|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
One Battle After Another
(Paul Thomas Anderson, 2025)
|
67
|
73
|
86
|
99
|
52
|
90
|
92
|
90
|
81,1
|
|
Leibniz – Chronik eines verschollenen Bildes
(Edgar Reitz, 2025)
|
|
|
|
|
74
|
|
87
|
|
80,5
|
|
Das tiefste Blau (O Último Azul)
(Gabriel Mascaro, 2025)
|
78
|
|
|
75
|
|
|
83
|
|
78,7
|
|
In die Sonne schauen
(Mascha Schilinsk, 2025)
|
83
|
69
|
87
|
51
|
84
|
87
|
88
|
65
|
76,8
|
|
Kill the Jockey (El Jockey)
(Luis Ortega, 2024)
|
82
|
80
|
|
40
|
77
|
74
|
96
|
82
|
75,9
|
|
The Long Walk
(Francis Lawrence, 2025)
|
|
|
|
|
|
|
73
|
|
73
|
|
The Lost Bus
(Paul Greengrass, 2025)*
|
|
|
|
|
|
|
|
72
|
72
|
|
The Smashing Machine
(Benny Safdie, 2025)
|
69
|
65
|
|
75
|
|
|
82
|
65
|
71,2
|
|
Miroirs No. 3
(Christian Petzold, 2025)
|
73
|
67
|
|
79
|
60
|
52
|
81
|
|
68,7
|
|
22 Bahnen
(Mia Meyer, 2025)
|
65
|
|
|
|
|
|
72
|
|
68,5
|
|
Das Kanu des Manitu
(Michael Bully Herbig, 2025)
|
35
|
|
23
|
|
|
|
38
|
|
32
|