|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Die Purpursegel (L’envol)
(Pietro Marcello, 2022)
|
80
|
83
|
|
84
|
73
|
81
|
88
|
80
|
81,3
|
|
Asteroid City
(Wes Anderson, 2023)
|
|
|
|
69
|
|
78
|
88
|
68
|
75,8
|
|
Pearl
(Ti West, 2022)
|
57
|
|
|
72
|
|
|
83
|
|
70,7
|
|
Bis ans Ende der Nacht
(Christoph Hochhäusler, 2023)
|
70
|
78
|
|
61
|
|
|
73
|
69
|
70,2
|
|
20.000 Arten von Bienen
(Estibaliz Urresola Solaguren, 2023)
|
72
|
61
|
|
|
|
58
|
85
|
|
69
|
|
Before, Now and Then
(Kamila Andini, 2022)
|
|
65
|
|
|
|
63
|
|
|
64
|
|
No Hard Feelings
(Gene Stupnitsky, 2023)
|
45
|
|
62
|
|
|
|
|
|
53,5
|
|
Indiana Jones and the Dial of Destiny
(James Mangold, 2023)
|
58
|
|
|
|
|
39
|
|
|
48,5
|
|
Mein fabelhaftes Verbrechen (Mon Crime)
(Francois Ozon, 2023)
|
45
|
54
|
|
|
|
|
33
|
|
44
|
|
Die Unschärferelation der Liebe
(Lars Kraume, 2023)
|
|
|
12
|
|
|
12
|
55
|
|
26,3
|