|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Valerie Dirk
Der Standard |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Everytime
(Sandra Wollner, 2026)
|
77
|
71
|
87
|
|
75
|
82
|
88
|
|
80
|
|
Teenage Sex and Death at Camp Miasma
(Jane Schoenbrun, 2026)
|
82
|
69
|
|
|
|
83
|
86
|
|
80
|
|
Funeral Casino Blues
(Roderick Warich, 2025)
|
75
|
|
|
|
|
|
72
|
|
73,5
|
|
The Lights, They Fall
(Saša Vajda, 2026)
|
80
|
67
|
|
|
|
|
|
|
73,5
|
|
Noga
(Jono & Benji Bergmann, 2026)
|
73
|
|
|
|
|
|
|
|
73
|
|
All my Sisters
(Massoud Bakhshi, 2025)
|
|
64
|
|
|
|
|
82
|
|
73
|
|
Die Odyssee (The Odyssey)
(Christopher Nolan, 2026)
|
60
|
|
76
|
62
|
|
57
|
82
|
88
|
70,8
|
|
Sunny Dancer
(George Jacques, 2026)
|
70
|
|
|
|
|
|
|
|
70
|
|
Nightborn
(Hanna Bergholm, 2026)
|
|
|
65
|
|
|
|
|
|
65
|
|
Spider-Man: Brand New Day
(Destin Daniel Cretton, 2026)
|
70
|
|
|
62
|
|
|
57
|
70
|
64,8
|
|
Lebensansichten eines Huhns (Hen)
(György Pálfi, 2025)
|
|
|
|
|
|
|
59
|
|
59
|
|
The End of Oak Street
(David Robert Mitchell, 2026)
|
43
|
|
|
|
|
|
62
|
|
52,5
|