|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Pacifiction
(Albert Serra, 2022)
|
89
|
86
|
|
85
|
|
90
|
84
|
90
|
87,3
|
|
The Potemkinists
(Radu Jude, 2022)*
|
|
|
|
|
|
|
95
|
78
|
86,5
|
|
Unruh (Unrueh)
(Cyril Schäublin, 2022)
|
84
|
90
|
90
|
84
|
75
|
85
|
97
|
84
|
86,1
|
|
Saint Omer
(Alice Diop, 2022)
|
88
|
91
|
87
|
78
|
75
|
82
|
90
|
80
|
83,9
|
|
Trenque Lauquen
(Laura Citarella, 2022)
|
80
|
80
|
|
84
|
|
|
83
|
|
81,8
|
|
Music
(Angela Schanelec, 2023)
|
84
|
90
|
|
|
90
|
84
|
62
|
80
|
81,7
|
|
Der Gymnasiast (Le lycéen)
(Christophe Honoré, 2022)
|
82
|
80
|
|
|
|
82
|
|
|
81,3
|
|
Infinity Pool
(Brandon Cronenberg, 2023)
|
73
|
|
|
|
|
80
|
90
|
|
81
|
|
Drei Winter (Drii Winter)
(Michael Koch, 2022)
|
82
|
77
|
|
81
|
|
83
|
77
|
|
80
|
|
Spider-Man: Across the Spider-Verse
(Kemp Powers, Joaquim Dos Santos, Justin K. Thompson, 2023)
|
78
|
|
|
|
|
|
82
|
|
80
|
|
In der Nacht des 12. (La Nuit du 12)
(Dominik Moll, 2022)
|
|
|
|
77
|
|
|
82
|
80
|
79,7
|
|
Das Hamlet Syndrom
(Elwira Niewra, Piotr Rosolowski, 2022)
|
79
|
76
|
|
|
|
80
|
80
|
|
78,8
|
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
75
|
|
82
|
73
|
|
83
|
80
|
|
78,6
|
|
Aftersun
(Charlotte Wells, 2022)
|
79
|
74
|
|
82
|
80
|
78
|
|
|
78,6
|
|
Berlind JWD
(Bernhard Sallmann, 2022)
|
|
|
74
|
79
|
|
|
81
|
78
|
78
|
|
Mediterranean Fever
(Maha Haj, 2022)
|
|
|
|
|
|
|
78
|
|
78
|
|
All the Beauty and the Bloodshed
(Nan Goldin, 2022)
|
84
|
72
|
|
78
|
|
77
|
|
|
77,8
|
|
Human Flowers of Flesh
(Helena Wittmann, 2022)
|
72
|
86
|
|
|
|
68
|
84
|
|
77,5
|
|
Tagebuch einer Pariser Affäre
(Emmanuel Mouret, 2022)
|
|
|
|
78
|
|
|
77
|
|
77,5
|
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
67
|
76
|
|
83
|
|
81
|
|
|
76,8
|
|
Verlorene Illusionen (Illusions perdues)
(Xavier Giannoli, 2021)
|
82
|
|
|
90
|
64
|
82
|
70
|
70
|
76,3
|
|
Piaffe
(Ann Oren, 2022)
|
|
74
|
|
|
|
73
|
82
|
|
76,3
|
|
The Fabelmans
(Steven Spielberg, 2022)
|
68
|
|
|
78
|
87
|
80
|
86
|
58
|
76,2
|
|
Shazam! Fury of the Gods
(David F. Sandberg, 2023)
|
67
|
|
|
|
|
|
85
|
|
76
|
|
Suzume
(Makoto Shinkai, 2022)
|
76
|
79
|
|
|
73
|
76
|
|
|
76
|
|
Guardians of the Galaxy Vol. 3
(James Gunn, 2023)
|
|
|
|
79
|
|
|
72
|
|
75,5
|
|
Empire of Light
(Sam Mendes, 2022)
|
|
|
|
|
|
|
75
|
|
75
|
|
Living
(Oliver Hermanus, 2022)
|
|
|
|
|
|
|
75
|
|
75
|
|
Für die Vielen – Die Arbeiterkammer Wien
(Constantin Wulff, 2022)
|
78
|
76
|
72
|
78
|
73
|
74
|
79
|
69
|
74,9
|
|
Passagiere der Nacht (Les passagers de la nuit)
(Mikhaël Hers, 2022)
|
68
|
76
|
75
|
79
|
80
|
70
|
|
|
74,7
|
|
Die Frau im Nebel (Decision to Leave)
(Park Chan-wook, 2022)
|
70
|
72
|
|
75
|
|
78
|
77
|
|
74,4
|
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
71
|
|
79
|
|
73
|
|
|
74,3
|
|
The Five Devils (Les cinq diables)
(Léa Mysius, 2022)
|
78
|
67
|
|
|
|
75
|
77
|
|
74,3
|
|
EO
(Jerzy Skolimowski, 2022)
|
78
|
70
|
51
|
83
|
|
81
|
82
|
|
74,2
|
|
Broker – Familie gesucht
(Hirokazu Kore-eda, 2022)
|
65
|
|
|
85
|
|
70
|
|
|
73,3
|
|
Myama, Kyoto Prefecture
(Rainer Komers, 2022)
|
|
64
|
68
|
|
|
|
86
|
|
72,7
|
|
Robe of Gems
(Natalia López Gallardo, 2022)*
|
74
|
63
|
|
|
|
66
|
86
|
|
72,3
|
|
Vamos a la playa
(Bettina Blümner, 2022)
|
|
61
|
|
|
|
|
82
|
|
71,5
|
|
She Said
(Maria Schrader, 2022)
|
73
|
|
72
|
70
|
|
72
|
71
|
70
|
71,3
|
|
Aus meiner Haut
(Alex Schaad, 2022)
|
69
|
|
|
|
|
|
73
|
|
71
|
|
The Ordinaries
(Sophie Linnenbaum, 2022)
|
72
|
|
|
70
|
|
|
|
|
71
|
|
Das Blau des Kaftans
(Maryam Touzani, 2022)
|
|
64
|
|
|
|
73
|
75
|
|
70,7
|
|
Pearl
(Ti West, 2022)
|
57
|
|
|
72
|
|
|
83
|
|
70,7
|
|
Die Kairo-Verschwörung
(Tarik Saleh, 2022)
|
68
|
|
|
|
|
62
|
80
|
|
70
|
|
The Banshees of Inisherin
(Martin McDonagh, 2022)
|
78
|
|
58
|
72
|
52
|
80
|
79
|
|
69,8
|
|
Air – Der große Wurf
(Ben Affleck, 2023)
|
72
|
|
|
62
|
|
|
74
|
|
69,3
|
|
Der Fuchs
(Adrian Goiginger, 2022)
|
|
|
|
60
|
|
|
78
|
|
69
|
|
Cocaine Bear
(Elizabeth Banks, 2023)
|
70
|
75
|
70
|
45
|
|
|
81
|
72
|
68,8
|
|
Die Gewerkschafterin (La syndicaliste)
(Jean-Paul Salomé, 2022)
|
|
|
|
|
|
|
68
|
|
68
|
|
Tár
(Todd Field, 2022)
|
70
|
59
|
|
78
|
75
|
52
|
|
70
|
67,3
|
|
Tara
(Volker Sattel, Francesca Bertini, 2022)
|
|
70
|
48
|
|
|
69
|
81
|
|
67
|
|
Sisu
(Jalmari Helander, 2022)
|
|
|
|
|
|
|
67
|
|
67
|
|
Das Lehrerzimmer
(Ilker Çatak, 2023)
|
78
|
|
|
45
|
|
59
|
85
|
|
66,8
|
|
Roter Himmel
(Christian Petzold, 2023)
|
70
|
63
|
65
|
|
73
|
61
|
|
68
|
66,7
|
|
Die Linie
(Ursula Meier, 2022)
|
63
|
65
|
|
64
|
|
62
|
78
|
|
66,4
|
|
Final Cut of the Dead
(Michel Hazanavicius, 2022)
|
67
|
|
|
|
|
58
|
74
|
|
66,3
|
|
Die Aussprache (Women Talking)
(Sarah Polley, 2022)
|
80
|
49
|
|
55
|
|
80
|
|
|
66
|
|
Annie Ernaux – Die Super 8-Jahre (Les années super-8)
(Annie Ernaux, David Ernaux-Briot, 2022)
|
72
|
64
|
|
59
|
|
68
|
|
|
65,8
|
|
Acht Berge (Le otto montagne )
(Felix van Groeningen & Charlotte Vandermeersch, 2022)
|
|
56
|
|
81
|
|
57
|
|
|
64,7
|
|
Schlachthäuser der Moderne
(Heinz Emigholz, 2022)
|
|
|
53
|
|
57
|
|
84
|
|
64,7
|
|
Till – Kampf um die Wahrheit
(Chinonye Chukwu, 2022)
|
64
|
|
|
|
|
64
|
|
|
64
|
|
Beau is Afraid
(Ari Aster, 2023)
|
52
|
63
|
|
|
|
72
|
68
|
|
63,8
|
|
Close
(Lukas Dhont, 2022)
|
57
|
|
70
|
52
|
|
53
|
82
|
|
62,8
|
|
Glass Onion A Knives Out Mystery
(Rian Johnson, 2022)*
|
|
|
|
69
|
|
55
|
62
|
59
|
61,3
|
|
Irgendwann werden wir uns alles erzählen
(Emily Atef, 2023)
|
66
|
|
|
|
61
|
59
|
81
|
31
|
59,6
|
|
Holy Spider
(Ali Abbasi, 2022)
|
|
|
|
40
|
|
59
|
76
|
|
58,3
|
|
You People
(Kenya Barris, 2023)*
|
|
|
|
45
|
|
|
|
70
|
57,5
|
|
Gesicht der Erinnerung
(Dominik Graf, 2023)*
|
|
|
|
50
|
65
|
|
|
52
|
55,7
|
|
Eismayer
(David Wagner, 2022)
|
|
60
|
|
50
|
|
|
|
|
55
|
|
Sisi & ich
(Frauke Finsterwalder, 2023)
|
|
|
|
66
|
|
|
43
|
48
|
52,3
|
|
Sparta
(Ulrich Seidl, 2022)
|
|
|
|
78
|
|
3
|
74
|
|
51,7
|
|
Seneca
(Robert Schwentke, 2023)
|
68
|
|
13
|
|
|
39
|
84
|
|
51
|
|
The Whale
(Darren Aronofsky, 2022)
|
42
|
|
|
34
|
|
|
77
|
|
51
|
|
Avatar: The Way of Water
(James Cameron, 2022)
|
65
|
|
|
39
|
|
48
|
|
|
50,7
|
|
Maigret
(Patrice Leconte, 2022)
|
|
|
|
50
|
51
|
|
|
|
50,5
|
|
Babylon
(Damien Chazelle, 2022)
|
|
|
|
42
|
|
46
|
55
|
|
47,7
|
|
Luftkrieg – Die Naturgeschichte der Zerstörung
(Sergei Loznitsa, 2022)
|
47
|
|
|
|
|
50
|
44
|
|
47
|
|
Der vermessene Mensch
(Lars Kraume, 2023)
|
18
|
|
8
|
|
|
28
|
17
|
|
17,8
|