|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Unruh (Unrueh)
(Cyril Schäublin, 2022)
|
84
|
90
|
90
|
84
|
75
|
85
|
97
|
84
|
86,1
|
|
Drei Winter (Drii Winter)
(Michael Koch, 2022)
|
82
|
77
|
|
81
|
|
83
|
77
|
|
80
|
|
Aftersun
(Charlotte Wells, 2022)
|
79
|
74
|
|
82
|
80
|
78
|
|
|
78,6
|
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
67
|
76
|
|
83
|
|
81
|
|
|
76,8
|
|
Verlorene Illusionen (Illusions perdues)
(Xavier Giannoli, 2021)
|
82
|
|
|
90
|
64
|
82
|
70
|
70
|
76,3
|
|
Passagiere der Nacht (Les passagers de la nuit)
(Mikhaël Hers, 2022)
|
68
|
76
|
75
|
79
|
80
|
70
|
|
|
74,7
|
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
71
|
|
79
|
|
73
|
|
|
74,3
|
|
EO
(Jerzy Skolimowski, 2022)
|
78
|
70
|
51
|
83
|
|
81
|
82
|
|
74,2
|
|
She Said
(Maria Schrader, 2022)
|
73
|
|
72
|
70
|
|
72
|
71
|
70
|
71,3
|
|
The Banshees of Inisherin
(Martin McDonagh, 2022)
|
78
|
|
58
|
72
|
52
|
80
|
79
|
|
69,8
|
|
Annie Ernaux – Die Super 8-Jahre (Les années super-8)
(Annie Ernaux, David Ernaux-Briot, 2022)
|
72
|
64
|
|
59
|
|
68
|
|
|
65,8
|
|
Glass Onion A Knives Out Mystery
(Rian Johnson, 2022)*
|
|
|
|
69
|
|
55
|
62
|
59
|
61,3
|
|
Avatar: The Way of Water
(James Cameron, 2022)
|
65
|
|
|
39
|
|
48
|
|
|
50,7
|