|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Ein Höhlengleichnis (Il buco)
(Michelangelo Frammartino, 2021)
|
85
|
82
|
|
77
|
82
|
84
|
85
|
78
|
81,9
|
|
Sonne
(Kurdwin Ayub, 2022)
|
78
|
78
|
|
74
|
67
|
79
|
87
|
|
77,2
|
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
67
|
76
|
|
83
|
|
81
|
|
|
76,8
|
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
71
|
|
79
|
|
73
|
|
|
74,3
|
|
Weißes Rauschen (White Noise)
(Noah Baumbach, 2022)
|
62
|
|
|
83
|
|
77
|
77
|
68
|
73,4
|
|
Mehr denn je (Plus que jamais)
(Emily Atef, 2022)
|
70
|
|
|
|
|
69
|
78
|
|
72,3
|
|
She Said
(Maria Schrader, 2022)
|
73
|
|
72
|
70
|
|
72
|
71
|
70
|
71,3
|
|
Black Panther: Wakanda Forever
(Ryan Coogler, 2022)
|
70
|
|
|
|
|
|
|
|
70
|
|
Crimes of the Future
(David Cronenberg, 2022)
|
70
|
71
|
|
53
|
65
|
77
|
75
|
|
68,5
|
|
Call Jane
(Phyllis Nagy, 2022)
|
54
|
|
58
|
|
|
62
|
78
|
|
63
|