|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Pacifiction
(Albert Serra, 2022)
|
89
|
86
|
|
85
|
|
90
|
84
|
90
|
87,3
|
|
Saint Omer
(Alice Diop, 2022)
|
88
|
91
|
87
|
78
|
75
|
82
|
90
|
84
|
84,4
|
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
75
|
|
82
|
73
|
|
83
|
80
|
|
78,6
|
|
Aftersun
(Charlotte Wells, 2022)
|
79
|
74
|
|
82
|
80
|
78
|
|
|
78,6
|
|
The Fabelmans
(Steven Spielberg, 2022)
|
68
|
|
|
78
|
87
|
80
|
86
|
58
|
76,2
|
|
Shazam! Fury of the Gods
(David F. Sandberg, 2023)
|
67
|
|
|
|
|
|
85
|
|
76
|
|
Broker – Familie gesucht
(Hirokazu Kore-eda, 2022)
|
65
|
|
|
85
|
|
70
|
|
|
73,3
|
|
Das Blau des Kaftans
(Maryam Touzani, 2022)
|
|
64
|
|
|
|
73
|
75
|
|
70,7
|
|
The Banshees of Inisherin
(Martin McDonagh, 2022)
|
78
|
|
58
|
72
|
52
|
80
|
79
|
|
69,8
|
|
Tár
(Todd Field, 2022)
|
70
|
59
|
|
78
|
75
|
52
|
|
70
|
67,3
|
|
Final Cut of the Dead
(Michel Hazanavicius, 2022)
|
67
|
|
|
|
|
58
|
74
|
|
66,3
|
|
Luftkrieg – Die Naturgeschichte der Zerstörung
(Sergei Loznitsa, 2022)
|
47
|
|
|
|
|
50
|
44
|
|
47
|