|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Valerie Dirk
Der Standard |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Dry Leaf
(Alexandre Koberidze, 2025)
|
78
|
90
|
|
|
|
85
|
85
|
88
|
|
85,2
|
|
The Love That Remains
(Hlynur Pálmason, 2025)
|
82
|
|
|
87
|
91
|
|
|
91
|
65
|
83,2
|
|
Ingeborg Bachmann – Jemand, der einmal ich war
(Regina Schilling, 2026)
|
|
|
|
|
70
|
|
|
84
|
|
77
|
|
Backrooms
(Kane Parsons, 2026)
|
79
|
|
84
|
|
45
|
|
|
91
|
|
74,8
|
|
Resurrection
(Bi Gan, 2025)
|
64
|
|
|
|
41
|
|
|
86
|
|
63,7
|
|
Disclosure Day
(Steven Spielberg, 2026)
|
|
|
|
65
|
78
|
71
|
50
|
62
|
47
|
62,2
|
|
The Piano Tuner
(Daniel Roher, 2025)
|
|
|
|
|
62
|
|
|
|
|
62
|
|
Supergirl
(Craig Gillespie, 2026)
|
55
|
|
|
|
|
|
|
68
|
|
61,5
|
|
Obsession – Du sollst mich lieben (Obsession)
(Curry Barker, 2025)
|
72
|
|
|
|
37
|
|
67
|
|
|
58,7
|