|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Was sehen wir, wenn wir zum Himmel schauen?
(Alexandre Koberidze, 2021)
|
87
|
90
|
|
90
|
90
|
90
|
92
|
72
|
87,3
|
|
Martin Eden
(Pietro Marcello, 2019)
|
93
|
88
|
|
92
|
69
|
95
|
90
|
82
|
87
|
|
Small Axe
(Steve McQueen, 2020)*
|
92
|
77
|
|
|
|
93
|
86
|
80
|
85,6
|
|
Victoria (2021)
(Sofie Benoot, Liesbeth de Ceulaer, Isabelle Tollenaere, 2020)
|
|
78
|
|
|
|
|
86
|
|
82
|
|
Wettbewerb: Bad Luck Banging or Loony Porn
(Radu Jude, 2021)**
|
84
|
77
|
|
79
|
86
|
83
|
83
|
80
|
81,7
|
|
Wettbewerb: Herr Bachmann und seine Klasse
(Maria Speth, 2021)**
|
85
|
76
|
77
|
88
|
78
|
83
|
84
|
78
|
81,1
|
|
Forum: The Inheritance
(Ephraim Asili, 2021)**
|
|
76
|
|
80
|
|
|
86
|
|
80,7
|
|
Drive My Car
(Ryusuke Hamaguchi, 2021)
|
75
|
80
|
|
85
|
|
78
|
85
|
|
80,6
|
|
Wettbewerb: Wheel of Fortune and Fantasy
(Ryusuke Hamaguchi, 2021)**
|
72
|
84
|
|
84
|
81
|
78
|
82
|
|
80,2
|
|
Forum: A River Runs, Turns, Erases, Replaces
(Shengze Zhu, 2021)**
|
|
78
|
|
|
78
|
|
84
|
|
80
|
|
Encounters: Azor
(Andreas Fontana, 2021)**
|
|
|
|
76
|
|
78
|
86
|
|
80
|
|
Sarah joue un loup-garou
(Katharina Wyss, 2017)*
|
|
78
|
|
|
|
80
|
82
|
|
80
|
|
First Cow
(Kelly Reichardt, 2019)
|
75
|
81
|
|
84
|
|
77
|
87
|
72
|
79,3
|
|
Proxima
(Alice Winocur, 2019)
|
82
|
|
|
72
|
78
|
83
|
|
80
|
79
|
|
Colectiv
(Alexander Nanau, 2019)*
|
82
|
78
|
77
|
75
|
|
80
|
|
78
|
78,3
|
|
Forum: The First 54 Years – An Abbreviated Manual for Military Occupation
(Avi Mograbi, 2021)**
|
|
|
|
81
|
75
|
|
|
|
78
|
|
Die letzte Stadt
(Heinz Emigholz, 2020)
|
74
|
|
|
|
|
82
|
|
|
78
|
|
Forum: Juste un mouvement
(Vincent Meessen, 2021)**
|
|
77
|
|
71
|
78
|
|
85
|
|
77,8
|
|
Große Freiheit
(Sebastian Meise, 2021)
|
80
|
76
|
62
|
79
|
|
85
|
84
|
|
77,7
|
|
Wettbewerb: Petite Maman
(Céline Sciamma, 2020)**
|
82
|
71
|
|
78
|
70
|
85
|
|
79
|
77,5
|
|
Forum Expanded: Zahlvaterschaft
(Moritz Siebert, 2021)**
|
|
77
|
|
|
|
|
|
78
|
77,5
|
|
Candyman
(Nia DaCosta, 2021)
|
70
|
|
|
74
|
|
|
88
|
|
77,3
|
|
Kunst kommt aus dem Schnabel wie er gewachsen ist
(Sabine Herpich, 2020)
|
72
|
80
|
82
|
|
75
|
|
|
75
|
76,8
|
|
No Sudden Move
(Steven Soderbergh, 2021)
|
68
|
|
|
|
|
|
85
|
77
|
76,7
|
|
Walchensee forever
(Janna Ji Wonders, 2020)
|
|
|
83
|
|
|
78
|
75
|
70
|
76,5
|
|
Quo Vadis, Aida?
(Jasmila Zbanic, 2020)
|
65
|
|
|
79
|
|
80
|
81
|
|
76,3
|
|
Forum: Garderie nocturne
(Moumouni Sanou, 2021)**
|
|
|
|
71
|
80
|
|
77
|
|
76
|
|
Forum: Qué será del verano
(Ignacio Ceroi, 2021)**
|
|
|
|
79
|
|
73
|
|
|
76
|
|
The Green Knight
(David Lowery, 2020)
|
67
|
|
|
|
|
|
85
|
|
76
|
|
Promising Young Woman
(Emerald Fennell, 2020)
|
81
|
|
|
64
|
|
82
|
|
75
|
75,5
|
|
Grenzland
(Andreas Voigt, 2020)
|
|
|
72
|
|
|
|
79
|
75
|
75,3
|
|
Le Prince
(Lisa Bierwirth, 2021)
|
72
|
78
|
|
|
|
67
|
82
|
|
74,8
|
|
Die Dohnal
(Sabine Derflinger, 2019)
|
|
75
|
|
|
|
|
78
|
71
|
74,7
|
|
Passing
(Rebecca Hall, 2021)*
|
72
|
71
|
72
|
|
74
|
|
82
|
|
74,2
|
|
The Last Duel
(Ridley Scott, 2021)
|
58
|
|
|
|
|
|
90
|
|
74
|
|
Zustand und Gelände
(Ute Adamczewski, 2020)
|
|
72
|
79
|
65
|
|
81
|
81
|
62
|
73,3
|
|
Special: Per Lucio
(Pietro Marcello, 2021)**
|
|
64
|
|
80
|
|
74
|
|
75
|
73,3
|
|
Bergman Island
(Mia Hansen-L⌀ve, 2021)
|
71
|
70
|
|
80
|
|
72
|
|
|
73,3
|
|
Forum: Jack’s Ride
(Susana Nobre, 2021)**
|
|
77
|
72
|
81
|
|
55
|
80
|
|
73
|
|
Wettbewerb: Fabian
(Dominik Graf, 2021)**
|
78
|
77
|
60
|
79
|
|
61
|
83
|
73
|
73
|
|
Bis an die Grenze (Police)
(Anne Fontaine, 2020)
|
|
|
|
|
|
|
73
|
|
73
|
|
Annette
(Leos Carax, 2021)
|
84
|
87
|
40
|
64
|
|
81
|
81
|
|
72,8
|
|
Wettbewerb: Albatros
(Xavier Beauvois, 2021)**
|
|
70
|
|
79
|
69
|
|
|
|
72,7
|
|
Encounters: The Scary of Sixty-First
(Dasha Nekrasova, 2020)**
|
|
|
|
|
|
73
|
72
|
|
72,5
|
|
The Many Saints of Newark
(Alan Taylor, 2021)
|
67
|
|
|
|
|
|
78
|
72
|
72,3
|
|
Adam
(Maryam Touzani, 2019)
|
|
63
|
|
|
|
|
81
|
|
72
|
|
Soul
(Pete Docter, 2020)*
|
70
|
|
|
75
|
|
|
|
70
|
71,7
|
|
Gunda
(Victor Kossakovsky, 2020)
|
75
|
70
|
|
65
|
67
|
|
85
|
68
|
71,7
|
|
Judas and the Black Messiah
(Shaka King, 2021)
|
74
|
|
64
|
70
|
|
75
|
73
|
70
|
71
|
|
Zimmer 212 - In einer magischen Nacht
(Christophe Honoré, 2019)
|
69
|
|
|
|
71
|
|
73
|
|
71
|
|
Forum Expanded: Ahorita Frames
(Angelika Levi, 2021)**
|
|
|
|
|
|
|
|
70
|
70
|
|
Spider-Man: No Way Home
(Jon Watts, 2021)
|
69
|
|
|
74
|
|
|
67
|
|
70
|
|
The Power of the Dog
(Jane Campion, 2021)
|
83
|
69
|
55
|
63
|
58
|
85
|
86
|
60
|
69,9
|
|
Der Masseur – Never Gonna Snow Again
(Malgorzata Szumowska & Michal Englert, 2020)
|
52
|
|
|
|
|
76
|
81
|
|
69,7
|
|
Shiva Baby
(Emma Seligman, 2020)*
|
82
|
65
|
|
|
|
62
|
69
|
|
69,5
|
|
Don’t Look Up
(Adam McKay, 2021)
|
68
|
|
76
|
68
|
|
68
|
79
|
58
|
69,5
|
|
Titane
(Julia Ducournau, 2021)
|
92
|
61
|
58
|
54
|
75
|
81
|
66
|
68
|
69,4
|
|
The White Tiger
(Ramin Bahrani, 2021)*
|
62
|
|
|
78
|
75
|
|
|
61
|
69
|
|
Doch das Böse gibt es nicht
(Mohammad Rasoulof, 2020)
|
67
|
65
|
|
69
|
|
70
|
74
|
|
69
|
|
Friends and Strangers
(James Vaughan, 2021)*
|
|
|
|
73
|
|
65
|
|
|
69
|
|
Minari
(Lee Isaac Chung, 2020)
|
70
|
|
|
68
|
|
70
|
67
|
|
68,8
|
|
Shorts: Al motociclista no le cabe la felicidad en el traje
(Gabriel Herrera, 2021)**
|
|
71
|
|
66
|
|
|
|
|
68,5
|
|
Nomadland
(Chloe Zhao, 2020)
|
72
|
63
|
59
|
79
|
58
|
77
|
|
|
68
|
|
Forum: Esquí
(Manque La Banca, 2021)**
|
|
79
|
|
75
|
49
|
|
|
|
67,7
|
|
Encounters: Blutsauger
(Julian Radlmaier, 2021)**
|
|
63
|
|
74
|
60
|
59
|
79
|
70
|
67,5
|
|
Szenen meiner Ehe
(Katrin Schlösser, 2019)*
|
|
61
|
|
70
|
62
|
|
76
|
|
67,3
|
|
Encounters: Das Mädchen und die Spinne
(Ramon Zürcher, 2021)**
|
74
|
71
|
|
52
|
74
|
65
|
|
67
|
67,2
|
|
I’m Your Woman
(Julia Hart, 2020)*
|
70
|
70
|
|
70
|
56
|
|
69
|
|
67
|
|
News of the World
(Paul Greengrass, 2020)*
|
72
|
|
|
|
|
|
62
|
|
67
|
|
Encounters: Nous
(Alice Diop, 2021)**
|
|
69
|
|
64
|
|
59
|
|
76
|
67
|
|
Hinterland
(Stefan Ruzowitzky, 2021)
|
65
|
|
|
59
|
|
|
77
|
|
67
|
|
The Unforgivable
(Nora Fingscheidt, 2021)*
|
67
|
|
|
|
|
|
|
|
67
|
|
The French Dispatch
(Wes Anderson, 2021)
|
69
|
55
|
|
66
|
|
68
|
82
|
61
|
66,8
|
|
Wettbewerb: Introduction
(Hong Sangsoo, 2021)**
|
|
65
|
|
59
|
76
|
63
|
|
70
|
66,6
|
|
Sommer 85
(Francois Ozon, 2020)
|
75
|
|
|
58
|
|
|
|
|
66,5
|
|
Stillwater
(Tom McCarthy, 2021)
|
|
|
|
73
|
|
|
|
59
|
66
|
|
Benedetta
(Paul Verhoeven, 2021)
|
67
|
61
|
|
68
|
63
|
66
|
67
|
|
65,3
|
|
Dune
(Denis Villeneuve, 2021)
|
59
|
|
|
|
49
|
77
|
74
|
66
|
65
|
|
Cry Macho
(Clint Eastwood, 2021)
|
60
|
|
|
|
|
|
70
|
|
65
|
|
Forum: Anmaßung
(Chris Wright & Stefan Kolbe, 2021)**
|
65
|
62
|
|
50
|
77
|
|
|
70
|
64,8
|
|
Borga
(York-Fabian Raabe, 2021)
|
65
|
|
|
|
|
|
63
|
|
64
|
|
Forum: À pas aveugles
(Christophe Cognet, 2021)**
|
|
64
|
|
60
|
71
|
|
|
60
|
63,8
|
|
Mank
(David Fincher, 2020)*
|
70
|
60
|
|
45
|
72
|
71
|
54
|
74
|
63,7
|
|
Polizeiruf 110: Bis Mitternacht
(Dominik Graf, 2021)*
|
|
|
79
|
68
|
45
|
|
|
62
|
63,5
|
|
Helden der Wahrscheinlichkeit - Riders of Justice
(Anders Thomas Jensen, 2020)
|
|
|
|
|
|
55
|
72
|
|
63,5
|
|
The Beginning
(Dea Kulumbegashvili, 2020)*
|
75
|
70
|
|
52
|
51
|
68
|
|
|
63,2
|
|
Black Widow
(Cate Shortland, 2020)
|
70
|
|
|
|
|
64
|
52
|
|
62
|
|
House of Gucci
(Ridley Scott, 2021)
|
70
|
73
|
71
|
69
|
|
36
|
44
|
70
|
61,9
|
|
Forum: Ste. Anne
(Rhayne Vermette, 2021)**
|
|
|
|
58
|
65
|
|
|
|
61,5
|
|
Operation Varsity Blues
(Chris Smith, 2021)*
|
|
|
|
50
|
|
|
|
73
|
61,5
|
|
Curveball
(Johannes Naber, 2020)
|
|
|
|
62
|
|
75
|
47
|
|
61,3
|
|
One Night in Miami
(Regina King, 2020)*
|
78
|
54
|
|
47
|
56
|
69
|
|
|
60,8
|
|
Ma Rainey’s Black Bottom
(George C. Wolfe, 2020)*
|
76
|
|
|
39
|
|
|
67
|
|
60,7
|
|
Es ist nur eine Phase, Hase
(Florian Gallenberger, 2021)
|
|
|
|
|
|
|
60
|
|
60
|
|
Encounters: Rock Bottom Riser
(Fern Silva, 2021)**
|
|
60
|
|
58
|
|
|
|
|
59
|
|
Forum Expanded: May June July
(Kevin Jerome Everson, 2021)**
|
|
73
|
|
44
|
|
|
|
|
58,5
|
|
Pieces of a Woman
(Kornél Mundruczó, 2020)*
|
70
|
51
|
|
30
|
65
|
70
|
|
|
57,2
|
|
Hochwald
(Evi Romen, 2020)
|
|
65
|
|
49
|
|
|
|
|
57
|
|
Macbeth
(Joel Coen, 2021)*
|
65
|
|
|
49
|
|
|
|
|
57
|
|
Online für Anfänger
(Benoît Delépine & Gustave Kervern, 2020)
|
40
|
|
|
|
|
|
73
|
|
56,5
|
|
Falling
(Viggo Mortensen, 2020)
|
58
|
|
|
40
|
|
|
70
|
|
56
|
|
Last Night in Soho
(Edgar Wright, 2021)
|
68
|
|
|
52
|
|
|
48
|
|
56
|
|
Nö
(Dietrich Brüggemann, 2021)
|
46
|
|
|
|
|
|
65
|
|
55,5
|
|
James Bond 007: No Time to Die
(Cary Joji Fukunaga, 2021)
|
67
|
|
|
39
|
|
42
|
46
|
70
|
52,8
|
|
Ich bin dein Mensch
(Maria Schrader, 2021)
|
58
|
|
|
49
|
67
|
53
|
57
|
31
|
52,5
|
|
Encounters: Hygiène sociale
(Denis Côté, 2021)**
|
|
57
|
|
|
|
48
|
|
|
52,5
|
|
Der Rausch (Druk)
(Thomas Vinterberg, 2020)
|
52
|
|
|
22
|
|
83
|
|
|
52,3
|
|
Zack Snyder's Justice League
(Zack Snyder, 2021)*
|
52
|
|
|
|
|
|
|
|
52
|
|
Eternals
(Chloe Zhao, 2021)
|
60
|
|
|
|
|
43
|
|
|
51,5
|
|
Special: The Mauritanian
(Kevin Macdonald, 2021)**
|
|
|
|
39
|
|
|
56
|
55
|
50
|
|
West Side Story
(Steven Spielberg, 2021)
|
|
|
|
46
|
|
|
54
|
|
50
|
|
Wettbewerb: WETTBEWERB: Una Película de Policías
(Alonso Ruizpalacios, 2021)**
|
|
|
|
40
|
58
|
|
|
|
49
|
|
Alles Geld der Welt
(Ridley Scott, 2017)
|
68
|
|
|
28
|
|
45
|
|
|
47
|
|
Hand of God
(Paolo Sorrentino, 2021)*
|
42
|
|
|
61
|
|
37
|
|
|
46,7
|
|
Schachnovelle
(Philipp Stölzl, 2020)
|
|
|
|
|
|
34
|
59
|
|
46,5
|
|
Godzilla vs. Kong
(Adam Wingard, 2020)
|
30
|
|
42
|
|
47
|
35
|
63
|
48
|
44,2
|
|
Wettbewerb: Memory Box
(Joana Hadjithomas & Khalil Joreige, 2021)**
|
|
31
|
|
|
|
55
|
|
|
43
|
|
Wettbewerb: Forest – I See You Everywhere
(Bence Fliegauf, 2022)**
|
|
49
|
|
64
|
|
15
|
|
|
42,7
|
|
Old
(M. Night Shyamalan, 2021)
|
48
|
|
|
|
|
37
|
|
|
42,5
|
|
Lieber Thomas
(Andreas Kleinert, 2021)
|
37
|
|
62
|
|
|
32
|
39
|
|
42,5
|
|
The Midnight Sky
(George Clooney, 2020)*
|
48
|
|
|
42
|
|
34
|
|
|
41,3
|
|
Matrix Resurrections
(Lana Wachowski, 2021)
|
23
|
|
|
75
|
|
|
25
|
|
41
|
|
Forum: The Good Woman of Sichuan
(Sabrina Zhao, 2021)**
|
|
|
|
36
|
45
|
|
|
|
40,5
|
|
Ammonite
(Francis Lee, 2020)
|
|
|
|
|
|
39
|
|
|
39
|
|
Contra
(Sönke Wortmann, 2021)
|
33
|
|
26
|
|
|
|
46
|
|
35
|
|
Wettbewerb: Nebenan
(Daniel Brühl, 201)**
|
42
|
|
|
|
|
35
|
17
|
|
31,3
|
|
Die Geschichte meiner Frau
(Ildikó Enyedi, 2021)
|
27
|
|
|
|
|
|
34
|
|
30,5
|
|
Nahschuss
(Franziska Stünkel, 2020)
|
|
|
27
|
|
|
|
31
|
|
29
|
|
Wonder Woman 1984
(Patty Jenkins, 2020)*
|
15
|
|
|
|
|
19
|
38
|
42
|
28,5
|
|
Bekenntnisse des Hochstaplers Felix Krull
(Detlev Buck, 2021)
|
|
|
|
|
|
12
|
28
|
|
20
|
|
Der Schein trügt
(Srdjan Dragojevic, 2021)
|
|
|
|
|
|
18
|
|
|
18
|
|
Je Suis Karl
(Christian Schwochow, 2021)
|
12
|
|
|
|
|
3
|
8
|
5
|
7
|