|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Valerie Dirk
Der Standard |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
One Battle After Another
(Paul Thomas Anderson, 2025)
|
67
|
73
|
86
|
78
|
99
|
52
|
90
|
92
|
90
|
80,8
|
|
Kontinental ’25
(Radu Jude, 2025)
|
75
|
71
|
|
82
|
85
|
|
77
|
92
|
69
|
78,7
|
|
Das tiefste Blau (O Último Azul)
(Gabriel Mascaro, 2025)
|
78
|
|
|
76
|
75
|
|
|
83
|
|
78
|
|
Stolz und Eigensinn
(Gerd Kroske, 2025)
|
78
|
79
|
81
|
|
|
|
|
84
|
67
|
77,8
|
|
Kill the Jockey (El Jockey)
(Luis Ortega, 2024)
|
82
|
80
|
|
85
|
40
|
77
|
74
|
96
|
82
|
77
|
|
The Lost Bus
(Paul Greengrass, 2025)*
|
72
|
|
|
|
|
|
|
|
72
|
72
|
|
The Smashing Machine
(Benny Safdie, 2025)
|
69
|
65
|
|
|
75
|
|
|
82
|
65
|
71,2
|
|
Miroirs No. 3
(Christian Petzold, 2025)
|
73
|
67
|
|
53
|
79
|
60
|
52
|
81
|
|
66,4
|
|
Amrum
(Fatih Akin, 2025)
|
65
|
64
|
27
|
|
|
|
72
|
82
|
|
62
|
|
Reflection In a Dead Diamond
(Heléne Cattet & Bruno Forzani, 2025)
|
70
|
65
|
|
|
14
|
|
75
|
67
|
|
58,2
|
|
Tron: Ares
(Joachim Rønning, 2025)
|
|
|
|
|
|
|
|
22
|
|
22
|