
|
71,5
|
Never Let Go
(Alexandre Aja, 2024)
|
|
66
|
|
|
|
|
|
|
77
|
|
71,5
|
American Fiction
(Cord Jefferson, 2023)*
|
|
82
|
|
72
|
38
|
|
|
|
85
|
80
|
71,4
|
Hunger
(Steve McQueen, 2008)
|
79
|
|
|
77
|
|
65
|
72
|
|
66
|
69
|
71,3
|
Die Strände von Agnès (Les Plages d’Agnès)
(Agnès Varda, 2008)
|
79
|
|
|
70
|
|
73
|
72
|
|
76
|
58
|
71,3
|
Attenberg
(Athinas Rachel Tsangari, 2010)
|
|
|
|
70
|
80
|
59
|
77
|
|
84
|
58
|
71,3
|
She Said
(Maria Schrader, 2022)
|
|
73
|
|
72
|
70
|
|
|
72
|
71
|
70
|
71,3
|
Petra Kelly – Act Now!
(Doris Metz, 2024)
|
|
|
71
|
75
|
|
|
|
|
|
68
|
71,3
|
Top Gun: Maverick
(Joseph Kosinski, 2022)
|
|
70
|
73
|
|
60
|
74
|
|
75
|
69
|
78
|
71,3
|
Die Klasse (Entre les murs)
(Laurent Cantet, 2008)
|
|
|
|
71
|
|
|
80
|
|
69
|
65
|
71,3
|
Die versunkene Stadt Z
(James Gray, 2016)
|
|
77
|
|
|
|
70
|
|
|
68
|
70
|
71,3
|
Beeswax
(Andrew Bujalski, 2009)
|
|
|
|
70
|
72
|
72
|
76
|
|
|
66
|
71,2
|
Eine deutsche Partei
(Simon Brückner, 2022)
|
|
72
|
64
|
68
|
|
|
|
|
82
|
70
|
71,2
|
Old Joy
(Kelly Reichardt, 2005)
|
|
|
|
|
|
71
|
79
|
|
58
|
76
|
71
|
Willkommen in Cedar Rapids
(Miguel Arteta, 2011)
|
|
|
|
|
|
|
|
|
75
|
67
|
71
|
Beziehungsweisen
(Calle Oberweg, 2012)
|
|
|
|
72
|
70
|
|
|
|
|
|
71
|
Die Stooges (The Three Stooges)
(Peter & Bobby Farrelly, 2012)
|
|
|
|
|
|
|
|
|
|
71
|
71
|
Frantz
(Francois Ozon, 2016)
|
|
|
|
71
|
72
|
72
|
|
74
|
66
|
|
71
|
Familie Brasch
(Annekatrin Hendel, 2018)
|
|
65
|
|
67
|
|
67
|
|
|
84
|
72
|
71
|
Mary, Queen of Scots
(Josie Rourke, 2018)
|
|
69
|
|
|
|
|
|
68
|
76
|
|
71
|
Richard Jewell
(Cint Eastwood, 2019)
|
|
73
|
|
|
|
|
|
|
|
69
|
71
|
Kajillionaire
(Miranda July, 2020)
|
|
68
|
|
|
82
|
|
|
|
76
|
58
|
71
|
Judas and the Black Messiah
(Shaka King, 2021)
|
|
74
|
|
64
|
70
|
|
|
75
|
73
|
70
|
71
|
Zimmer 212 - In einer magischen Nacht
(Christophe Honoré, 2019)
|
|
69
|
|
|
|
71
|
|
|
73
|
|
71
|
Earwig
(Lucile Hadzihalilovic, 2021)*
|
|
70
|
|
|
|
|
|
72
|
|
|
71
|
Aus meiner Haut
(Alex Schaad, 2022)
|
|
69
|
|
|
|
|
|
|
73
|
|
71
|
Medusa Deluxe
(Thomas Hardiman, 2022)
|
|
|
70
|
|
|
|
|
70
|
73
|
|
71
|
Averroes & Rosa Parks
(Nicolas Philibert, 2024)
|
|
|
71
|
|
|
|
|
|
|
|
71
|
Des Teufels Bad
(Severin Fiala & Veronika Franz, 2024)
|
|
77
|
59
|
|
|
|
|
70
|
89
|
60
|
71
|
Unter dir die Stadt
(Christoph Hochhäusler, 2010)
|
56
|
|
|
79
|
|
82
|
66
|
|
74
|
68
|
70,8
|
Red Rocket
(Sean Baker, 2021)
|
|
67
|
64
|
62
|
82
|
|
|
72
|
78
|
|
70,8
|
Leviathan
(Lucien Castaing-Taylor, Verena Paravel, 2012)
|
|
|
|
65
|
87
|
|
55
|
|
77
|
70
|
70,8
|
Captain Phillips
(Paul Greengrass, 2013)
|
|
|
|
82
|
65
|
55
|
|
|
77
|
75
|
70,8
|
Blade Runner 2049
(Denis Villeneuve, 2017)
|
|
70
|
|
|
49
|
|
|
70
|
84
|
81
|
70,8
|
Wasp Network
(Olivier Assayas, 2019)*
|
|
70
|
71
|
|
70
|
71
|
|
|
|
72
|
70,8
|
Woher weißt du, dass es Liebe ist? (How Do You Know?)
(James L. Brooks, 2010)
|
|
|
|
|
55
|
74
|
|
|
74
|
80
|
70,8
|
Triangle of Sadness
(Ruben Östlund, 2022)
|
|
67
|
63
|
72
|
74
|
|
|
69
|
85
|
65
|
70,7
|
Topjob – Showdown im Supermarkt
(Steve Conrad, 2008)
|
|
|
|
|
|
75
|
|
|
76
|
61
|
70,7
|
American Honey
(Andrea Arnold, 2016)
|
|
|
|
|
32
|
|
|
90
|
90
|
|
70,7
|
Nach dem Urteil (Jusqu’à la garde)
(Xavier Legrand, 2017)
|
|
|
|
|
69
|
74
|
|
|
69
|
|
70,7
|
Das Blau des Kaftans
(Maryam Touzani, 2022)
|
|
|
64
|
|
|
|
|
73
|
75
|
|
70,7
|
Pearl
(Ti West, 2022)
|
|
57
|
|
|
72
|
|
|
|
83
|
|
70,7
|
Der Tag des Spatzen
(Philip Scheffner, 2010)
|
|
|
|
81
|
|
75
|
70
|
|
65
|
62
|
70,6
|
Home
(Ursula Meier, 2008)
|
|
|
|
|
|
71
|
70
|
|
|
|
70,5
|
Die Liebe der Kinder
(Franz Müller, 2009)
|
70
|
|
|
70
|
|
74
|
|
|
|
68
|
70,5
|
Monsters
(Gareth Edwards, 2010)
|
71
|
|
|
|
70
|
|
|
|
|
|
70,5
|
We Steal Secrets
(Alex Gibney, 2013)
|
|
|
|
|
|
|
|
|
73
|
68
|
70,5
|
Gravity
(Alfonso Cuarón, 2013)
|
|
|
|
95
|
47
|
72
|
40
|
|
84
|
85
|
70,5
|
Thor 3: Tag der Entscheidung
(Taika Waititi, 2017)
|
|
67
|
|
|
|
|
|
74
|
|
|
70,5
|
Roman J. Israel, Esq.
(Dan Gilroy, 2017)
|
|
70
|
|
|
|
|
|
|
71
|
|
70,5
|
Endless Poetry (Poesía sin fin)
(Alejandro Jodorowsky, 2018)
|
|
73
|
|
|
|
|
|
|
68
|
|
70,5
|
Seestück
(Volker Koepp, 2018)
|
|
|
|
71
|
|
|
|
|
|
70
|
70,5
|
Queen & Slim
(Melina Matsoukas, 2019)
|
|
82
|
|
79
|
40
|
|
|
81
|
|
|
70,5
|
Emma
(Autumn de Wilde, 2020)
|
|
|
62
|
|
|
|
|
|
79
|
|
70,5
|
Paris Calligrammes
(Ulrike Ottinger, 2020)
|
|
|
|
|
|
|
|
73
|
68
|
|
70,5
|
The King of Staten Island
(Judd Apatow, 2020)
|
|
70
|
|
|
|
|
|
73
|
77
|
62
|
70,5
|
The Woman King
(Gina Prince-Bythewood, 2022)
|
|
72
|
|
|
|
|
|
|
69
|
|
70,5
|
Rodeo
(Lola Quivoron, 2022)
|
|
74
|
62
|
|
|
|
|
68
|
78
|
|
70,5
|
Das erste Omen
(Arkasha Stevenson, 2024)
|
|
|
|
|
67
|
|
|
|
74
|
|
70,5
|
A Quiet Place: Day One
(Michael Samowski, 2024)
|
|
69
|
|
|
|
|
|
|
72
|
|
70,5
|
Tenet
(Christopher Nolan, 2020)
|
|
74
|
|
76
|
50
|
80
|
|
50
|
75
|
88
|
70,4
|
Nebraska
(Alexander Payne, 2013)
|
|
|
|
71
|
83
|
|
63
|
|
75
|
60
|
70,4
|
NO!
(Pablo Larrain, 2012)
|
|
|
|
57
|
79
|
|
|
|
75
|
|
70,3
|
In Sarmatien
(Volker Koepp, 2013)
|
|
|
|
50
|
|
81
|
|
|
|
80
|
70,3
|
Die beste aller Welten
(Adrian Goiginger, 2017)
|
|
|
|
|
56
|
|
|
76
|
79
|
|
70,3
|
Man tänker sitt
(Fredrik Wenzel, Henrik Hellström, 2009)
|
79
|
|
|
|
77
|
55
|
|
|
80
|
60
|
70,2
|
Tournée
(Mathieu Amalric, 2010)
|
|
|
|
58
|
82
|
74
|
62
|
|
|
75
|
70,2
|
Bis ans Ende der Nacht
(Christoph Hochhäusler, 2023)
|
|
70
|
78
|
|
61
|
|
|
|
73
|
69
|
70,2
|
American Hustle
(David O. Russell, 2013)
|
|
|
|
67
|
75
|
51
|
70
|
|
78
|
80
|
70,2
|
Oben (Up)
(Pete Docter, Bob Peterson, 2009)
|
67
|
|
|
73
|
|
|
70
|
|
|
|
70
|
Die ewigen Momente der Maria Larsson
(Jan Troell, 2008)
|
|
|
|
|
|
70
|
|
|
|
|
70
|
Melancholia
(Lars von Trier, 2011)
|
|
|
|
74
|
50
|
82
|
58
|
|
77
|
79
|
70
|
Die Muppets
(James Bobin, 2011)
|
|
|
|
|
70
|
|
|
|
|
|
70
|
Bulb Fiction
(Christoph Mayr, 2011)
|
|
|
|
|
|
|
|
|
72
|
68
|
70
|
Der Fluss war einst ein Mensch
(Jan Zabeil, 2011)
|
|
|
|
|
73
|
|
|
|
67
|
|
70
|
Camille – Verliebt nochmal! (Camille redouble)
(Noémie Lvovsky, 2012)
|
|
|
|
73
|
|
70
|
78
|
|
59
|
|
70
|
All is Lost
(J.C. Chandor, 2013)
|
|
|
|
73
|
64
|
|
|
|
73
|
|
70
|
Le passé
(Asghar Farhadi, 2013)
|
|
|
|
|
68
|
|
60
|
|
82
|
|
70
|
Museum Hours
(Jem Cohen, 2012)
|
|
|
|
|
67
|
|
|
|
73
|
|
70
|
Ich will mich nicht künstlich aufregen
(Max Linz, 2014)
|
|
|
|
71
|
|
73
|
71
|
|
|
65
|
70
|
Slow West
(John Maclean, 2014)
|
|
|
|
|
|
|
70
|
|
|
|
70
|
El Club
(Pablo Larrain, 2015)
|
|
|
|
|
70
|
|
|
|
|
|
70
|
Spotlight
(Tom McCarthy, 2015)
|
|
|
|
71
|
69
|
|
|
|
|
70
|
70
|
Searching
(Aneesh Changanty, 2018)
|
|
70
|
|
|
|
|
|
|
|
|
70
|
Birds of Passage
(Christiana Gallego & Ciro Guerra, 2018)
|
|
|
|
|
68
|
64
|
|
75
|
73
|
|
70
|
Streik (En guerre)
(Stéphane Brizé, 2018)
|
|
|
|
|
|
63
|
|
72
|
75
|
|
70
|
Kiss Me Kosher
(Shirel Peleg, 2020)
|
|
|
|
|
|
|
|
|
70
|
|
70
|
Forum Expanded: Ahorita Frames
(Angelika Levi, 2021)**
|
|
|
|
|
|
|
|
|
|
70
|
70
|
Spider-Man: No Way Home
(Jon Watts, 2021)
|
|
69
|
|
|
74
|
|
|
|
67
|
|
70
|
Gladbeck
(Volker Heise, 2022)*
|
|
73
|
|
62
|
|
|
|
|
|
75
|
70
|
Black Panther: Wakanda Forever
(Ryan Coogler, 2022)
|
|
70
|
|
|
|
|
|
|
|
|
70
|
Die Kairo-Verschwörung (Boy from Heaven)
(Tarik Saleh, 2022)
|
|
68
|
|
|
|
|
|
62
|
80
|
|
70
|
Die Sirene
(Sepideh Farsi, 2023)
|
|
70
|
|
|
|
|
|
|
|
|
70
|
Sonntagskind – Die Schriftstellerin Helga Schubert
(Jörg Hermann, 2023)
|
|
|
59
|
|
|
|
|
|
81
|
|
70
|
Die Gleichung ihres Lebens
(Anna Novion, 2023)
|
|
|
|
|
|
|
|
|
70
|
|
70
|
My Stolen Planet
(Farahnaz Sharifi, 2024)
|
|
|
76
|
|
64
|
|
|
|
|
|
70
|
The Power of the Dog
(Jane Campion, 2021)
|
|
83
|
69
|
55
|
63
|
58
|
|
85
|
86
|
60
|
69,9
|
Roter Himmel
(Christian Petzold, 2023)
|
|
70
|
63
|
65
|
89
|
73
|
|
61
|
|
68
|
69,9
|
The Banshees of Inisherin
(Martin McDonagh, 2022)
|
|
78
|
|
58
|
72
|
52
|
|
80
|
79
|
|
69,8
|
Utopians
(Zbigniew Bzymek, 2011)
|
|
|
|
|
74
|
71
|
65
|
|
67
|
72
|
69,8
|
Die Sanfte (Krotkaya)
(Sergei Loznitsa, 2017)
|
|
72
|
|
|
44
|
65
|
|
82
|
86
|
|
69,8
|
Come On, Come On
(Mike Mills, 2021)
|
|
67
|
63
|
|
83
|
|
|
58
|
78
|
|
69,8
|
Memelland
(Volker Koepp, 2009)
|
|
|
|
66
|
|
73
|
|
|
80
|
60
|
69,8
|
Schlingensief - In das Schweigen hineinschreien
(Bettina Böhler, 2020)
|
|
70
|
|
|
65
|
|
|
|
74
|
70
|
69,8
|
The Vast of Night
(Andrew Patterson, 2019)
|
|
|
|
|
42
|
80
|
|
|
87
|
70
|
69,8
|
Shotgun Stories
(Jeff Nichols, 2007)
|
|
|
|
|
|
63
|
68
|
|
78
|
|
69,7
|
Moneyball
(Bennett Miller, 2011)
|
|
|
|
|
80
|
|
|
|
59
|
70
|
69,7
|
Meine keine Familie
(Paul-Julien Robert, 2012)
|
|
|
|
|
65
|
|
67
|
|
77
|
|
69,7
|
Die irre Heldentour des Billy Lynn
(Ang Lee, 2016)
|
|
76
|
|
|
58
|
|
|
|
75
|
|
69,7
|
The Lodge
(Veronika Franz & Severin Fiala, 2019)
|
|
78
|
|
|
50
|
|
|
81
|
|
|
69,7
|
Der Masseur – Never Gonna Snow Again
(Malgorzata Szumowska & Michal Englert, 2020)
|
|
52
|
|
|
|
|
|
76
|
81
|
|
69,7
|
The Green Wave
(Ali Samadi Ahadi, 2010)
|
|
|
|
|
|
|
66
|
|
73
|
|
69,5
|
Tuesday, after Christmas
(Radu Muntean, 2010)
|
|
|
|
|
50
|
69
|
78
|
|
81
|
|
69,5
|
Liberace
(Steven Soderbergh, 2013)
|
|
|
|
64
|
67
|
|
70
|
|
77
|
|
69,5
|
Jason Bourne
(Paul Greengrass, 2016)
|
|
|
|
|
|
|
|
|
67
|
72
|
69,5
|
Körper und Seele (A Teströl és Lélekröl)
(Ildikó Enyedi, 2017)
|
|
73
|
|
51
|
|
|
|
72
|
82
|
|
69,5
|
Shiva Baby
(Emma Seligman, 2020)*
|
|
82
|
65
|
|
|
|
|
62
|
69
|
|
69,5
|
Don’t Look Up
(Adam McKay, 2021)
|
|
68
|
|
76
|
68
|
|
|
68
|
79
|
58
|
69,5
|
Stellet Licht
(Carlos Reygadas, 2007)
|
|
|
|
65
|
|
83
|
82
|
|
79
|
38
|
69,4
|
Ponyo – Das große Abenteuer am Meer
(Hayao Miyazaki, 2008)
|
53
|
|
|
|
|
80
|
80
|
|
74
|
60
|
69,4
|
Das Tier im Dschungel
(Patric Chiha, 2023)
|
|
78
|
78
|
|
50
|
|
|
74
|
67
|
|
69,4
|
Titane
(Julia Ducournau, 2021)
|
|
92
|
61
|
58
|
54
|
75
|
|
81
|
66
|
68
|
69,4
|
LOS
(James Benning, 2000)
|
|
|
|
|
|
65
|
72
|
|
71
|
|
69,3
|
Der große Crash – Margin Call
(J.C. Chandor, 2011)
|
|
|
|
84
|
50
|
68
|
59
|
|
79
|
76
|
69,3
|
Maps to the Stars
(David Cronenberg, 2014)
|
|
|
|
39
|
74
|
80
|
77
|
|
82
|
64
|
69,3
|
Mir ist es egal, wenn wir als Barbaren in die Geschichten eingehen
(Radu Jude, 2018)
|
|
|
|
|
44
|
|
|
86
|
78
|
|
69,3
|
Air – Der große Wurf
(Ben Affleck, 2023)
|
|
72
|
|
|
62
|
|
|
|
74
|
|
69,3
|
Cat Person
(Susanna Fogel, 2023)
|
|
74
|
|
78
|
|
|
|
|
56
|
|
69,3
|
Planet der Affen: Prevolution
(Rupert Wyatt, 2011)
|
|
|
|
65
|
68
|
|
|
|
59
|
85
|
69,3
|
Touched
(Claudia Rorarius, 2023)
|
|
76
|
53
|
|
|
|
|
71
|
77
|
|
69,3
|
Little Joe
(Jessica Hausner, 2019)
|
|
70
|
69
|
|
78
|
|
|
70
|
59
|
|
69,2
|
Love Exposure (Ai no mukidashi)
(Sono Sion, 2008)
|
|
|
|
|
|
70
|
60
|
|
77
|
|
69
|
Kinatay
(Brillante Mendoza, 2009)
|
|
|
|
86
|
62
|
71
|
39
|
|
87
|
|
69
|
Hugo Cabret
(Martin Scorsese, 2011)
|
|
|
|
|
62
|
65
|
|
|
|
80
|
69
|
Parada
(Srdjan Dragojevic, 2011)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Winterdieb
(Ursula Meier, 2012)
|
|
|
|
78
|
69
|
59
|
70
|
|
|
|
69
|
The Great Wall
(Zhang Yimou, 2016)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Auf der Suche nach Oum Khultum
(Shirin Neshat, 2017)
|
|
|
|
|
|
|
|
69
|
|
|
69
|
Gundermann
(Andreas Dresen, 2018)
|
|
61
|
|
86
|
73
|
|
|
53
|
72
|
|
69
|
Hubie Halloween
(Steven Brill, 2020)*
|
|
|
|
|
70
|
76
|
|
|
|
61
|
69
|
The White Tiger
(Ramin Bahrani, 2021)*
|
|
62
|
|
|
78
|
75
|
|
|
|
61
|
69
|
Doch das Böse gibt es nicht
(Mohammad Rasoulof, 2020)
|
|
67
|
65
|
|
69
|
|
|
70
|
74
|
|
69
|
Friends and Strangers
(James Vaughan, 2021)*
|
|
|
|
|
73
|
|
|
65
|
|
|
69
|
Der Waldmacher
(Volker Schlöndorff, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Dog
(Channing Tatum + Reid Carolin, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
The Outfit
(Graham Moore, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Schweigend steht der Wald
(Saralisa Volm, 2022)
|
|
69
|
|
|
|
|
|
|
|
|
69
|
Wann wir es endlich wieder so, wie es nie war?
(Sonja Heiss, 2023)
|
|
|
|
|
70
|
|
|
63
|
74
|
|
69
|
Der Fuchs
(Adrian Goiginger, 2022)
|
|
|
|
|
60
|
|
|
|
78
|
|
69
|
How to Blow Up a Pipeline
(Daniel Goldhaber, 2022)
|
|
|
|
|
|
|
|
|
|
69
|
69
|
20.000 Arten von Bienen
(Estibaliz Urresola Solaguren, 2023)
|
|
72
|
61
|
|
|
|
|
58
|
85
|
|
69
|
Blue Beetle
(Angel Manuel Soto, 2023)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Von Vätern und Müttern
(Paprika Steen, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Das Flüstern der Felder (Ochli)
(Dorota Kobiela & Hugh Welchman, 2023)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Eine dunkle Begierde (A Dangerous Method)
(David Cronenberg, 2011)
|
|
|
|
48
|
85
|
71
|
75
|
|
73
|
61
|
68,8
|
The Lost Daughter
(Maggie Gyllenhaal, 2021)*
|
|
88
|
61
|
|
70
|
51
|
|
73
|
70
|
|
68,8
|
Cocaine Bear
(Elizabeth Banks, 2023)
|
|
70
|
75
|
70
|
45
|
|
|
|
81
|
72
|
68,8
|
In Liebe, eure Hilde
(Andreas Dresen, 2024)
|
|
72
|
|
68
|
|
56
|
|
69
|
79
|
|
68,8
|
Die Qual der Wahl (The Campaign)
(Jay Roach, 2012)
|
|
|
|
67
|
70
|
|
|
|
77
|
61
|
68,8
|
Harriet
(Kasi Lemmons, 2019)
|
|
70
|
63
|
68
|
|
|
|
|
74
|
|
68,8
|
Minari
(Lee Isaac Chung, 2020)
|
|
70
|
|
|
68
|
|
|
70
|
67
|
|
68,8
|
Orly
(Angela Schanelec, 2009)
|
81
|
|
|
|
60
|
74
|
69
|
|
75
|
53
|
68,7
|
Oslo, 31. August
(Joachim Trier, 2011)
|
|
|
|
|
75
|
67
|
|
|
64
|
|
68,7
|
Die Wolken von Sils Maria
(Olivier Assayas, 2014)
|
|
|
|
71
|
90
|
83
|
64
|
|
52
|
52
|
68,7
|
Alle die du bist
(Daniel Fetter Nathansky, 2024)
|
|
71
|
63
|
|
|
|
|
|
72
|
|
68,7
|
Crossing
(Levan Akin, 2024)
|
|
|
64
|
|
|
|
|
63
|
79
|
|
68,7
|
Alien: Romulus
(Fede Alvarez, 2024)
|
|
70
|
|
|
64
|
|
|
|
72
|
|
68,7
|
Ellbogen
(Asli Özarslan, 2024)
|
|
78
|
|
|
|
|
|
55
|
73
|
|
68,7
|
Umsonst
(Stephan Geene, 2014)
|
|
|
|
73
|
|
45
|
75
|
|
72
|
78
|
68,6
|
The Beast
(Bertrand Bonello, 2023)
|
|
83
|
56
|
|
59
|
|
|
80
|
|
65
|
68,6
|
Drive
(Nicholas Winding Refn, 2011)
|
|
|
|
73
|
50
|
60
|
80
|
|
81
|
67
|
68,5
|
Den Menschen so fern (Loin des hommes)
(David Oelhoffen, 2014)
|
|
|
|
|
75
|
|
62
|
|
|
|
68,5
|
Auf der Couch in Tunis
(Manele Labidi, 2019)
|
|
64
|
|
|
|
|
|
|
73
|
|
68,5
|
Shorts: Al motociclista no le cabe la felicidad en el traje
(Gabriel Herrera, 2021)**
|
|
|
71
|
|
66
|
|
|
|
|
|
68,5
|
Crimes of the Future
(David Cronenberg, 2022)
|
|
70
|
71
|
|
53
|
65
|
|
77
|
75
|
|
68,5
|
Leave the World Behind
(Sam Esmail, 2023)*
|
|
67
|
|
|
|
|
|
|
|
70
|
68,5
|
Mit einem Tiger schlafen
(Anja Salomonowitz, 2024)
|
|
|
64
|
|
|
|
|
|
73
|
|
68,5
|
Patagonia
(Simone Bozzelli, 2023)
|
|
|
63
|
|
|
|
|
|
74
|
|
68,5
|
Giraffe
(Anna Sofie Hartmann, 2019)
|
|
78
|
65
|
|
|
73
|
|
60
|
66
|
|
68,4
|
T 2 Trainspotting
(Danny Boyle, 2017)
|
|
|
|
59
|
|
67
|
|
79
|
|
|
68,3
|
La Pivellina
(Tizza Covi & Rainer Frimmel, 2009)
|
|
|
|
48
|
75
|
73
|
|
|
77
|
|
68,3
|
Laurence Anyways
(Xavier Dolan, 2012)
|
|
|
|
89
|
37
|
|
75
|
|
72
|
|
68,3
|
The Birth of a Nation – Aufstand zur Freiheit
(Nate Parker, 2016)
|
|
71
|
|
75
|
|
|
|
72
|
55
|
|
68,3
|
Der Tod von Ludwig XIV
(Albert Serra, 2016)
|
|
|
|
|
30
|
73
|
|
|
87
|
83
|
68,3
|
So finster die Nacht (Låt den rätte komma in)
(Thomas Alfredson, 2008)
|
81
|
|
|
|
|
58
|
61
|
|
76
|
65
|
68,2
|
Spy – Susan Cooper undercover
(Paul Feig, 2015)
|
|
|
|
60
|
70
|
75
|
|
|
74
|
62
|
68,2
|
Alle Anderen
(Maren Ade, 2009)
|
70
|
|
|
73
|
|
72
|
80
|
|
49
|
65
|
68,2
|
Birdwatchers (La Terra degli Uomini Rossi)
(Marco Bechis, 2009)
|
80
|
|
|
57
|
|
58
|
70
|
|
78
|
66
|
68,2
|
Sterben
(Matthias Glasner, 2024)
|
|
73
|
|
74
|
|
60
|
|
80
|
53
|
69
|
68,2
|
Gran Torino
(Clint Eastwood, 2008)
|
83
|
|
|
36
|
|
71
|
68
|
|
81
|
69
|
68
|
The Fighter
(David O. Russell, 2010)
|
60
|
|
|
65
|
60
|
71
|
73
|
|
75
|
72
|
68
|
Blue Valentine
(Derek Cianfrance, 2010)
|
|
|
|
|
79
|
55
|
70
|
|
|
|
68
|
Die Prinzessin von Montpensier
(Bertrand Tavernier, 2010)
|
|
|
|
|
|
|
68
|
|
|
|
68
|
Arirang
(Kim Ki-Duk, 2011)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Kairo 678
(Mohamed Diab, 2010)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Wanderlust
(David Wain, 2012)
|
|
|
|
|
|
|
|
|
|
68
|
68
|
Guilty of Romance
(Sion Sono, 2011)
|
|
|
|
|
64
|
|
|
|
72
|
|
68
|
Prince Avalanche
(David Gordon Green, 2013)
|
|
|
|
73
|
44
|
74
|
62
|
|
75
|
80
|
68
|
Steve Jobs
(Danny Boyle, 2015)
|
|
|
|
85
|
40
|
45
|
|
|
90
|
80
|
68
|
Julieta
(Pedro Almodóvar, 2016)
|
|
|
|
|
58
|
|
|
|
78
|
|
68
|
Doctor Strange
(Scott Derrickson, 2016)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Hell or High Water
(David Mackenzie, 2016)
|
|
76
|
|
67
|
48
|
|
|
75
|
74
|
|
68
|
Die Maske (Twarz)
(Malgorzata Szumowska, 2018)
|
|
83
|
|
|
|
|
|
74
|
47
|
|
68
|
Vom Lokführer, der die Liebe suchte ...
(Veit Helmer, 2018)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Ayka
(Sergey Dvortsevoy, 2018)
|
|
|
|
|
59
|
|
|
|
77
|
|
68
|
Sibyl
(Justine Triet, 2019)
|
|
78
|
63
|
|
45
|
74
|
|
80
|
|
|
68
|
Drei Tage und ein Leben
(Nicolas Boukhrief, 2019)
|
|
|
68
|
|
|
|
|
|
|
|
68
|
David Copperfield
(Armando Iannucci, 2019)
|
|
67
|
|
|
72
|
|
|
|
63
|
70
|
68
|
Nomadland
(Chloe Zhao, 2020)
|
|
72
|
63
|
59
|
79
|
58
|
|
77
|
|
|
68
|
Wunderschön
(Karoline Herfurth, 2020)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Elvis
(Baz Luhrmann, 2022)
|
|
68
|
|
|
|
|
|
67
|
69
|
|
68
|
Alcarràs – Die letzte Ernte
(Carla Simon, 2022)
|
|
70
|
67
|
|
72
|
|
|
63
|
|
|
68
|
Einfach mal was Schönes
(Karoline Herfurth, 2022)
|
|
52
|
|
|
|
|
|
|
84
|
|
68
|
Die Gewerkschafterin (La syndicaliste)
(Jean-Paul Salomé, 2022)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Nostalgia
(Mario Martone, 2022)
|
|
|
|
|
79
|
|
|
57
|
|
|
68
|
Die einfachen Dinge
(Éric Besnard, 2023)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Die Tribute von Panem – The Ballad of Songbirds & Snakes
(Francis Lawrence, 2023)
|
|
65
|
|
|
|
|
|
71
|
|
|
68
|
Ein Schweigen
(Joachim Lafosse, 2023)
|
|
|
68
|
|
|
|
|
|
|
|
68
|
Platform (El Hoyo)
(Galder Gaztelu-Urruita, 2019)*
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Der traumhafte Weg
(Angela Schanelec, 2016)
|
|
74
|
|
32
|
|
90
|
|
81
|
81
|
49
|
67,8
|
The Boss of it all (Direktoren for det hele)
(Lars von Trier, 2006)
|
|
|
|
|
|
81
|
75
|
|
72
|
43
|
67,8
|
Gegenwart
(Thomas Heise, 2013)
|
|
|
|
70
|
|
|
72
|
|
59
|
70
|
67,8
|
Blackhat
(Michael Mann, 2015)
|
|
|
|
|
40
|
80
|
|
|
71
|
80
|
67,8
|
Forum: Esquí
(Manque La Banca, 2021)**
|
|
|
79
|
|
75
|
49
|
|
|
|
|
67,7
|
L’État et moi – Der Staat und ich
(Max Linz, 2022)
|
|
70
|
|
|
|
70
|
|
63
|
|
|
67,7
|
Das Lehrerzimmer
(Ilker Çatak, 2023)
|
|
78
|
|
71
|
45
|
|
|
59
|
85
|
68
|
67,7
|
Diese Sendung ist kein Spiel – Die unheimliche Welt des Eduard Zimmermann
(Regina Schilling, 2023)*
|
|
|
|
65
|
|
|
|
|
75
|
63
|
67,7
|
Miss Bala
(Gerardo Naranjo, 2012)
|
|
|
|
|
60
|
61
|
55
|
|
92
|
70
|
67,6
|
Die fast vergessene Welt (Land of the Lost)
(Brad Silberling, 2009)
|
|
|
|
|
|
70
|
|
|
65
|
|
67,5
|
George A. Romero’s Survival of the Dead
(George A. Romero, 2009)
|
|
|
|
|
55
|
|
80
|
|
|
|
67,5
|
10 vor 11
(Pelin Esmer, 2009)
|
|
|
|
|
|
|
61
|
|
74
|
|
67,5
|
Attack the Block
(Joe Cornish, 2011)
|
|
|
|
|
79
|
|
|
|
56
|
|
67,5
|
Everybody Wants Some
(Richard Linklater, 2016)
|
|
|
|
|
82
|
58
|
|
|
69
|
61
|
67,5
|
Black Panther
(Ryan Coogler, 2018)
|
|
82
|
|
|
52
|
|
|
67
|
69
|
|
67,5
|
Der Hauptmann
(Robert Schwentke, 2017)
|
|
71
|
|
83
|
|
|
|
|
56
|
60
|
67,5
|
Lucky
(John Carroll Lynch, 2017)
|
|
64
|
|
|
64
|
65
|
|
|
77
|
|
67,5
|
The House That Jack Built
(Lars von Trier, 2018)
|
|
89
|
|
|
46
|
|
|
49
|
86
|
|
67,5
|
Greyhound
(Aaron Schneider, 2020)*
|
|
|
|
|
|
61
|
|
|
74
|
|
67,5
|
Family Romance, LLC
(Werner Herzog, 2019)*
|
|
|
77
|
|
|
58
|
|
|
|
|
67,5
|
Encounters: Blutsauger
(Julian Radlmaier, 2021)**
|
|
|
63
|
|
74
|
60
|
|
59
|
79
|
70
|
67,5
|
Lola (2022)
(Andrew Legge, 2022)
|
|
73
|
|
|
40
|
|
|
84
|
73
|
|
67,5
|
Zone
(Christina Friedrich, 2024)
|
|
|
56
|
|
|
|
|
|
79
|
|
67,5
|
Her
(Spike Jonze, 2013)
|
|
|
|
70
|
74
|
56
|
|
|
82
|
55
|
67,4
|
Donbass
(Sergej Loznitsa, 2018)
|
|
89
|
|
|
40
|
|
|
76
|
72
|
60
|
67,4
|
Les Miserables
(Ladj Ly, 2019)
|
|
65
|
|
|
62
|
78
|
|
58
|
74
|
|
67,4
|
The Hateful Eight
(Quentin Tarantino, 2015)
|
|
|
|
73
|
|
|
|
|
76
|
53
|
67,3
|
Tár
(Todd Field, 2022)
|
|
70
|
59
|
|
78
|
75
|
|
52
|
|
70
|
67,3
|
La Lisière – Am Waldrand
(Géraldine Bajard, 2010)
|
|
|
|
67
|
|
71
|
61
|
|
|
70
|
67,3
|
Modest Reception (Paziraie sadeh)
(Mani Haghighi, 2012)
|
|
|
|
65
|
|
61
|
67
|
|
76
|
|
67,3
|
Anderson
(Annekatrin Hendel, 2014)
|
|
|
|
72
|
|
|
59
|
|
78
|
60
|
67,3
|
Waves
(Trey Edward Shults, 2019)
|
|
82
|
|
|
62
|
60
|
|
|
65
|
|
67,3
|
Szenen meiner Ehe
(Katrin Schlösser, 2019)*
|
|
|
61
|
|
70
|
62
|
|
|
76
|
|
67,3
|
Eileen
(William Oldroyd, 2023)
|
|
71
|
69
|
|
55
|
|
|
|
74
|
|
67,3
|
The Ides of March
(George Clooney, 2011)
|
|
|
|
71
|
70
|
|
66
|
|
68
|
61
|
67,2
|
Hagazussa
(Lukas Feigelfeld, 2017)
|
|
76
|
|
|
45
|
57
|
|
78
|
80
|
|
67,2
|
Encounters: Das Mädchen und die Spinne
(Ramon Zürcher, 2021)**
|
|
74
|
71
|
|
52
|
74
|
|
65
|
|
67
|
67,2
|
Looking for Eric
(Ken Loach, 2009)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Totem
(Jessica Krummacher, 2011)
|
|
|
|
83
|
77
|
|
68
|
|
|
40
|
67
|
New York Memories
(Rosa von Praunheim, 2010)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Männertrip
(Nicholas Stoller, 2010)
|
|
|
|
66
|
|
68
|
|
|
71
|
63
|
67
|
A Real Life – Au voleur
(Sarah Leonor, 2009)
|
|
|
|
|
|
|
67
|
|
|
|
67
|
Un homme qui crie
(Mahamat Saleh-Haroun, 2010)
|
|
|
|
|
73
|
57
|
66
|
|
72
|
|
67
|
Mein Stück vom Kuchen
(Cédric Klapisch, 2011)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Ted
(Seth MacFarlane, 2012)
|
|
|
|
61
|
|
|
|
|
77
|
63
|
67
|
Looper
(Rian Johnson, 2012)
|
|
|
|
|
60
|
53
|
|
|
85
|
70
|
67
|
Room 237
(Rodney Ascher, 2012)
|
|
|
|
72
|
58
|
|
65
|
|
73
|
|
67
|
MansFeld
(Mario Schneider, 2012)
|
|
|
|
51
|
|
|
67
|
|
88
|
62
|
67
|
Deine Schönheit ist nichts wert
(Hüseyin Tabak, 2012)
|
|
|
|
|
62
|
|
|
|
72
|
|
67
|
Aloha – Die Chance auf Glück
(Cameron Crowe, 2015)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Rogue One: A Star Wars Story
(Gareth Edwards, 2016)
|
|
|
|
|
|
|
|
67
|
|
|
67
|
Regeln spielen keine Rolle (Rules Don’t Apply)
(Warren Beatty, 2016)
|
|
67
|
|
|
|
64
|
|
70
|
|
|
67
|
Wonder Woman
(Patty Jenkins, 2017)
|
|
|
|
|
41
|
|
|
78
|
79
|
70
|
67
|
It Comes at Night
(Trey Edward Shults, 2017)
|
|
67
|
|
|
|
|
|
|
|
|
67
|
Von Bienen und Blumen
(Lola Randl, 2018)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
I’m Your Woman
(Julia Hart, 2020)*
|
|
70
|
70
|
|
70
|
56
|
|
|
69
|
|
67
|
News of the World
(Paul Greengrass, 2020)*
|
|
72
|
|
|
|
|
|
|
62
|
|
67
|
Encounters: Nous
(Alice Diop, 2021)**
|
|
|
69
|
|
64
|
|
|
59
|
|
76
|
67
|
Hinterland
(Stefan Ruzowitzky, 2021)
|
|
65
|
|
|
59
|
|
|
|
77
|
|
67
|
Europe
(Philipp Scheffner, 2022)
|
|
67
|
69
|
58
|
|
|
|
|
74
|
|
67
|
Dark Glasses - Blinde Angst
(Dario Argento, 2022)
|
|
67
|
|
|
|
|
|
|
|
|
67
|
Zeiten des Umbruchs (Armageddon Time)
(James Gray, 2022)
|
|
70
|
67
|
|
51
|
|
|
53
|
86
|
75
|
67
|
Tara
(Volker Sattel, Francesca Bertini, 2022)
|
|
|
70
|
48
|
|
|
|
69
|
81
|
|
67
|
Sisu
(Jalmari Helander, 2022)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
The Inspection
(Elegance Bratton, 2022)
|
|
|
|
|
|
|
|
70
|
64
|
|
67
|
BlackBerry
(Matt Johnson, 2023)
|
|
68
|
|
|
68
|
|
|
|
|
65
|
67
|
Falling Into Place
(Aylin Tezel, 2023)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Schock
(Denis Moschitto & Daniel Rakete Siegel, 2023)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Die Amitié
(Kollektiv Amitié, 2023)
|
|
|
|
|
|
|
|
67
|
|
|
67
|
Ghostbusters: Frozen Empire
(Gil Kenan, 2024)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Exile Never Ends
(Bahar Bektas, 2024)
|
|
|
67
|
|
|
|
|
|
|
|
67
|
Nackte Tiere
(Melanie Waelde, 2020)
|
|
80
|
74
|
|
52
|
67
|
|
|
70
|
58
|
66,8
|
The French Dispatch
(Wes Anderson, 2021)
|
|
69
|
55
|
|
66
|
|
|
68
|
82
|
61
|
66,8
|
Man of Steel
(Zack Snyder, 2013)
|
|
|
|
|
|
76
|
37
|
|
77
|
77
|
66,8
|
Old Oak
(Ken Loach, 2023)
|
|
72
|
|
|
68
|
|
|
60
|
|
|
66,7
|
The Salesman (Forushande)
(Asghar Farhadi, 2016)
|
|
69
|
|
|
54
|
64
|
|
70
|
76
|
|
66,6
|
Wettbewerb: Introduction
(Hong Sangsoo, 2021)**
|
|
|
65
|
|
59
|
76
|
|
63
|
|
70
|
66,6
|
Dumb Money
(Craig Gillespie, 2023)
|
|
69
|
|
67
|
|
|
|
62
|
67
|
68
|
66,6
|
Joker
(Todd Phillips, 2019)
|
|
68
|
71
|
|
82
|
40
|
|
45
|
86
|
74
|
66,6
|
Summer Book (Tatil Kitabi)
(Seyfi Teoman, 2009)
|
|
|
|
|
|
|
|
|
70
|
63
|
66,5
|
Einfach zu haben (Easy A)
(Will Gluck, 2010)
|
|
|
|
|
|
|
|
|
73
|
60
|
66,5
|
Stan & Ollie
(Jon S. Baird, 2018)
|
|
|
|
|
64
|
|
|
69
|
|
|
66,5
|
Ralph reich’s (Wreck-it Ralph)
(Rich Moore, 2012)
|
|
|
|
|
55
|
|
|
|
|
78
|
66,5
|
Iron Man 3
(Shane Black, 2013)
|
|
|
|
|
75
|
|
|
|
58
|
|
66,5
|
Seefeuer (Fuoccoamare)
(Gianfranco Rosi, 2016)
|
|
|
|
73
|
|
|
|
|
|
60
|
66,5
|
Ghostbusters
(Paul Feig, 2016)
|
|
|
|
58
|
|
|
|
|
|
75
|
66,5
|
Zwei Herren im Anzug
(Josef Bierbichler, 2017)
|
|
|
|
65
|
58
|
79
|
|
64
|
|
|
66,5
|
In den Gängen
(Thomas Stuber, 2018)
|
|
78
|
|
|
77
|
43
|
|
68
|
|
|
66,5
|
Avengers – Endgame
(Anthony & Joe Russo, 2019)
|
|
|
|
|
|
|
|
57
|
76
|
|
66,5
|
Sommer 85
(Francois Ozon, 2020)
|
|
75
|
|
|
58
|
|
|
|
|
|
66,5
|
Pornfluencer
(Joscha Bongard, 2022)
|
|
70
|
63
|
|
|
|
|
|
|
|
66,5
|
To the Moon
(Greg Berlanti, 2024)
|
|
|
|
|
52
|
|
|
|
81
|
|
66,5
|
Killers of the Flower Moon
(Martin Scorsese, 2023)
|
|
60
|
73
|
35
|
99
|
|
|
59
|
67
|
72
|
66,4
|
Green Zone
(Paul Greengrass, 2010)
|
74
|
|
|
|
60
|
57
|
|
|
76
|
65
|
66,4
|
Die feine Gesellschaft (Ma Loute)
(Bruno Dumont, 2016)
|
|
74
|
|
|
42
|
73
|
|
60
|
83
|
|
66,4
|
Die Linie
(Ursula Meier, 2022)
|
|
63
|
65
|
|
64
|
|
|
62
|
78
|
|
66,4
|
Fräulein Else
(Anna Martinetz, 2013)
|
|
|
|
|
45
|
|
|
|
84
|
70
|
66,3
|
Ant-Man
(Peyton Reed, 2015)
|
|
|
|
|
45
|
|
|
|
73
|
81
|
66,3
|
Coda
(Sian Heder, 2021)*
|
|
62
|
|
|
74
|
|
|
|
63
|
|
66,3
|
Final Cut of the Dead
(Michel Hazanavicius, 2022)
|
|
67
|
|
|
|
|
|
58
|
74
|
|
66,3
|
Wonka
(Paul King, 2023)
|
|
70
|
|
47
|
|
|
|
82
|
|
|
66,3
|
Maxxxine
(Ti West, 2024)
|
|
68
|
|
|
60
|
|
|
|
71
|
|
66,3
|
Just the Wind (Csak a szél)
(Benedek Fliegauf, 2011)
|
|
|
|
71
|
82
|
|
38
|
|
74
|
|
66,3
|
Das unbekannte Mädchen (La fille inconnue)
(Jean-Pierre und Luc Dardenne, 2015)
|
|
|
|
62
|
60
|
|
|
|
78
|
65
|
66,3
|
Zwischen den Zeilen (Doubles vies)
(Olivier Assayas, 2018)
|
|
|
|
|
79
|
33
|
|
70
|
81
|
68
|
66,2
|
I’m Thinking of Ending Things
(Charlie Kaufman, 2020)*
|
|
|
|
60
|
84
|
62
|
|
|
77
|
48
|
66,2
|
The Times of Harvey Milk
(Rob Epstein, 1984)
|
|
|
|
69
|
|
|
|
|
|
63
|
66
|
Another Earth
(Mike Cahill, 2011)
|
|
|
|
|
|
66
|
|
|
|
|
66
|
Jungs bleiben Jungs (Les beaux gosses)
(Riad Sattouf, 2009)
|
|
|
|
|
|
68
|
|
|
64
|
|
66
|
Scream 4
(Wes Craven, 2011)
|
|
|
|
|
|
|
|
|
66
|
|
66
|
Small Town Murder Songs
(Ed Gass-Donnelly, 2010)
|
|
|
|
65
|
|
|
|
|
72
|
61
|
66
|
Herr Wichmann aus der dritten Reihe
(Andreas Dresen, 2012)
|
|
|
|
72
|
|
65
|
60
|
|
68
|
65
|
66
|
The Deep Blue Sea
(Terence Davies, 2011)
|
|
|
|
|
59
|
|
67
|
|
72
|
|
66
|
Tepenin ardi – Beyond the Hill
(Emin Alper, 2012)
|
|
|
|
|
58
|
|
|
|
74
|
|
66
|
Gold
(Thomas Arslan, 2013)
|
|
|
|
67
|
|
50
|
67
|
|
74
|
72
|
66
|
Lone Ranger
(Gore Verbinski, 2013)
|
|
|
|
|
|
|
|
|
66
|
|
66
|
Worst Case Scenario
(Franz Müller, 2014)
|
|
|
|
56
|
|
72
|
|
|
|
70
|
66
|
The Forbidden Room
(Guy Maddin & Evan Johnson, 2015)
|
|
|
|
|
44
|
72
|
|
|
82
|
|
66
|
Über die Unendlichkeit
(Roy Andersson, 2019)
|
|
82
|
|
|
48
|
60
|
|
|
74
|
|
66
|
Stillwater
(Tom McCarthy, 2021)
|
|
|
|
|
73
|
|
|
|
|
59
|
66
|
Der Mann, der seine Haut verkaufte
(Kaouther Ben Hania, 2020)
|
|
67
|
|
|
|
|
|
65
|
|
|
66
|
Rebellinen. Fotografie. Underground. DDR
(Pamela Meyer-Arndt, 2022)
|
|
|
|
67
|
|
|
|
|
|
65
|
66
|
Die Aussprache (Women Talking)
(Sarah Polley, 2022)
|
|
80
|
49
|
|
55
|
|
|
80
|
|
|
66
|
Catch the Killer
(Damián Szifron, 2023)
|
|
67
|
|
|
|
|
|
|
65
|
|
66
|
Geliebte Köchin
(Tran Anh Hung, 2023)
|
|
82
|
58
|
|
44
|
|
|
80
|
|
|
66
|
Madame Sidonie in Japan
(Elise Giraud, 2923)
|
|
|
55
|
|
|
|
|
|
77
|
|
66
|
Edge of Tomorrow
(Doug Liman, 2014)
|
|
|
|
|
38
|
81
|
|
|
74
|
70
|
65,8
|
Annie Ernaux – Die Super 8-Jahre (Les années super-8)
(Annie Ernaux, David Ernaux-Briot, 2022)
|
|
72
|
64
|
|
59
|
|
|
68
|
|
|
65,8
|
A Serious Man
(Joel & Ethan Coen, 2009)
|
75
|
|
|
79
|
42
|
41
|
74
|
|
79
|
70
|
65,7
|
The Death of Stalin
(Armando Iannucci, 2017)
|
|
67
|
|
54
|
75
|
52
|
|
51
|
83
|
78
|
65,7
|
The Founder
(John Lee Hancock, 2016)
|
|
66
|
|
55
|
|
|
|
|
76
|
|
65,7
|
Der Sommer mit Anaïs
(Charline Bourgeois-Taquet, 2021)
|
|
|
70
|
|
|
|
|
45
|
82
|
|
65,7
|
The Royal Hotel
(Kitty Green, 2023)
|
|
|
|
|
59
|
|
|
56
|
82
|
|
65,7
|
Der Schatten des Kommandanten
(Daniela Volker, 2024)
|
|
70
|
|
|
|
|
|
59
|
68
|
|
65,7
|
Three Billboards Outside Ebbing, Missouri
(Martin McDonagh, 2017)
|
|
57
|
|
89
|
58
|
|
|
37
|
87
|
|
65,6
|
Aheds Knie
(Nadav Lapid, 2021)
|
|
72
|
60
|
|
40
|
|
|
73
|
83
|
|
65,6
|
Solang ich lebe (Jab Tak Hai Jaan)
(Yash Chopra, 2012)
|
|
|
|
|
|
62
|
|
|
69
|
|
65,5
|
Planet der Affen – Revolution
(Matt Reeves, 2014)
|
|
|
|
67
|
64
|
|
|
|
|
|
65,5
|
Raum (Room)
(Lenny Abrahamson, 2015)
|
|
|
|
|
68
|
|
|
|
63
|
|
65,5
|
Wo in Paris die Sonne aufgeht (Les Olympiades)
(Jacques Audiard, 2021)
|
|
65
|
63
|
|
|
62
|
|
72
|
|
|
65,5
|
Wir könnten genauso gut tot sein
(Natalia Sinelnikova, 2021)
|
|
72
|
59
|
|
|
|
|
|
|
|
65,5
|
The End We Start From
(Mahalia Belo, 2023)
|
|
64
|
|
|
|
|
|
|
67
|
|
65,5
|
9 Leben
(Maria Speth, 2010)
|
|
|
|
55
|
55
|
|
78
|
|
76
|
63
|
65,4
|
The Substance
(Coralie Fargeat, 2024)
|
|
80
|
54
|
66
|
42
|
55
|
|
77
|
90
|
59
|
65,4
|
Taffe Mädels (The Heat)
(Paul Feig, 2013)
|
|
|
|
|
72
|
|
|
|
57
|
67
|
65,3
|
Grigris’ Glück (Grigris)
(Mahamet-Saleh Haroun, 2014)
|
|
|
|
|
59
|
|
62
|
|
75
|
|
65,3
|
Der Marsianer (The Martian)
(Ridley Scott, 2015)
|
|
|
|
|
47
|
70
|
|
|
|
79
|
65,3
|
Dont’t worry, weglaufen geht nicht
(Gus Van Sant, 2018)
|
|
70
|
|
|
|
|
|
61
|
65
|
|
65,3
|
Benedetta
(Paul Verhoeven, 2021)
|
|
67
|
61
|
|
68
|
63
|
|
66
|
67
|
|
65,3
|
Motel Destino
(Karim Aïnouz, 2024)
|
|
62
|
63
|
|
|
|
|
71
|
|
|
65,3
|
Poor Things
(Yorgos Lanthimos, 2023)
|
|
78
|
77
|
18
|
87
|
|
|
57
|
89
|
51
|
65,3
|
Der Ja-Sager (Yes Man)
(Peyton Reed, 2008)
|
68
|
|
|
|
|
62
|
|
|
71
|
60
|
65,3
|
France
(Bruno Dumont, 2021)
|
|
72
|
63
|
|
|
|
|
|
66
|
60
|
65,3
|
Pelikanblut
(Katrin Gebbe, 2019)
|
|
84
|
63
|
|
40
|
|
|
73
|
66
|
|
65,2
|
Lourdes
(Jessica Hausner, 2009)
|
64
|
|
|
56
|
66
|
74
|
63
|
|
68
|
|
65,2
|
Anora
(Sean Baker, 2024)
|
|
27
|
80
|
55
|
87
|
|
|
40
|
87
|
80
|
65,1
|
Oppenheimer
(Christopher Nolan, 2023)
|
|
67
|
64
|
55
|
79
|
41
|
|
62
|
87
|
66
|
65,1
|
Drifter
(Sebastian Heidinger, 2008)
|
|
|
|
70
|
|
65
|
|
|
|
60
|
65
|
Zum Vergleich
(Harun Farocki, 2009)
|
|
|
|
77
|
|
53
|
|
|
64
|
66
|
65
|
Jaffa – The Orange’s Clockwork
(Eyal Sivan, 2009)
|
|
|
|
|
|
55
|
67
|
|
74
|
64
|
65
|
Gullivers Reisen
(Rob Letterman, 2010)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Huacho – Ein Tag im Leben
(Alejandro Fernández Almendras, 2009)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
The Ballad of Genesis and Lady Jaye
(Marie Losier, 2011)
|
|
|
|
63
|
|
|
67
|
|
|
|
65
|
In Time
(Andrew Niccol, 2011)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Ai Weiwei – Never Sorry
(Alison Klayman, 2012)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Die Wand
(Julian Roman Pölsler, 2011)
|
|
|
|
|
|
|
65
|
|
65
|
|
65
|
Höhere Gewalt
(Ruben Östlund, 2014)
|
|
|
|
52
|
79
|
|
55
|
|
74
|
|
65
|
Das ewige Leben
(Wolfgang Murnberger, 2015)
|
|
|
|
|
65
|
|
|
|
|
|
65
|
She’s Lost Control
(Anja Marquardt, 2014)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Zoolander 2
(Ben Stiller, 2016)
|
|
|
|
|
|
|
|
|
69
|
61
|
65
|
The Limehouse Golem
(Juan Carlos Medina, 2016)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Die Spur (Pokot)
(Agniezska Holland, 2017)
|
|
67
|
|
58
|
66
|
|
|
60
|
74
|
|
65
|
Die Berufung (On the Basis of Sex)
(Mimi Leder, 2018)
|
|
65
|
|
|
|
|
|
|
|
|
65
|
Kirschblüten & Dämonen
(Doris Dörrie, 2019)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Dune
(Denis Villeneuve, 2021)
|
|
59
|
|
|
|
49
|
|
77
|
74
|
66
|
65
|
Cry Macho
(Clint Eastwood, 2021)
|
|
60
|
|
|
|
|
|
|
70
|
|
65
|
Moneyboys
(C.B. Yi, 2021)
|
|
72
|
64
|
|
46
|
|
|
|
78
|
|
65
|
Wir sind dann wohl die Angehörigen
(Hans-Christian Schmid, 2022)
|
|
70
|
|
60
|
|
|
|
|
|
|
65
|
Passages
(Ira Sachs, 2023)
|
|
|
70
|
24
|
84
|
|
|
|
82
|
|
65
|
Mein Sohn, der Soldat
(Mathieu Vadepied, 2022)
|
|
65
|
|
|
|
|
|
|
65
|
|
65
|
Die Herrlichkeit des Lebens
(Georg Mass & Judith Kaufmann, 2024)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Maria Montessori
(Léa Todorov, 2023)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Furiosa: A Mad Max Tale
(George Miller, 2024)
|
|
58
|
|
|
69
|
|
|
42
|
91
|
|
65
|
Vom Gießen des Zitronenbaums
(Elia Suleiman, 2019)
|
|
70
|
|
63
|
55
|
75
|
|
57
|
76
|
58
|
64,9
|
Four Lions
(Christopher Morris, 2010)
|
|
|
|
48
|
45
|
75
|
68
|
|
82
|
71
|
64,8
|
Forum: Anmaßung
(Chris Wright & Stefan Kolbe, 2021)**
|
|
65
|
62
|
|
50
|
77
|
|
|
|
70
|
64,8
|
Genug gesagt (Enough said)
(Nicole Holofcener, 2013)
|
|
|
|
65
|
70
|
65
|
|
|
|
59
|
64,8
|
Black Box
(Asli Özge, 2023)
|
|
71
|
47
|
|
|
|
|
62
|
79
|
|
64,8
|
Club Zero
(Jessica Hausner, 2023)
|
|
61
|
|
|
73
|
|
|
53
|
72
|
|
64,8
|
Longlegs
(Oz Perkins, 2024)
|
|
67
|
|
42
|
69
|
|
|
|
81
|
|
64,8
|
Meine erfundene Frau (Just Go With It)
(Dennis Dugan, 2011)
|
|
|
|
|
|
48
|
|
|
76
|
70
|
64,7
|
Acht Berge (Le otto montagne )
(Felix van Groeningen & Charlotte Vandermeersch, 2022)
|
|
|
56
|
|
81
|
|
|
57
|
|
|
64,7
|
|