|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Bildbuch (Le livre d’image)
(Jean-Luc Godard, 2018)
|
|
|
|
95
|
85
|
86
|
98
|
72
|
87,2
|
|
La Flor
(Mariano Llinas, 2018)
|
92
|
85
|
|
|
|
84
|
88
|
78
|
85,4
|
|
Heimat ist ein Raum aus Zeit
(Thomas Heise, 2019)
|
82
|
92
|
90
|
85
|
67
|
90
|
93
|
84
|
85,4
|
|
Ray & Liz
(Richard Billingham, 2018)
|
|
|
|
84
|
77
|
87
|
86
|
|
83,5
|
|
Drei Gesichter
(Jafar Panahi, 2018)
|
86
|
|
|
80
|
|
83
|
90
|
78
|
83,4
|
|
Parasite
(Bong Joon-Ho, 2019)
|
72
|
84
|
|
82
|
80
|
89
|
92
|
76
|
82,1
|
|
Asche ist reines Weiß
(Jia Zhang-Ke, 2018)
|
83
|
|
|
85
|
76
|
83
|
82
|
77
|
81
|
|
Der Funktionär
(Andreas Goldstein, 2018)
|
|
|
84
|
73
|
|
85
|
85
|
77
|
80,8
|
|
Shoplifters – Familienbande
(Hirokazu Kore-eda, 2018)
|
82
|
|
|
84
|
65
|
80
|
87
|
|
79,6
|
|
The Sisters Brothers
(Jacques Audiard, 2018)
|
80
|
|
|
83
|
|
87
|
77
|
70
|
79,4
|
|
Portrait de la jeune fille en feu
(Céline Sciamma, 2019)
|
92
|
71
|
|
48
|
84
|
91
|
83
|
82
|
78,7
|
|
Wir (Us)
(Jordan Peele, 2019)
|
|
|
|
80
|
|
75
|
83
|
74
|
78
|
|
The Favourite
(Yorgos Lanthimos, 2018)
|
83
|
|
72
|
85
|
|
70
|
|
78
|
77,6
|
|
Mein liebster Stoff (Mon tissu préferé)
(Gaya Jiji, 2018)
|
78
|
|
|
|
|
|
77
|
|
77,5
|
|
Burning
(Lee Chang-dong, 2018)
|
|
|
|
75
|
73
|
82
|
80
|
|
77,5
|
|
Oray
(Mehmet Akif Büyükatalay, 2019)
|
|
|
|
|
|
73
|
82
|
|
77,5
|
|
Border (Gräns)
(Ali Abbasi, 2018)
|
|
|
|
80
|
63
|
85
|
81
|
|
77,3
|
|
Beale Street (If Beale Street Could Talk)
(Barry Jenkins, 2018)
|
84
|
|
60
|
64
|
|
86
|
91
|
|
77
|
|
Can You Ever Forgive Me?
(Marielle Heller, 2018)
|
|
|
|
78
|
|
75
|
|
|
76,5
|
|
The Farewell
(Lulu Wang, 2019)
|
|
|
|
|
|
74
|
78
|
|
76
|
|
Adam und Evelyn
(Andreas Goldstein, 2018)
|
83
|
|
75
|
|
69
|
|
87
|
60
|
74,8
|
|
Bernadette
(Richard Linklater, 2019)
|
|
|
|
78
|
72
|
|
74
|
|
74,7
|
|
Diamantino
(Gabriel Abrantes & Daniel Schmidt, 2018)
|
|
|
|
72
|
|
74
|
77
|
|
74,3
|
|
Vice – Der zweite Mann
(Adam McKay, 2018)
|
82
|
|
|
82
|
|
72
|
55
|
79
|
74
|
|
The Mule
(Clint Eastwood, 2018)
|
72
|
|
|
|
|
|
75
|
|
73,5
|
|
Mid90s
(Jonah Hill, 2018)
|
72
|
|
77
|
78
|
|
67
|
|
|
73,5
|
|
Capernaum (Capharnaum)
(Nadine Labaki, 2018)
|
68
|
|
|
|
|
73
|
74
|
|
71,7
|
|
The Hate U Give
(George Tillman Jr., 2018)
|
76
|
|
|
|
|
67
|
|
|
71,5
|
|
Mary, Queen of Scots
(Josie Rourke, 2018)
|
69
|
|
|
|
|
68
|
76
|
|
71
|
|
Birds of Passage
(Christiana Gallego & Ciro Guerra, 2018)
|
|
|
|
68
|
64
|
75
|
73
|
|
70
|
|
Streik (En guerre)
(Stéphane Brizé, 2018)
|
|
|
|
|
63
|
72
|
75
|
|
70
|
|
Mir ist es egal, wenn wir als Barbaren in die Geschichten eingehen
(Radu Jude, 2018)
|
|
|
|
44
|
|
86
|
78
|
|
69,3
|
|
Die Maske (Twarz)
(Malgorzata Szumowska, 2018)
|
83
|
|
|
|
|
74
|
47
|
|
68
|
|
Ayka
(Sergey Dvortsevoy, 2018)
|
|
|
|
59
|
|
|
77
|
|
68
|
|
Joker
(Todd Phillips, 2019)
|
68
|
71
|
|
82
|
40
|
45
|
86
|
74
|
66,6
|
|
Stan & Ollie
(Jon S. Baird, 2018)
|
|
|
|
64
|
|
69
|
|
|
66,5
|
|
Avengers – Endgame
(Anthony & Joe Russo, 2019)
|
|
|
|
|
|
57
|
76
|
|
66,5
|
|
Zwischen den Zeilen (Doubles vies)
(Olivier Assayas, 2018)
|
|
|
|
79
|
33
|
70
|
81
|
68
|
66,2
|
|
Motherless Brooklyn
(Edward Norton, 2019)
|
|
|
|
56
|
|
|
77
|
60
|
64,3
|
|
Fahrenheit 11/9
(Michael Moore, 2018)
|
66
|
|
|
78
|
|
57
|
56
|
|
64,3
|
|
Destroyer
(Karyn Kusama, 2018)
|
67
|
|
|
45
|
|
79
|
|
|
63,7
|
|
Midsommar
(Ari Aster, 2019)
|
66
|
|
34
|
66
|
|
66
|
91
|
59
|
63,7
|
|
Ein Gauner und Gentleman
(David Lowery, 2018)
|
|
|
|
67
|
|
50
|
69
|
|
62
|
|
Captain Marvel
(Anna Boden & Ryan Fleck, 2019)
|
72
|
|
|
59
|
|
58
|
57
|
|
61,5
|
|
High Life
(Claire Denis, 2018)
|
|
|
|
63
|
|
80
|
38
|
|
60,3
|
|
Roads
(Sebastian Schipper, 2018)
|
|
|
|
|
|
50
|
67
|
|
58,5
|
|
Beach Bum
(Harmony Korine, 2019)
|
|
|
50
|
49
|
|
57
|
77
|
|
58,3
|
|
Iron Sky: The Coming Race
(Timo Vuorensola, 2018)
|
|
|
|
|
|
41
|
74
|
|
57,5
|
|
Sunset (Napszállta)
(László Nemes, 2018)
|
|
|
|
11
|
|
83
|
78
|
|
57,3
|
|
Wintermärchen
(Jan Bonny, 2018)
|
|
|
28
|
|
71
|
83
|
37
|
67
|
57,2
|
|
Der Boden unter den Füßen
(Marie Kreutzer, 2019)
|
|
|
|
44
|
|
55
|
71
|
|
56,7
|
|
The Lighthouse
(Robert Eggers, 2019)
|
|
|
|
54
|
|
56
|
56
|
|
55,3
|
|
Green Book
(Peter Farrelly, 2018)
|
46
|
|
62
|
38
|
|
|
69
|
|
53,8
|
|
The Wild Boys
(Bertrand Mandico, 2017)
|
|
|
|
40
|
|
|
66
|
|
53
|
|
The Dead Don’t Die
(Jim Jarmusch, 2019)
|
|
|
|
55
|
|
44
|
59
|
|
52,7
|
|
Beautiful Boy
(Felix van Groeningen, 2018)
|
65
|
|
|
38
|
|
60
|
45
|
|
52
|
|
Rocketman
(Dexter Fletcher, 2019)
|
|
|
|
|
|
54
|
44
|
|
49
|
|
Schindlers Liste
(Steven Spielberg, 1993)
|
50
|
|
|
48
|
|
|
33
|
50
|
45,3
|
|
Van Gogh – An der Schwelle der Ewigkeit
(Julian Schnabel, 2018)
|
|
|
|
40
|
|
38
|
|
|
39
|
|
Monsieur Claude 2
(Philippe de Chauveron, 2019)
|
|
|
30
|
|
|
|
25
|
|
27,5
|
|
Der goldene Handschuh
(Fatih Akin, 2019)
|
15
|
|
|
|
17
|
2
|
46
|
|
20
|