|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Vortex
(Gaspar Noë, 2021)
|
88
|
92
|
|
|
|
90
|
90
|
|
90
|
|
Wettbewerb: Was sehen wir, wenn wir zum Himmel schauen?
(Alexandre Koberidze, 2021)**
|
87
|
90
|
|
90
|
90
|
90
|
92
|
72
|
87,3
|
|
Memoria
(Apichatpong Weerasethakul, 2021)
|
85
|
83
|
|
94
|
74
|
84
|
83
|
|
83,8
|
|
The Innocents
(Eskil Vogt, 2021)
|
80
|
|
|
|
|
84
|
86
|
|
83,3
|
|
Zum Tod meiner Mutter
(Jessica Krummacher, 2022)
|
82
|
85
|
|
|
|
|
81
|
|
82,7
|
|
The Card Counter
(Paul Schrader, 2021)
|
|
|
|
85
|
|
|
95
|
61
|
80,3
|
|
A Hero
(Asghar Farhadi, 2021)
|
85
|
|
|
73
|
|
80
|
82
|
|
80
|
|
Nico
(Eline Gehring, 2021)
|
|
|
|
|
|
|
78
|
|
78
|
|
RRR
(S.S. Rajamouli, 2022)*
|
|
|
|
|
78
|
|
|
|
78
|
|
Spencer
(Pablo Larrain, 2021)
|
86
|
77
|
|
80
|
|
85
|
80
|
58
|
77,7
|
|
Wettbewerb: Petite Maman
(Céline Sciamma, 2020)**
|
82
|
71
|
|
78
|
70
|
85
|
|
79
|
77,5
|
|
Abteil Nr. 6
(Juho Kuosmanen, 2021)
|
70
|
77
|
|
83
|
|
78
|
78
|
|
77,2
|
|
Parallele Mütter
(Pedro Almodovar, 2021)
|
82
|
|
|
78
|
59
|
79
|
85
|
|
76,6
|
|
Nightmare Alley
(Guillermo del Toro, 2021)
|
67
|
|
|
80
|
|
|
82
|
|
76,3
|
|
Massive Talent
(Tom Gormican, 2022)
|
69
|
|
|
72
|
|
|
88
|
|
76,3
|
|
Niemand ist bei den Kälbern
(Sabrina Sarabi, 2021)
|
79
|
|
|
|
|
73
|
|
|
76
|
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
75
|
|
|
73
|
|
|
80
|
|
76
|
|
Licorice Pizza
(Paul Thomas Anderson, 2021)
|
72
|
78
|
|
83
|
|
68
|
79
|
74
|
75,7
|
|
This Rain Will Never Stop
(Alina Gorlova, 2020)
|
74
|
|
|
|
|
|
77
|
|
75,5
|
|
Köy
(Serpil Turhan, 2021)
|
79
|
71
|
70
|
|
|
70
|
86
|
75
|
75,2
|
|
Wanda, mein Wunder
(Bettina Oberli, 2020)
|
|
|
|
|
|
|
75
|
|
75
|
|
Die Odyssee
(Florence Miailhe, 2021)
|
78
|
72
|
|
|
|
|
|
|
75
|
|
Sundown
(Michel Franco, 2021)
|
69
|
|
|
|
|
|
81
|
|
75
|
|
Lingui
(Mahamat-Saleh Haroun, 2021)
|
71
|
|
|
|
|
70
|
83
|
|
74,7
|
|
Volksvertreter
(Andreas Wilcke, 2021)
|
74
|
|
72
|
|
|
|
|
75
|
73,7
|
|
Chiara
(Jonas Carpignano, 2021)
|
76
|
61
|
|
|
|
73
|
82
|
|
73
|
|
Der schlimmste Mensch der Welt
(Joachim Trier, 2021)
|
66
|
|
|
80
|
|
65
|
80
|
|
72,8
|
|
Nawalny
(Daniel Roher, 2022)
|
|
|
|
|
|
60
|
85
|
|
72,5
|
|
Das Ereignis (L´évènement)
(Audrey Diwan, 2021)
|
72
|
67
|
74
|
|
|
75
|
72
|
|
72
|
|
Alles ist gutgegangen (Tout s'est bien passé)
(Francois Ozon, 2021)
|
70
|
|
|
|
|
74
|
|
|
72
|
|
Bettina
(Lutz Pehnert, 2022)
|
|
|
72
|
|
|
|
|
|
72
|
|
Eine deutsche Partei
(Simon Brückner, 2022)
|
72
|
64
|
68
|
|
|
|
82
|
70
|
71,2
|
|
Red Rocket
(Sean Baker, 2021)
|
67
|
64
|
62
|
82
|
|
72
|
78
|
|
70,8
|
|
Top Gun: Maverick
(Joseph Kosinski, 2022)
|
70
|
73
|
|
60
|
74
|
75
|
69
|
72
|
70,4
|
|
Spider-Man: No Way Home
(Jon Watts, 2021)
|
69
|
|
|
74
|
|
|
67
|
|
70
|
|
Come On, Come On
(Mike Mills, 2021)
|
67
|
63
|
|
83
|
|
58
|
78
|
|
69,8
|
|
Don’t Look Up
(Adam McKay, 2021)
|
68
|
|
76
|
68
|
|
68
|
79
|
58
|
69,5
|
|
Dog
(Channing Tatum + Reid Carolin, 2022)
|
|
|
|
|
|
|
69
|
|
69
|
|
The Outfit
(Graham Moore, 2022)
|
|
|
|
|
|
|
69
|
|
69
|
|
Frau im Dunkeln (The Lost Daughter)
(Maggie Gyllenhaal, 2021)*
|
88
|
61
|
|
70
|
51
|
73
|
70
|
|
68,8
|
|
Elvis
(Baz Luhrmann, 2022)
|
68
|
|
|
|
|
67
|
69
|
|
68
|
|
Encounters: Blutsauger
(Julian Radlmaier, 2021)**
|
|
63
|
|
74
|
60
|
59
|
79
|
70
|
67,5
|
|
Europe
(Philipp Scheffner, 2022)
|
67
|
69
|
58
|
|
|
|
74
|
|
67
|
|
Dark Glasses - Blinde Angst
(Dario Argento, 2022)
|
67
|
|
|
|
|
|
|
|
67
|
|
Coda
(Sian Heder, 2021)*
|
62
|
|
|
74
|
|
|
63
|
|
66,3
|
|
Der Mann, der seine Haut verkaufte
(Kaouther Ben Hania, 2020)
|
67
|
|
|
|
|
65
|
|
|
66
|
|
Aheds Knie
(Nadav Lapid, 2021)
|
72
|
60
|
|
40
|
|
73
|
83
|
|
65,6
|
|
Wo in Paris die Sonne aufgeht (Les Olympiades)
(Jacques Audiard, 2021)
|
65
|
63
|
|
|
62
|
72
|
|
|
65,5
|
|
France
(Bruno Dumont, 2021)
|
72
|
63
|
|
|
|
|
66
|
60
|
65,3
|
|
Stasikomödie
(Leander Haußmann, 2022)
|
|
|
74
|
|
|
|
55
|
|
64,5
|
|
Hustle
(Jeremiah Zagar, 2022)*
|
70
|
|
|
79
|
|
|
36
|
68
|
63,3
|
|
Lightyear
(Angus MacLane, 2022)
|
62
|
|
|
60
|
|
|
65
|
|
62,3
|
|
AEIOU - Das schnelle Alphabet der Liebe
(Nicolette Krebitz, 2022)
|
65
|
65
|
|
|
54
|
59
|
68
|
|
62,2
|
|
Moonfall
(Roland Emmerich, 2022)
|
52
|
|
|
|
|
|
72
|
|
62
|
|
The Sky is Everywhere
(Josephine Decker, 2022)*
|
62
|
|
|
|
|
|
|
|
62
|
|
Gloria Mundi
(Robert Guediguian, 2019)
|
|
60
|
|
61
|
|
|
|
|
60,5
|
|
Pleasure
(Ninja Thyberg, 2021)
|
73
|
|
|
55
|
|
65
|
|
49
|
60,5
|
|
Der Schneeleopard
(Marie Amiguet, 2021)
|
|
53
|
|
|
|
|
67
|
|
60
|
|
Ambulance
(Michael Bay, 2022)
|
60
|
|
|
|
|
|
56
|
|
58
|
|
Blue Bayou
(Justin Won, 2021)
|
52
|
|
|
|
|
|
63
|
|
57,5
|
|
The Batman
(Matt Reeves, 2022)
|
|
|
|
60
|
32
|
|
79
|
|
57
|
|
München - Im Angesicht des Krieges
(Christian Schwochow, 2020)*
|
55
|
|
57
|
|
|
|
|
|
56
|
|
Doctor Strange in the Multiverse of Madness
(Sam Raimi, 2022)
|
70
|
|
|
36
|
|
71
|
46
|
|
55,8
|
|
King Richard
(Reinaldo Marcus Green, 2021)
|
70
|
|
44
|
|
|
53
|
55
|
|
55,5
|
|
Bad Tales (Favolacce)
(Fratelli Innocenzo, 2020)
|
65
|
|
|
25
|
|
55
|
68
|
|
53,3
|
|
The Northman
(Robert Eggers, 2022)
|
22
|
|
|
|
|
44
|
84
|
|
50
|
|
The Eyes of Tammy Faye
(Michael Showalter, 2021)*
|
54
|
|
60
|
33
|
|
|
|
|
49
|
|
The Bubble
(Judd Apatow, 2022)*
|
27
|
|
|
|
|
|
|
66
|
46,5
|
|
Matrix Resurrections
(Lana Wachowski, 2021)
|
23
|
|
|
75
|
|
|
25
|
|
41
|
|
Rabiye Kurnaz gegen George W. Bush
(Andreas Dresen, 2022)
|
34
|
|
|
|
|
34
|
55
|
|
41
|
|
Belfast
(Kenneth Branagh, 2021)
|
55
|
|
|
38
|
|
25
|
|
|
39,3
|
|
The Sadness
(Rob Jabbaz, 2021)
|
|
|
|
|
55
|
22
|
|
|
38,5
|
|
Jurassic World: Ein neues Zeitalter
(Colin Trevorrow, 2022)
|
38
|
|
|
|
|
|
37
|
|
37,5
|
|
Die Geschichte der Menschheit - leicht gekürzt
(Erik Haffner, 2022)
|
|
|
|
|
|
|
32
|
|
32
|