|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Vortex
(Gaspar Noë, 2021)
|
88
|
92
|
|
90
|
|
90
|
90
|
|
90
|
|
Wettbewerb: Was sehen wir, wenn wir zum Himmel schauen?
(Alexandre Koberidze, 2021)**
|
87
|
90
|
|
90
|
90
|
90
|
92
|
72
|
87,3
|
|
A Night of Knowing Nothing
(Payal Kapadia, 2021)*
|
88
|
87
|
|
84
|
|
88
|
|
82
|
85,8
|
|
Liebe, D-Mark und Tod
(Cem Kaya, 2022)
|
84
|
79
|
90
|
78
|
|
86
|
|
85
|
83,7
|
|
The Innocents
(Eskil Vogt, 2021)
|
80
|
|
|
|
|
84
|
86
|
|
83,3
|
|
Zum Tod meiner Mutter
(Jessica Krummacher, 2022)
|
82
|
85
|
|
|
|
|
81
|
|
82,7
|
|
Bones and All
(Luca Guadagnino, 2022)
|
84
|
|
|
82
|
|
84
|
80
|
|
82,5
|
|
Ein Höhlengleichnis (Il buco)
(Michelangelo Frammartino, 2021)
|
85
|
82
|
|
77
|
82
|
84
|
85
|
78
|
81,9
|
|
Memoria
(Apichatpong Weerasethakul, 2021)
|
85
|
83
|
|
94
|
74
|
84
|
83
|
69
|
81,7
|
|
Axiom
(Jöns Jönsson, 2022)
|
82
|
76
|
|
|
73
|
79
|
90
|
85
|
80,8
|
|
The Card Counter
(Paul Schrader, 2021)
|
|
|
|
85
|
|
|
95
|
61
|
80,3
|
|
Wettbewerb: Wheel of Fortune and Fantasy
(Ryusuke Hamaguchi, 2021)**
|
72
|
84
|
|
84
|
81
|
78
|
82
|
|
80,2
|
|
A Hero
(Asghar Farhadi, 2021)
|
85
|
|
|
73
|
|
80
|
82
|
|
80
|
|
Die Schriftstellerin, ihr Film und ein glücklicher Zufall
(Hong Sangsoo, 2022)
|
79
|
80
|
|
83
|
75
|
|
83
|
|
80
|
|
Drei Winter (Drii Winter)
(Michael Koch, 2022)
|
82
|
77
|
|
|
|
83
|
77
|
|
79,8
|
|
Elfriede Jelinek – Die Sprache von der Leine lassen
(Claudia Müller, 2022)
|
|
76
|
|
79
|
|
|
84
|
|
79,7
|
|
RRR
(S.S. Rajamouli, 2022)*
|
|
|
|
|
78
|
|
81
|
|
79,5
|
|
Nope
(Jordan Peele, 2022)
|
82
|
78
|
68
|
79
|
78
|
86
|
94
|
71
|
79,5
|
|
Aftersun
(Charlotte Wells, 2022)
|
79
|
74
|
|
82
|
80
|
78
|
|
|
78,6
|
|
Mit zwanzig wirst du sterben
(Amjad Abu Alala, 2019)
|
|
74
|
|
|
|
|
82
|
|
78
|
|
Spencer
(Pablo Larrain, 2021)
|
86
|
77
|
|
80
|
|
85
|
80
|
58
|
77,7
|
|
Wettbewerb: Petite Maman
(Céline Sciamma, 2020)**
|
82
|
71
|
|
78
|
70
|
85
|
|
79
|
77,5
|
|
Abteil Nr. 6
(Juho Kuosmanen, 2021)
|
70
|
77
|
|
83
|
|
78
|
78
|
|
77,2
|
|
Amsterdam
(David O. Russell, 2022)
|
82
|
|
|
|
78
|
74
|
83
|
69
|
77,2
|
|
Sonne
(Kurdwin Ayub, 2022)
|
78
|
78
|
|
74
|
67
|
79
|
87
|
|
77,2
|
|
Parallele Mütter
(Pedro Almodovar, 2021)
|
82
|
|
|
78
|
59
|
79
|
85
|
|
76,6
|
|
Licorice Pizza
(Paul Thomas Anderson, 2021)
|
72
|
78
|
|
83
|
|
68
|
79
|
79
|
76,5
|
|
To the Ends of the Earth
(Kiyoshi Kurosawa, 2019)
|
72
|
|
|
|
|
|
81
|
|
76,5
|
|
Nightmare Alley
(Guillermo del Toro, 2021)
|
67
|
|
|
80
|
|
|
82
|
|
76,3
|
|
Massive Talent
(Tom Gormican, 2022)
|
69
|
|
|
72
|
|
|
88
|
|
76,3
|
|
Niemand ist bei den Kälbern
(Sabrina Sarabi, 2021)
|
79
|
|
|
|
|
73
|
|
|
76
|
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
75
|
|
|
73
|
|
|
80
|
|
76
|
|
This Rain Will Never Stop
(Alina Gorlova, 2020)
|
74
|
|
|
|
|
|
77
|
|
75,5
|
|
Köy
(Serpil Turhan, 2021)
|
79
|
71
|
70
|
|
|
70
|
86
|
75
|
75,2
|
|
Die Odyssee
(Florence Miailhe, 2021)
|
78
|
72
|
|
|
|
|
|
|
75
|
|
Into the Ice
(Lars Henrik Ostenfeld, 2022)
|
|
|
|
|
|
|
|
75
|
75
|
|
Echo
(Mareike Wegener, 2022)
|
|
69
|
|
|
|
|
81
|
|
75
|
|
Lingui
(Mahamat-Saleh Haroun, 2021)
|
71
|
|
|
|
|
70
|
83
|
|
74,7
|
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
67
|
76
|
|
|
|
81
|
|
|
74,7
|
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
71
|
|
79
|
|
73
|
|
|
74,3
|
|
Chiara
(Jonas Carpignano, 2021)
|
76
|
71
|
|
69
|
|
73
|
82
|
|
74,2
|
|
EO
(Jerzy Skolimowski, 2022)
|
78
|
70
|
51
|
83
|
|
81
|
82
|
|
74,2
|
|
Wettermacher
(Stanislaw Mucha, 2022)
|
|
|
|
|
|
|
74
|
|
74
|
|
Eine Sekunde
(Zhang Yimou, 2020)
|
79
|
68
|
|
66
|
|
|
82
|
|
73,8
|
|
Volksvertreter
(Andreas Wilcke, 2021)
|
74
|
|
72
|
|
|
|
|
75
|
73,7
|
|
Corsage
(Marie Kreutzer, 2022)
|
80
|
61
|
69
|
72
|
|
79
|
80
|
|
73,5
|
|
Catherine Called Birdy
(Lena Dunham, 2022)*
|
74
|
|
|
|
|
73
|
|
|
73,5
|
|
Weißes Rauschen (White Noise)
(Noah Baumbach, 2022)
|
62
|
|
|
83
|
|
77
|
77
|
68
|
73,4
|
|
Rhino
(Oleh Senzow, 2021)
|
73
|
|
|
|
|
|
|
|
73
|
|
Der schlimmste Mensch der Welt
(Joachim Trier, 2021)
|
66
|
|
|
80
|
|
65
|
80
|
|
72,8
|
|
Bros
(Nicholas Stoller, 2022)
|
76
|
|
|
|
|
69
|
73
|
|
72,7
|
|
Nawalny
(Daniel Roher, 2022)
|
|
|
|
|
|
60
|
85
|
|
72,5
|
|
Mehr denn je (Plus que jamais)
(Emily Atef, 2022)
|
70
|
|
|
|
|
69
|
78
|
|
72,3
|
|
Das Ereignis (L’évènement)
(Audrey Diwan, 2021)
|
72
|
67
|
74
|
|
|
75
|
72
|
|
72
|
|
Alles ist gutgegangen (Tout s’est bien passé)
(Francois Ozon, 2021)
|
70
|
|
|
|
|
74
|
|
|
72
|
|
Alle reden übers Wetter
(Annika Pinske, 2022)
|
70
|
73
|
|
72
|
|
63
|
82
|
|
72
|
|
Moonage Daydream
(Brett Morgan, 2022)
|
|
|
|
59
|
|
74
|
83
|
|
72
|
|
Der Passfälscher
(Maggie Peren, 2022)
|
|
|
|
|
|
|
72
|
|
72
|
|
Bodies Bodies Bodies
(Halina Reijn, 2022)
|
72
|
|
|
|
|
|
|
|
72
|
|
Sundown
(Michel Franco, 2021)
|
69
|
|
|
65
|
|
|
81
|
|
71,7
|
|
Der beste Film aller Zeiten
(Gaston Duprat, Mariano Cohn, 2021)
|
65
|
|
|
74
|
|
|
76
|
|
71,7
|
|
She Said
(Maria Schrader, 2022)
|
73
|
|
72
|
70
|
|
72
|
71
|
70
|
71,3
|
|
Top Gun: Maverick
(Joseph Kosinski, 2022)
|
70
|
73
|
|
60
|
74
|
75
|
69
|
78
|
71,3
|
|
Eine deutsche Partei
(Simon Brückner, 2022)
|
72
|
64
|
68
|
|
|
|
82
|
70
|
71,2
|
|
Earwig
(Lucile Hadzihalilovic, 2021)*
|
70
|
|
|
|
|
72
|
|
|
71
|
|
Red Rocket
(Sean Baker, 2021)
|
67
|
64
|
62
|
82
|
|
72
|
78
|
|
70,8
|
|
Triangle of Sadness
(Ruben Östlund, 2022)
|
67
|
63
|
72
|
74
|
|
69
|
85
|
65
|
70,7
|
|
The Woman King
(Gina Prince-Bythewood, 2022)
|
72
|
|
|
|
|
|
69
|
|
70,5
|
|
Spider-Man: No Way Home
(Jon Watts, 2021)
|
69
|
|
|
74
|
|
|
67
|
|
70
|
|
Gladbeck
(Volker Heise, 2022)*
|
73
|
|
62
|
|
|
|
|
75
|
70
|
|
Black Panther: Wakanda Forever
(Ryan Coogler, 2022)
|
70
|
|
|
|
|
|
|
|
70
|
|
Come On, Come On
(Mike Mills, 2021)
|
67
|
63
|
|
83
|
|
58
|
78
|
|
69,8
|
|
Don’t Look Up
(Adam McKay, 2021)
|
68
|
|
76
|
68
|
|
68
|
79
|
58
|
69,5
|
|
Schweigend steht der Wald
(Saralisa Volm, 2022)
|
69
|
|
|
|
|
|
|
|
69
|
|
The Lost Daughter
(Maggie Gyllenhaal, 2021)*
|
88
|
61
|
|
70
|
51
|
73
|
70
|
|
68,8
|
|
Crimes of the Future
(David Cronenberg, 2022)
|
70
|
71
|
|
53
|
65
|
77
|
75
|
|
68,5
|
|
Elvis
(Baz Luhrmann, 2022)
|
68
|
|
|
|
|
67
|
69
|
|
68
|
|
Alcarràs – Die letzte Ernte
(Carla Simon, 2022)
|
70
|
67
|
|
72
|
|
63
|
|
|
68
|
|
Einfach mal was Schönes
(Karoline Herfurth, 2022)
|
52
|
|
|
|
|
|
84
|
|
68
|
|
L’État et moi – Der Staat und ich
(Max Linz, 2022)
|
70
|
|
|
|
70
|
63
|
|
|
67,7
|
|
Encounters: Blutsauger
(Julian Radlmaier, 2021)**
|
|
63
|
|
74
|
60
|
59
|
79
|
70
|
67,5
|
|
Europe
(Philipp Scheffner, 2022)
|
67
|
69
|
58
|
|
|
|
74
|
|
67
|
|
Zeiten des Umbruchs (Armageddon Time)
(James Gray, 2022)
|
70
|
67
|
|
51
|
|
53
|
86
|
75
|
67
|
|
Pornfluencer
(Joscha Bongard, 2022)
|
70
|
63
|
|
|
|
|
|
|
66,5
|
|
Coda
(Sian Heder, 2021)*
|
62
|
|
|
74
|
|
|
63
|
|
66,3
|
|
Der Mann, der seine Haut verkaufte
(Kaouther Ben Hania, 2020)
|
67
|
|
|
|
|
65
|
|
|
66
|
|
Rebellinen. Fotografie. Underground. DDR
(Pamela Meyer-Arndt, 2022)
|
|
|
67
|
|
|
|
|
65
|
66
|
|
Annie Ernaux – Die Super 8-Jahre (Les années super-8)
(Annie Ernaux, David Ernaux-Briot, 2022)
|
72
|
64
|
|
59
|
|
68
|
|
|
65,8
|
|
Der Sommer mit Anaïs
(Charline Bourgeois-Taquet, 2021)
|
|
70
|
|
|
|
45
|
82
|
|
65,7
|
|
Aheds Knie
(Nadav Lapid, 2021)
|
72
|
60
|
|
40
|
|
73
|
83
|
|
65,6
|
|
Wo in Paris die Sonne aufgeht (Les Olympiades)
(Jacques Audiard, 2021)
|
65
|
63
|
|
|
62
|
72
|
|
|
65,5
|
|
Wir könnten genauso gut tot sein
(Natalia Sinelnikova, 2021)
|
72
|
59
|
|
|
|
|
|
|
65,5
|
|
France
(Bruno Dumont, 2021)
|
72
|
63
|
|
|
|
|
66
|
60
|
65,3
|
|
Moneyboys
(C.B. Yi, 2021)
|
72
|
64
|
|
46
|
|
|
78
|
|
65
|
|
Wir sind dann wohl die Angehörigen
(Hans-Christian Schmid, 2022)
|
70
|
|
60
|
|
|
|
|
|
65
|
|
Stasikomödie
(Leander Haußmann, 2022)
|
|
|
74
|
|
|
|
55
|
|
64,5
|
|
Wie im echten Leben (Ouistreham)
(Emmanuel Carrère, 2021)
|
|
62
|
61
|
|
62
|
|
72
|
|
64,3
|
|
Bardo
(Alejando Gonzalez Inarritu, 2022)
|
67
|
|
|
49
|
|
74
|
67
|
|
64,3
|
|
Grand Jeté
(Isabelle Stever, 2022)
|
57
|
|
|
|
|
44
|
90
|
|
63,7
|
|
Hustle
(Jeremiah Zagar, 2022)*
|
70
|
|
|
79
|
|
|
36
|
68
|
63,3
|
|
Call Jane
(Phyllis Nagy, 2022)
|
54
|
|
58
|
|
|
62
|
78
|
|
63
|
|
Die Ruhelosen
(Joachim Lafosse, 2021)
|
55
|
58
|
|
|
67
|
58
|
75
|
|
62,6
|
|
Werner Herzog – Radical Dreamer
(Thomas von Steinaecker, 2022)
|
63
|
62
|
|
|
|
|
|
|
62,5
|
|
The Menu
(Mark Mylod, 2022)
|
65
|
|
|
|
|
60
|
|
|
62,5
|
|
Lightyear
(Angus MacLane, 2022)
|
62
|
|
|
60
|
|
|
65
|
|
62,3
|
|
AEIOU – Das schnelle Alphabet der Liebe
(Nicolette Krebitz, 2022)
|
65
|
65
|
|
|
54
|
59
|
68
|
|
62,2
|
|
Moonfall
(Roland Emmerich, 2022)
|
52
|
|
|
|
|
|
72
|
|
62
|
|
Die Känguru-Verschwörung
(Marc-Uwe Kling, 2022)
|
|
|
|
|
|
59
|
65
|
|
62
|
|
Die Frau des Dichters
(Heike Misselwitz, 2022)
|
|
|
62
|
|
|
|
|
|
62
|
|
Glass Onion A Knives Out Mystery
(Rian Johnson, 2022)*
|
|
|
|
69
|
|
55
|
62
|
59
|
61,3
|
|
Gloria Mundi
(Robert Guediguian, 2019)
|
|
60
|
|
61
|
|
|
|
|
60,5
|
|
Pleasure
(Ninja Thyberg, 2021)
|
73
|
|
|
55
|
|
65
|
|
49
|
60,5
|
|
Der Schneeleopard
(Marie Amiguet, 2021)
|
|
53
|
|
|
|
|
67
|
|
60
|
|
Thor: Love and Thunder
(Taika Waititi, 2022)
|
68
|
|
|
|
55
|
57
|
|
|
60
|
|
Ambulance
(Michael Bay, 2022)
|
60
|
|
|
|
|
|
56
|
|
58
|
|
Men
(Alex Garland, 2022)
|
68
|
|
|
42
|
|
62
|
59
|
|
57,8
|
|
Blue Bayou
(Justin Won, 2021)
|
52
|
|
|
|
|
|
63
|
|
57,5
|
|
The Batman
(Matt Reeves, 2022)
|
|
|
|
60
|
32
|
|
79
|
|
57
|
|
In einem Land, das es nicht mehr gibt
(Aelrun Goette, 2022)
|
67
|
45
|
53
|
|
|
60
|
57
|
|
56,4
|
|
Peter von Kant
(François Ozon, 2022)
|
69
|
46
|
|
|
|
67
|
43
|
|
56,3
|
|
München – Im Angesicht des Krieges
(Christian Schwochow, 2020)*
|
55
|
|
57
|
|
|
|
|
|
56
|
|
Freibad
(Doris Dörrie, 2022)
|
45
|
|
|
|
|
|
67
|
|
56
|
|
Doctor Strange in the Multiverse of Madness
(Sam Raimi, 2022)
|
70
|
|
|
36
|
|
71
|
46
|
|
55,8
|
|
King Richard
(Reinaldo Marcus Green, 2021)
|
70
|
|
44
|
|
|
53
|
55
|
|
55,5
|
|
Everything Will Change
(Marten Persiel, 2021)
|
|
|
|
|
|
|
55
|
|
55
|
|
Three Thousand Years of Longing
(George Miller, 2022)
|
46
|
|
|
|
|
|
64
|
|
55
|
|
Rimini
(Ulrich Seidl, 2022)
|
65
|
70
|
|
85
|
|
38
|
17
|
|
55
|
|
Bad Tales (Favolacce)
(Fratelli Innocenzo, 2020)
|
65
|
|
|
25
|
|
55
|
68
|
|
53,3
|
|
Evolution
(Kornel Mundruczó, 2021)
|
72
|
|
|
|
|
|
33
|
|
52,5
|
|
Alice Schwarzer
(Sabine Derflinger, 2022)
|
|
60
|
48
|
54
|
|
39
|
73
|
40
|
52,3
|
|
Jagdsaison
(Aron Lehmann, 2022)
|
|
|
|
35
|
|
|
69
|
|
52
|
|
Rheingold
(Fatih Akin, 2022)
|
52
|
|
|
|
|
|
|
|
52
|
|
Avatar: The Way of Water
(James Cameron, 2022)
|
65
|
|
|
39
|
|
48
|
|
|
50,7
|
|
The Northman
(Robert Eggers, 2022)
|
22
|
|
|
|
|
44
|
84
|
|
50
|
|
The Eyes of Tammy Faye
(Michael Showalter, 2021)*
|
54
|
|
60
|
33
|
|
|
|
|
49
|
|
Was man von hier aus sehen kann
(Aron Lehmann, 2022)
|
|
|
|
|
|
|
47
|
|
47
|
|
The Bubble
(Judd Apatow, 2022)*
|
27
|
|
|
|
|
|
|
66
|
46,5
|
|
The Survivor
(Barry Levinson, 2021)
|
|
|
|
|
|
|
44
|
|
44
|
|
Ticket ins Paradies
(Ol Parker, 2022)
|
|
|
|
|
|
|
44
|
|
44
|
|
Im Westen nichts Neues
(Edward Berger, 2022)
|
43
|
|
|
|
|
19
|
68
|
|
43,3
|
|
Matrix Resurrections
(Lana Wachowski, 2021)
|
23
|
|
|
75
|
|
|
25
|
|
41
|
|
Rabiye Kurnaz gegen George W. Bush
(Andreas Dresen, 2022)
|
34
|
|
|
|
|
34
|
55
|
|
41
|
|
Don’t Worry Darling
(Olivia Wilde, 2022)
|
53
|
41
|
|
21
|
|
49
|
|
|
41
|
|
Der Gesang der Flusskrebse
(Olivia Newman, 2022)
|
52
|
|
|
|
|
28
|
|
|
40
|
|
Belfast
(Kenneth Branagh, 2021)
|
55
|
|
|
38
|
|
25
|
|
|
39,3
|
|
The Sadness
(Rob Jabbaz, 2021)
|
|
|
|
|
55
|
22
|
|
|
38,5
|
|
Jurassic World: Ein neues Zeitalter
(Colin Trevorrow, 2022)
|
38
|
|
|
|
|
|
37
|
|
37,5
|
|
Tausend Zeilen
(Michael Bully Herbig, 2022)
|
45
|
|
46
|
|
|
50
|
9
|
|
37,5
|
|
Rifkin's Festival
(Woody Allen, 2020)
|
37
|
|
|
|
|
|
33
|
|
35
|
|
Monsieur Claude und sein großes Fest
(Philippe de Chauveron, 2021)
|
34
|
|
|
|
|
|
|
|
34
|
|
Der Nachname
(Sönke Wortmann, 2022)
|
|
|
|
|
|
|
32
|
|
32
|
|
Batman v Superman: Dawn of Justice
(Zack Snyder, 2016)
|
|
|
|
22
|
|
|
|
36
|
29
|
|
Bullett Train
(David Leitch, 2022)
|
44
|
|
|
21
|
|
20
|
|
|
28,3
|
|
Liebesdings
(Anika Decker, 2022)
|
45
|
|
|
|
|
|
11
|
|
28
|
|
Märzengrund
(Adrian Goiginger, 2021)
|
|
21
|
|
25
|
|
|
|
|
23
|
|
Blonde
(Andrew Dominik, 2022)*
|
25
|
|
|
21
|
|
7
|
|
|
17,7
|
|
Servus Papa, See You in Hell
(Christopher Roth, 2022)
|
|
|
16
|
|
|
|
|
|
16
|
|
The Gray Man
(Anthony & Joe Russo, 2022)
|
22
|
|
|
4
|
|
16
|
|
|
14
|
|
Black Adam
(Jaume Collet-Serra, 2022)
|
15
|
|
|
|
|
12
|
|
|
13,5
|
|
Der junge Häuptling Winnetou
(Mike Marzuk, 2022)
|
|
|
3
|
|
|
|
|
|
3
|